Latest Articles - Page 123 of 645

25Jan

By Stephanie WiswallNo Comments

North West

Breezeblock Park – Hope Street Theatre

Breezeblock Park, set in Liverpool, during Christmas of 1975, following the highs and lows of a Scouse family as they encounter a different class, a shock revelation and try with all their might to maintain their Christmas spirit throughout. Written by Willy Russell, directed by Clayton Travis and performed by Off Topic Theatre Company. This performance is lengthy, hard hitting and diverse. The cast did extremely well with such a performance and each character portrayed their own morals, characteristics and mannerisms well, meaning the audience had a good grasp of the types of personalities, temperaments and natures which graced our stage. The story follows rebel Sandra (Chloe Gratton) who is trying to break free from her family class and norms to experience a wider world. Her dy...

24Jan

By Zain RussellNo Comments

London

Cymbeline – Sam Wanamaker Playhouse

A show performed in the intimate setting of the Sam Wanamaker Playhouse is truly a unique experience. Nestled within the larger and more renowned Globe Theatre, this smaller, intimate space evokes a sense of stepping back in time. The theatre’s design, featuring wooden galleries with benches and the warm glow of candlelight, creates an atmosphere that perfectly complements a Shakespearean production. The ambiance alone feels like a time machine to the Elizabethan era, making it the ideal venue for such a performance. As someone who wouldn’t consider themselves a huge Shakespeare fan and only knows the most popular of his works, I wasn’t sure what to expect from Cymbeline. However, this production turned out to be a hidden gem. From start to finish, it was captivating, immersive, and tho...

24Jan

By Savitha VenugopalNo Comments

London

Santi & Naz – Soho Theatre

Pretty much every person that walked into the dimly lit, intimate space of Soho Theatre paused for a beat at the unusual sight of the actors already being present on the stage. Two young women lay on the floor, tracing lines on the ground and humming to themselves. They waited in that comfortably contemplative state as the audience settled in, like a visual preface. Santi and Naz are the best of friends, having grown up together in a little village in pre-partition India. Their meeting place is by a lake, under the shade of a tree, where they play-act, tell jokes, and talk about the hazy future. Naz is blissfully unaware of the political turmoil, while Santi reads and tries to keep up with what is going on. One Muslim and the other Sikh, neither of them knows just how much the events of...

imitating the dog are back with All Bloods Runs Red at Leeds Playhouse

24Jan

By NewsdeskNo Comments

NEWS

imitating the dog are back with All Bloods Runs Red at Leeds Playhouse

Tech wizards imitating the dog are back to tell the little known story of pioneering black fighter pilot Eugene Bullard who went onto work with iconic French dancer Josephine Baker and American jazz legend Duke Ellington. All Blood Runs Red premieres in the Courtyard Theatre at Leeds Playhouse on 14-15 February. Bullard’s extraordinary life story traces many of the 20th century’s most important moments and is named after the inscription on his World War One fighter plane. The production features imitating the dog’s brilliantly constructed stagecraft, digital wizardry and songs begins with what seems like a straightforward tale of survival, resistance and fighting for acceptance. Decades before, Bullard had made France his home, seeking acceptance after fleeing segregation in Ameri...

24Jan

By Brian MaddenNo Comments

North West

Animal Farm – Octagon Theatre

George Orwell’s Animal Farm comes to life in a vivid and unsettling adaptation that thrusts the audience into the heart of a revolution. The barnyard is transformed into a stage where animals overthrow their human oppressors, driven by dreams of equality and justice. Yet, as Orwell so keenly observed, power has a way of corrupting even the noblest intentions. What begins as a hopeful uprising soon unravels into a chilling reflection of authoritarianism, manipulation, and the rewriting of truth. Olivia Chandler stands out in her dual roles, first as Mollie, the delightfully vain mare who steals the audience’s attention with her superficial charm, and later as Moses, the revivalist raven whose flamboyant performance oozes charisma and false hope. Meanwhile, Shoroosh Lavasani's portrayal o...

23Jan

By Johanna RobertsNo Comments

North West

Ensemble 10:10 – Tung Auditorium

The audience at the Tung Auditorium were treated to what can only be described as a remarkable concert with several notable firsts. This was Domingo Hindoyan’s debut conducting Ensemble 10:10. Ensemble 10:10, which celebrated its 25th anniversary in 2022 and became resident at the Tung Auditorium in the same year, was established by members of the Royal Philharmonic Orchestra to showcase new music and to offer support to new composers, particularly those from the North West. With this in mind, last night’s concert began with the world premiere of a piece by Sam Kane, winner of the Rushworth Composition Prize in 2023. The Rushworth Foundation set up the prize in 2015 to nurture new talent and to support the commissioning and performance of new music. Danu’s Rhapsody demonstrates K...

The Merchant of Venice – Royal Lyceum Theatre

23Jan

By Oliver GigginsNo Comments

Scotland

The Merchant of Venice – Royal Lyceum Theatre

The Theatre for a New Audience production of William Shakespeare's The Merchant of Venice is, of course, not set in Venice. Instead, we are in an American city in the near future, though the play's fidelity to Shakespeare's script largely confines this setting to its physical set, designed by Riccardo Hernandez (a brutalist concrete set of steps before two rectangular doors and a circular window), the presence of costume designer Emily Rebholz' suits and mobile phones and, of course, the Jewish characters being portrayed by Black actors (the link between two different intolerances aided by the fact the play has racist as well as antisemitic portions). This limits what the play can do to what Shakespeare did with it and, unfortunately, Shakespeare by today's standards is an antisemite. I...

22Jan

By Greg HolsteadNo Comments

Scotland

Rocky Horror Show – Edinburgh Playhouse

Midway through its UK tour, The Rock Horror Show is a franchise which retains its cult appeal and an ardent band of followers despite being over fifty years old. And there were no complaints here from the almost full audience, who cheered and bayed and provided the necessary responses at the appropriate times, and also plenty of unnecessary responses at inappropriate times! This time around, ex-Neighbours star, 56-year-old Jason Donovan takes on the alien, transvestite scientist lead role as the mercurial Frank-N-Furter. Donovan’s Frank is a languid, louche and limp-wigged affair, more aging aunt than sexy vamp. This is Dame Edna in stockings and suspenders, and for me at least, it doesn’t entirely pay off. Given the look and the speed of delivery, which is generally a slow, eye-rollin...

One Man Musical – Underbelly Boulevard Soho

22Jan

By Michelle KnightNo Comments

London

One Man Musical – Underbelly Boulevard Soho

A musical comedy written by the duo Flo and Joan performed by George Fouracres renowned for Hamlet, at the Globe, HBO’s The Francise as “the man” and Flo and Joan “The band “: Live at the Apollo. This satirical and comedic look at the ‘life story’ you could say of a gentleman who has made his name in musical theatre, an “icon of the theatre musical world” a man we all know or do we! The One Man Musical opens pandora’s box of glitz, and glamour with the highs the lows to the ridiculous. With each musical comes a story and yet his own aka Andrew Lloyd Webber’s is yet to be told. Intro please… Flo and Joan, then you meet George with dialogue of life as himself a fictional Andrew Lloyd Webber you could say. George is everything ...

22Jan

By Paul WilcoxNo Comments

North West

Calamity Jane – Opera House

Aaahh, Calamity Jane; evoking warm childhood memories of sitting on a Sunday afternoon in front of the TV with my late Mum, watching Doris Day (in implausibly pristine buckskin) sparring with Howard Keel in the iconic 1953 film. I clearly was not alone in my wistful nostalgia this evening, with a packed press night audience forsaking hearth and home during a freezing January, to rapturously welcome this stage version as it sets off on a 29 city tour of the UK over the next six months. They were rewarded with a show which revels in its sentimentality but has enough heart and humour to send even the most cynical critic home humming its memorable songs. An example of screen inspiring stage rather than vice versa, ‘Calamity Jane’ didn’t arrive on stage until nearly a decade after the movie ...