A story known for its bold, vibrant and defined characters, Louisa May Alcott’s beloved “Little Women” are brought to life once more in this new musical adaptation. With music by Dan Redfeld and book and lyrics by Christina Harding and John Gabriel Koladziej, bringing this staged concert to life with its innovative and magical material will be a comfortable task.
The orchestra are flawless, and the astonishing arrangements add to the magic of this story. The score elevates the story and encapsulates the underlying themes. Ensemble vocalists are used at times, providing power and elevation to the number. Each sister’s musical parts have been written to reflect their personality and there are beautiful arrangements between the four girls, particularly in the opening number “The Pickwick Portfolio” where their adventure and storytelling is captured. This song sets the tone and heart of the show well, introducing these four protagonists. Kelly Mathieson as Meg has a beautiful soprano and Christine Allado as Jo has a clean and powerful vocal which drives the show. There is no doubt that this show bursts with impressive vocal talent and technical harmonies that are executed effortlessly.
This production is well casted and the little time the cast had together to develop relationships is not evident, particularly between the sisters. As expected, few props were used but this did not distract from the acting and story on stage. The cast did well to interact, and the audience did not have to use their imagination to feel immersed. JoAnn M. Hunter’s movement direction is superb and the ensemble dancers particularly during the ball scenes were a charming addition and an insight the exciting way movement could be used in a full production.
The current score is extensive and explores similar themes in each song, at times making the material feel repetitive. While it is insightful to hear the girls’ inner thoughts and feelings, each girl sharing their internal monologue and duetting with their respective partners leaves little room for character development through dialogue. To hear Chris Mann and Liam Tamne’s vocals is an enjoyable change to the characters’ usual roles as side characters’, however the array of similar-themed songs affect the pacing of the show, and a little more variation in their style would be welcome. However, due to the production being a concert, it is understandable that the songs were the main aspect being showcased.
While Christine Allado and Tobias Turley as Laurie were on equal footing during their duets, and Turley’s powerful voice held, their scenes together did not feel entirely natural and where Laurie proposes to Jo could be more powerful. Aunt March’s character always provides humour, and this was particularly well executed by Tracie Bennett, inciting cackles from the audience. Sophie Pollono who plays Amy really shone due to her extraordinary stage presence and how Amy’s character was adapted. Laurie and Amy’s duet “My Captive Heart” was a particular highlight due to Turley’s and Pollono’s vocal blend and their chemistry felt palpable.
For a staged concert, this production fared extraordinarily particularly within the confines of the staging, however as a fully-fledged stage production minor changes would need to be implemented to capture the audience’s attention throughout. However, there is room for this emotive and fulfilling celebration of womanhood and personal ambition to be revived as a musical adaptation, particularly as it embodies the classical magic of musicals. This story is a reminder for all generations that small acts of kindness and ultimately following your dreams goes a long way in the search for happiness.
Reviewer: Maani Way
Reviewed: 25th January 2025
North West End UK Rating: