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Your Lie In April – Harold Pinter Theatre

8Jul

By Kira DanielsNo Comments

London

Your Lie In April – Harold Pinter Theatre

A musical about musicians and for everyone, the play is based on the manga by Naoshi Arakawa and operates with a clear respect for the conventions of its source material and culture of origin. With a new English book by Rinne B. Groff, music by Frank Wildhorn, and lyrics by Carly Robin Green and Tracy Miller, the story is told concisely and movingly. Jason Howland’s music arrangement and orchestration is tremendous, and the work is as much a pleasure to listen to as any musical that so highly prizes musicianship. Directed and choreographed by Nick Winston, this production has a surreal gracefulness to it as transitions between scenes and musical numbers coalesce seamlessly and lend a magical quality to every encounter between character and audience. The venue is pushed to its full ph...

6Jul

By Olivia CoxNo Comments

London

Hedda Gabler – Bread And Roses Theatre

Out of all of Henrik Ibsen’s dramatic works, Hedda Gabler remains one of his most notorious. Featuring a supremely complex central character, it’s a realistic play that still leaves a lot up to interpretation — giving director Mya Kelln plenty to sink her teeth into in 13th Night Theatre Company’s new revival at The Bread & Roses Theatre. Set in an ambiguous time period, we follow 48 hours in the life of titular character Hedda (Eliza Cameron), a newly married woman who’s returned from a lengthy honeymoon with her academic husband Jörgen (Jack Aldridge). While navigating the boredom of her new life in a house she hates, the return of Jörgen’s academic rival — and, as it turns out, Hedda’s former romantic interest — Eilert Lövborg (Bede Hodgkinson) sets the character onto a path of m...

6Jul

By Kira DanielsNo Comments

London

Sparks – Jack Studio Theatre

Sisterhood is complicated. Sparks, a ninety-minute play by Simon Longman does not make it any simpler. Directed by Julia Stubbs for the Upper Hand Theatre whose co-founders also star in this production, Sparks stages the reunion of two sisters separated by twelve years without contact and a lifetime of disparate experience. Lisa Minichiello plays Sarah, a young woman without any friends who lives in an apartment without a sofa, works in an office without any purpose, and goes through the first twenty minutes of the play without any lines. Emma Riches dominates the stage as Jess, Sarah’s chaotic older sister who materializes on her doorstep one night with a goldfish and a back bar. The contrast between them is extreme almost to the point of unreality and their distinguishing features ...

6Jul

By Louise KershawNo Comments

North West

Natter – The Edge, Chorlton

My first trip out reviewing shows taking part in the Greater Manchester Fringe 2024 found me at The Edge in Chorlton to see Queerdog Theatre’s Natter. Set in 1980’s Salford, we follow the story of friends and confidantes, Helen and Linda, as they regularly meet up to watch TV, drink tea with biscuits, put the world to rights and share each other’s worries and woes. Presented very much in the vein of Les Dawson and Roy Barraclough’s classic Lancashire matriarchs, they sit head scarfed and heavily busted in front of the telly enjoying Countdown, Neighbours, The Bill and Bullseye, to name but a few. They gossip, they judge, they bathe in denial, initially avoiding the elephant in the room, the subject of Linda’s gay son, then march through with the herd as they tackle the intri...

6Jul

By Stewart Who?No Comments

London

Medea Gosperia – The Cockpit

I have a mild obsession with Medea, prompted by the realisation that there is not enough time to read, study and analyse The Classics, so probably wise to just focus on one banger until the coffin lid closes on my life. It was Rachel Cusk’s brilliant vision of the Euripides shocker at the Almeida which put me on this path. Kate Fleetwood’s performance and the entire production blew my mind. It moved me as a piece of theatre, but also turned me on to the text. This nouveau fevered enthusiasm led me to the 1969 Pier Paolo Pasolini film with Maria Callas, which gave me full-blown Medea mania. Medea Gosperia is presented as a ‘brand new jazz/gospel opera’ which in many ways, ticked a lot of boxes for me, but led to widespread hoots and horror when mentioned to my peers. It’s fair to s...

I’m Gonna Marry You Tobey Maguire – Southwark Playhouse

6Jul

By Zain RussellNo Comments

London

I’m Gonna Marry You Tobey Maguire – Southwark Playhouse

‘I’m Gonna Marry You Tobey Maguire’ takes audiences on a wacky ride, bringing them into the quaint and intimate setting of Southwark Playhouse Borough, which is creatively transformed to resemble a 14-year-old girl’s room. As you might have guessed, this girl is utterly obsessed with Tobey Maguire. Set in 2004, the play is drenched in nostalgia, featuring hit music from the era with songs by Britney Spears, Vanessa Carlton, Natasha Bedingfield, and Avril Lavigne. The story unfolds in Shelby's basement, which she has converted into her personal hub and shrine dedicated to her Tobey Maguire obsession. From the moment the performance begins, Tessa Albertson, playing Shelby, bursts onto the stage with infectious energy. Her portrayal vividly captures the wild infatuation and manic enthus...

3Jul

By Peter RuddickNo Comments

North West

Boyography – Social Refuge, Manchester

The marketing and pre-show announcements for Boyography promise a unique story about queer love and fluid sexuality in a “post-gay world”. The reality is a lot more commonplace. It starts promisingly. When two boys bump into each other in a school corridor something unspoken and powerful is sparked. The locker room encounter between Oliver (Isaac Radmore) and Jake (George Bellamy) feels inevitable, but Oliver’s reaction is a lot more surprising. Experience would tell an audience that the cocksure and laddish one in a relationship like this would be closeted and outwardly homophobic. Far from it. Oliver has a girlfriend, but he also happily sleeps with boys. It is just sex. After all, “bodies are bodies”. Sadly, the intensely modern idea of young men without doubt who reject la...

3Jul

By Jackie FoottitNo Comments

Yorkshire & Humber

Guts! The Musical – Hull Truck Theatre

Hull Truck Theatre’s latest production, GUTS! The Musical, a world premiere, portrays the real-life struggle female fish packers at a local fish factory faced in their battle for equal pay. The stark stage setting of bare, “tiled” walls, soulless strip lighting and little else is what one imagines a processing frozen food factory to be like. The year is 1984 and the aforementioned workers are about to make and change history. Also making a bit of (theatrical) history of their own are the 57 members of the community who answered the call to bring this production to life. Space prevents me from naming them all, but what a fantastic job they each did. The factory in question, owned by a Mr Frank Fish (Andrew Clark) is based in Hull, with all the fishy business, historically, being...

Everybody’s Talking About Jamie – Bradford Alhambra

3Jul

By Paul ClarkeNo Comments

Yorkshire & Humber

Everybody’s Talking About Jamie – Bradford Alhambra

When I was at school in the less enlightened 1970s the mere hint of being different would have earned you a beating, so turning up to an end of year disco in a dress would have been inviting real trouble. So when in our more liberal times Sheffield teenager Jamie New announces he wants to wear a dress to his prom you’d think no-one would care. Sadly, as in most musicals, the road to true self expression is never an easy one as he battles to overcome prejudice and his own insecurities to achieve his dream. Openly gay Jamie doesn’t want to be a forklift driver that his career teacher thinks is his destiny, instead he wants to be a drag queen like the real life character who Dan Gillespie Sells and Tom MaCrae based their lively musical on. It helps that Jamie has the support of his sing...

Lea Salonga – Festival Theatre, Edinburgh

3Jul

By Greg HolsteadNo Comments

Scotland

Lea Salonga – Festival Theatre, Edinburgh

A rare opportunity to see one of the greatest singers of our time, a true icon of musical theatre and a Disney princess twice over. The singing voice of warrior, Mulan and Princess Jasmine in Alladin, but perhaps best known for her role as Kim in Miss Saigon for over fifteen years, Salonga has a long list of stage and screen credits, spanning over 35 years. When Salonga took on the role of Kim in Miss Saigon in 1989, aged just 18, she went on to become the first Asian performer to win a Tony and one of the youngest to win an Olivier. In the 1990’s she played Eponine alongside, Michael Ball’s Marius in Les Misérables. The rest, as they say, is history. Most recently starring in Stephen Sondheim’s Old Friends, in London’s West End, she has taken time out to tour the UK, for eight perfo...