Latest Articles - Page 125 of 645

17Jan

By Tracey BellNo Comments

Yorkshire & Humber

Bull – Playhouse Sheffield

A disturbing yet utterly compelling play with microscopic intensity that doesn’t allow you to look away. A decade after Mike Bartlett’s Olivier - Awarding winning production Bull departed Sheffield for its transfer to the Young Vic in London, Mesh Theatre co. brings it charging back to its homeland. Mike Bartlett initially penned this play after watching a Bullfight in Mexico City ‘It elicited something disturbing in the audience and yet thrilling… I am asking why we enjoy cruelty’. This quotation sums up this razor-sharp one act play, intended to be witnessed from ringside seats, close to the action, the fear and the brutality. It is shocking and so very familiar - Bullying, we witness this behaviour from cradle to grave, in school, in the workplace, in every interaction with oth...

17Jan

By Paul AckroydNo Comments

London

The Lonely Londoners – Kiln Theatre

This is unusual and creative adaptation of Samuel Selvon's 1956 book, which was one of the first.to focus on the lives of poor working class black people settling in England following the enactment of the British Nationality Act 1948. Set in the 1950s it provides vignettes of the life of a small group of black Londoners as they try to adjust to the cold and the blatant racism of the time, finding inevitably that London's streets are not paved with gold which they had been promised back in their home countries. This production, which has transferred to the Kiln theatre after a very successful run at the Jermyn Street theatre is a mixture of theatre and movement. The eight strong cast worked very well as an ensemble with members of the cast not directly involved in the current...

Pride & Prejudice (*Sort of) – Sheffield Lyceum

15Jan

By Tracey BellNo Comments

Yorkshire & Humber

Pride & Prejudice (*Sort of) – Sheffield Lyceum

Without doubt, the best theatre I have seen in years! Jane Austen’s classic Romantic Comedy novel, Pride & Prejudice published in 1813, is given this reshaping with exquisite insight and the voice of today’s much freer woman by Isobel McArthur in this modern stage version. The result has all the idiosyncrasies of the original with its underlying disclosure of reputation and family, still allegorically coded within but now with a freedom that allows a modern audience to heartedly laugh at the societal pressures of the era. This 21st- century microscope of a show, still explicably explores the interwoven themes of sexism, class and, the ache of relevance and foremost, the production retains the ‘Love’ questions, should love be enduring? Is there a perfect ‘one’? Or maybe love is someo...

14Jan

By Peter RuddickNo Comments

North West

Mariupol Drama – HOME Mcr

The word ‘unforgettable’ is overused. Especially in reviews. So many “unforgettable” theatrical experiences soon fade from the memory. However, the hundreds of innocent Ukrainian civilians who took shelter in Donetsk Regional Academic Drama Theatre will never be able to forget the time they spent in a space they hoped would be safe. Mariupol Drama is the story of some of those who survived the deadly bombing that followed. Told by the survivors themselves. It is, truly, unforgettable. Olena Bila, Ihor Kytrysh, their son Matvii, and Vira Lebedynska are now refugees in their own country, after their home was besieged by Russian forces in 2022. Following a meeting with Manchester actor David MacCreedy, arrangements were made to bring the production they had created to the UK. A...

14Jan

By Ralph JeffreysNo Comments

London

10 Nights – Riverside Studios

10 Nights is a funny and earnest play that sadly fails to live up to its full potential. The play follows Yasser, played by Adeel Ali, who decides to undertake I’tikaf, a 10-day period of isolation, prayer and spiritual cleansing at the end of Ramadan. For Yasser, more interested in TikTok than religion, this is a daunting prospect. One of the play’s strengths is in the themes it sets out to explore. Of these, imposter syndrome and social exclusion feature prominently. Yasser is made to feel uncomfortable by religious busybodies. His impassioned assertion that the mosque is supposed to be a place for everyone produced audible reactions of affirmation from the audience. Yet most of the play’s themes feel underexplored. Yasser is a character wracked by a central guilt, but we never fully ...

14Jan

By Johanna RobertsNo Comments

North West

Handel’s Messiah – Philharmonic Hall

What better way to shake of the Christmas/New Year blues than with the performance of Handel’s Messiah at the Royal Liverpool Philharmonic Hall in a tradition dating back to 1849. Handel composed the oratorio in a mere 24 days in 1741, but despite a warm reception at its premiere in Dublin, it received a cooler response at its subsequent performance in London. Nonetheless, it has since become one of the jewels of English classical music, and the light shone upon it by each conductor reveals new facets and highlights different elements, and it never fails to sparkle. Photo: Gareth Jones This year’s performance saw baritone Ben Appl, a former BBC New Generation Artist (2014-16) and current Artist in Residence at the Philharmonic, making his conducting debut. He introduced the piece ...

12Jan

By Wendy McEwanNo Comments

Scotland

PASS Double Bill – Traverse Theatre

The BA Dance and Drama students from PASS showcase their artistry in two ensemble pieces, created in collaboration with Dance Base. First up, the cryptically titled YGNEREME. The blurb in the programme talks about grief, collective action and emergency. A single dancer, Clara Browning, moves playfully in a spotlight, but then something changes and she is swept away by the collective. Assimilated, if you like. There is a pulse-driven techno soundtrack which enhances the feeling of ritual, and of not being quite what one was before – the sounds being machine-like. The rituals we use to navigate grief have ancient roots, and their comfort comes from following a well-established path. The movements emphasise rhythm and are all about the collective: there are few moments where individu...

11Jan

By Stephanie WiswallNo Comments

North West

Sleeping Beauty – Thingwall Players

Thingwall players should be very proud of themselves for their fun and energetic retelling of the traditional tale Sleeping Beauty. From the moment we entered it was a welcoming atmosphere. With a cast of mixed ages with excellent chemistry which shines through on the stage ensuring their audience leaves with a smile. One thing to note, this venue is a small, cozy and intimate venue which would be a fantastic performance to see for any children or adults who struggle with crowds or larger venues. But don't underestimate the talent and execution of this performance based on the venue size. It will have you beaming from ear to ear all the way home. Don't be fooled into thinking this is just an ordinary retelling of the tale. Brilliantly written by Nigel Holmes but superbly directed by ...

11Jan

By Zak RosenNo Comments

London

Belly Of The Beast – Finborough Theatre

Any kind of societal ill is, like society, gigantic. A hyperobject. Something that expands beyond what the human mind can easily grasp. Often, theatre that tries to engage with such phenomena can feel some combination of lost, scattered, bloodlessly instructional. This is not the case with The Belly of the Beast at Finborough Theatre. We begin in a small black box theatre, arranged tennis-court style, with two simple spaces dispersed across time – an office and a classroom – that, thanks to the set-lighting-sound work of Delyth Evans, Arnim Friess and Max Pappenheim, provides an excellent environment for the action of the play, dynamic and real without distracting from what happens next. Things really come to life, however, through the performances: Sam Bampoe-Parry and Shiloh Coke,...

Liar Liar Pants on Fire – The Union Theatre

11Jan

By Zandra OdetundeNo Comments

London

Liar Liar Pants on Fire – The Union Theatre

Liar Liar Pants on Fire delivers an authentic slice-of-life experience, anchored by the remarkable debut of Hayley Schiffer. From the very first scene, Schiffer’s performance draws you in with its raw emotion and unflinching honesty, encapsulating the all too familiar feelings of a second-generation immigrant with grace and depth. Her portrayal resonates deeply, leaving audiences feeling as if they are witnessing their own lives unfold on stage. Schiffer’s acting is nothing short of extraordinary. The way she speaks about Londoners and the observations she shares about everyday spaces feel incredibly genuine. It isn’t just dialogue; it’s a depiction of reality, infused with personal touches that make the narrative so relatable. This authenticity sets her apart, and it is evident in ...