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All’s Well That Ends Well – Sam Wanamaker Playhouse

22Nov

By Paul AckroydNo Comments

London

All’s Well That Ends Well – Sam Wanamaker Playhouse

All's Well is a tricky play for both performers and audience as the plot is rather implausible, and the characters can be interpreted in numerous different ways. It has never been one of Shakespeare's most popular plays and is performed relatively infrequently. Director Chelsea Walker and the cast are to be congratulated on a lively and comprehensible new production in the Sam Wanamaker's beautiful candle lit theatre. The director chose to present the play on entirely bare stage with no stage furniture or scenery and minimal props. The costumes were modern and simple but appropriate with colour coordination to indicate the location of the scenes. It was accompanied by beautiful musical interludes under the direction of Louise Duggan, with Angela Hicks as the soprano whose voice provided...

The Rock ‘n’ Roll Panto 2024: Rapunzel – Everyman Theatre

22Nov

By Hannah WildeNo Comments

North West

The Rock ‘n’ Roll Panto 2024: Rapunzel – Everyman Theatre

Especially at this time of year, you can’t beat a panto. The beauty of this kind of theatre is that you always know what you’re going to get: tongue-in-cheek jokes, slapstick humour, outlandish costumes… and of course, the token “man in drag”. There is an element of the formulaic about pantomimes - something familiar, something comforting, something inherently festive. However, this particular show was different. Yes, it still had all the hallmarks one comes to expect from a panto - but in this case, it had something unique. Over the years, we’ve all seen hundreds of pantomimic retellings of classic stories like Cinderella, Sleeping Beauty and Snow White, with only small deviations from the main story we all know and love. But Rock ’n’ Roll Rapunzel was a version of the fairytale as we ...

It’s a Wonderful Life – St Mary’s Creative Space

22Nov

By Damian RiverolNo Comments

North West

It’s a Wonderful Life – St Mary’s Creative Space

Disley Theatrical Productions return to St Mary’s Creative Space with the Christmas Classic, It’s a Wonderful Life. Directed by Gail Young, we are taken along the journey of George Bailey and his life from one of his lowest points, right back to when he was a child, up to present day, and even how life would have been if he had never been born. This is all played out so Bailey’s Guardian Angel, Clarissa, can get to know who she is going to help and hopefully get her wings along with it. George Bailey is brought to life by Rob Lyon and what a role! Barely leaving the stage and so integral to the story. Lyon is great in the role, giving all the emotions needed to take us on this rollercoaster of a ride that Bailey goes on. Clarissa is played by Hilary Wiseman and brings a warmth to the...

21Nov

By H.S. BakerNo Comments

Scotland

101 Dalmatians – Edinburgh Playhouse

This musical is very much a children’s entertainment, so it’s therefore surprising that it runs the standard length of time, despite starting and finishing half an hour earlier than one normally expects. It would benefit considerably from being at least half an hour shorter, without losing any of the essential story telling or spectacle. The narrative is a simple one, the evil Cruella de Vil desires a wardrobe of outfits made of white with black spots fur, and to that end, sends her two incompetent nephews to steal all the Dalmatians in the area. With music and lyrics by Douglas Hodge, book by Johnny McKnight from an original novel by Dodie Smith, and directed by Bill Buckhurst, this musical has a lot in common with pantomime. With Cruella the villain we all love to bo...

It’s a Wonderful Life – Liverpool’s Royal Court Studio

21Nov

By Hannah EsnoufNo Comments

North West

It’s a Wonderful Life – Liverpool’s Royal Court Studio

I was glad to see how busy it was in the Studio for this production. Sometimes one feels slightly exposed and as though they should fear the worst sitting in a sparsely filled audience. Old Fruit Jar Productions is beginning to build up a solid reputation for bringing trustworthy and impactful theatre to the local area and I must say they continue that trend with this staging of It’s a Wonderful Life. Firstly, if you have yet to feel Christmassy then seeing a show like this will at once change that. The wholesome and honest story is a classic for a reason, that said, a classic on screen and so I was curious to see what it could be on stage. Due to the small space, they had to be economical and efficient with set and frills; not even the most high-tech theatres can jump from an off...

21Nov

By Peter KinnockNo Comments

West Midlands

A Christmas Carol – Birmingham Rep

Vanity publishing, which in recent years has metamorphosed into the far more respectable “self-publishing”, was once a much frowned upon indulgence reserved for potty poets and rich romantic novelists who didn’t need to make any money. However, it seems a number of well-known titles emerged from the self-funding route - “Paradise Lost”, “Sense and Sensibility”, “The Tale of Peter Rabbit” and Charles Dickens himself wasn’t beyond dipping into his pocket and splurging a few shillings to get a book on the shelves. His investment in A Christmas Carol would make many modern day self-publishers jealous - having never been out of print since 1843. Scrooge must be one of the most portrayed characters on stage and screen after Sherlock Holmes and Jesus and has been played by all and sundry. The ...

20Nov

By Amanda HodgsonNo Comments

North West

That Love Thing – HOME Mcr

This moving and entertaining piece follows the inner life of Peter, a man living with cerebral palsy, and his companion Michael, as they narrate the ups and downs of life with a serious disability. All the touchstones of Peter’s life – including his love of music and Shakespeare, his relationships with his unseen mother and brother, the travails of sex and dating, and his love/hate relationships with his various wheelchairs – are covered with wry humour. Just enough detail is given in each vignette for the audience to feel that the sketch is authentic and serious without overpowering the momentum of the show. Gradually we are introduced to main characters in Peter’s life – some real, some fictional, some perhaps both, including the Satanic Mr C.P., who appears to mock and torment...

20Nov

By Hannah EsnoufNo Comments

North West

An Inspector Calls – Liverpool Empire

With the size and grandeur of the Empire stage, any play has a feat to reach the farthest eyes and ears in the audience. Especially a play that has such a wide and respecting reputation, not to mention a sell-out run to precede it. I didn't watch that initial tour of this production, so I have no comparison. That said, I was keen to see the calibre of the National Theatre re-produced, albeit with a hint of apprehension as to whether it would feel big enough for a space so different to the intimate Littleton. However, sat way back in the stalls I was pleased to feel so much life from the distant stage. The characters were bold and worked very hard to keep us in that world of tailcoats and silk gloves. Sheila Birling (Leona Allan) had humility, and a subtlety needed to counteract Mr an...

20Nov

By Anna Ní DhúillNo Comments

North West

1984 – Liverpool Playhouse

In a new adaptation of Orwell’s seminal classic, Theatre Royal Bath productions bring their take on 1984 to Liverpool’s Playhouse. Adapted for stage by Ryan Craig and directed by Lindsay Posner, the meticulous design of the piece means as soon as you enter the auditorium, you step into the authoritative, totalitarian world in which our characters cannot escape. Setting up the Playhouse as a panopticon is an exciting start to a story that has thrilled audiences since first being published in 1949. Sadly, once the houselights dim, the thrill that Orwell constructed is slowly deflated by a meandering, technology-reliant production. It is a truly difficult task to adapt a text that is held up as a modern classic, that the majority of the population has read before they reach their mid-t...

The wicked White Witch rules over Leeds Playhouse’s festive extravaganza

20Nov

By Paul ClarkeNo Comments

Interviews

The wicked White Witch rules over Leeds Playhouse’s festive extravaganza

The extravagant festive shows at Leeds Playhouse have become the stuff of legend and this year they are bringing back The Lion, The Witch and the Wardrobe. They last staged C.S. Lewis’ classic children’s book to packed houses back in 2017, as four young evacuees venture through a mysterious portal in a wardrobe finding themselves at the heart of a war in the permanently wintery land of Narnia. Katy Stephens has taken on starring Shakespearian roles with the RSC, the National Theatre and at London’s Globe Theatre, but has headed north to play the villainous White Witch, who rules Narnia with an icy iron fist. Our features Editor Paul Clarke caught up with Katy between rehearsals to talk about the challenges of playing such an iconic villain, and why live theatre is still the best nigh...