West Midlands Archives - Page 3 of 14

1Jul

By Peter KinnockNo Comments

West Midlands

Hamilton – Birmingham Hippodrome

Battling over who becomes the next American president took place twice last week. Once as two white men - one stumbling inarticulately, the other lying shamelessly - battled on TV, the second as a vibrantly talented and culturally diverse cast of astonishing performers retold the tale of the early days of America and its constitution. The former making me weep for the future of our planet, the latter filling me with hope for the future of our species. “Hamilton” is Lin-Manuel Miranda’s barn-storming, hip-hop, rapping Broadway smash which has enchanted the world for nearly a decade. And though, the rapping occasionally narrows the bandwidth of what is possible in a musical, this is undoubtedly a writer aware of his theatrical heritage. Listen carefully and you’ll hear traces of Gilbert a...

28Jun

By Peter KinnockNo Comments

West Midlands

Twelfth Night – Stafford Gatehouse

For those of you not around for the premiere in 1601 you missed a belter. The Bard’s buoyant and feisty tale of shipwrecked twins rent asunder amidst a fearsome tempest (not to be confused with the other Tempest by the same writer) to be finally washed up on the shores of the lyrical land of Illyria has held audiences enthralled for decades and, if this production is anything to go by, will for many more. Music is, indeed, the food of love in this sparkling new production at the Stafford Gatehouse it’s a fulsome menu of tasty titbits served by kitchen full of Michelin-starred chefs. Sean Turner’s unique interpretation of the play fizzes with invention, joy and bright new ideas - though relocating the play to a Cornish fishing village in 1958 does strip it of its usual pastoral idyll it ...

Charlie and the Chocolate Factory – The Alexandra, Birmingham

13Jun

By Annette NuttallNo Comments

West Midlands

Charlie and the Chocolate Factory – The Alexandra, Birmingham

This loved family favourite bursts from the stage in a riot of colour and energy. BMOS are a well-established and respected amateur company. The fact that they have been chosen as one of only 11 companies nationwide to lead Les Misérables next year, should give you a clue to the quality of their performances and productions. This is the tale of poor Charlie Bucket, who dreams of chocolate. Will he ever get to see inside Wonka’s factory? If he does, what will he find there? Young Charlie (Theo Traat at this performance) seems rarely to leave the stage. His eternal hope and belief in his dream, and his kindness shine through and create a heartwarming performance. Robbie Love as Wonka is a many faceted character, cunning and a touch sinister but also full of wonder and childlike ...

6Jun

By Peter KinnockNo Comments

West Midlands

The 39 Steps – The Alexandra

“What are the 39 Steps?” is the key line on which the entire narrative pivots in Hitchcock’s 1935 adaptation (featuring the engaging Robert Donat) of John Buchan’s 1915 tale of daring-do, high-jinks and military secrets. Mr Memory, of whom the question is asked, happily reveals his answer before meeting a very unhappy end. (Ooops, plot spoiler. Though I think that only happens in that version.) It’s a story riddled with twists, turns and near misses making it ideal fodder for cinema where it’s evolved into no less than four incarnations plus innumerable TV versions and uncountable radio dramatisations. Clearly a hot title which has kept us intrigued for 90 years. I first saw Patrick Barlow’s version (which evasively credits Simon Corble & Nobby Dimon as “From an original concept by” - ...

28May

By Peter KinnockNo Comments

West Midlands

Mind Mangler – Alexandra Theatre

‘From the comedic minds behind “The Play That Goes Wrong” and “Peter Pan Goes Wrong”’ boasts the poster. Featuring two of the original “Play Goes Wrong” creators - Henry Lewis and Jonathan Sayer, both accomplished and veteran go-wrongers, with impressive CVs of chucklesome achievements and each with an enviable comedic reputation. The stakes and standards are high. Will the expectations and the boasts be met? Add into the alluring mix a couple of familiar names from the world of sleight of hand - Penn and Teller, though neither are present, their influence is felt. A perfunctory sniff around the branding and website would suggest a comedy magic show with a dollop of mind-reading leading to, as they used to say in the Radio Times, hilarious consequences. “The Play That Goes Wrong” was a daz...

22May

By Peter KinnockNo Comments

West Midlands

Come From Away – Birmingham Hippodrome

I’d never heard of Gander and I probably couldn’t put my finger on Newfoundland without Google Maps but in the week following the 911 in attacks in 2001 38 planes were redirected from their intended destination and landed there instead. 7000 passengers unexpectedly arrived on the island and this is their story. Not the most obvious subject for a musical or is it…? “Come From Away” opened in San Diego in 2015 and, after moving to Broadway, went on to win Best Musical, Best Original Score, Best Book, Best Actress and Best Direction - quite clearly the ideal subject for a musical, then. In the safe hands of composer/lyricist Irene Sankoff and husband, David Hein, both of whom where in New York when the twin Towers fell, “Come From Away” has proved itself a heart-warming and humbling work whic...

15May

By Peter KinnockNo Comments

West Midlands

Withnail and I – Birmingham Rep

“We want the finest wines available to humanity, we want them here and we want them now!” You either know this cult film tottering on the brink of its fortieth anniversary or, like me, you’ve remained blissfully unaware of its merits over that period. But as the big 40 approaches perhaps it’s time to acquaint myself with it, doff my cap and say hi. It seems this version, ably helmed by Sean Foley, embellishes and only slightly strays off the beaten path of the film, but this is not a bad thing. In 1987 Richard E. Grant and Paul McGann, both unknowns tottering on the brink of stardom, undertook the roles of two unemployed actors in a tale loosely adapted from the life of writer/director Bruce Robinson. The film found a following which soon coalesced into a cult and has remained so ever s...

15May

By Annette NuttallNo Comments

West Midlands

Sister Act – Birmingham Hippodrome

When a show is running in London and on a national tour at the same time, you know there must be something special about that show. Based on the 1992 film of the same name, but with different songs, the lively and fun Sister Act musical arrives in Birmingham this week for a short run. This show tells the tale of wannabe singer Deloris Van Cartier. She inadvertently witnesses a murder and goes into protection in the most unusual of places, a church convent. Can she blend in with the nuns? Can anything improve their singing? The stage was filled with strong vocal performances throughout from every singer. These were only matched by the characterisation of every part, from the enthusiastic young nun to the reliable policeman and everyone in between. Landi Oshinowo was faultles...

2May

By Robert BartleyNo Comments

West Midlands

Love Never Dies – Wolverhampton Grand

When Andrew Lloyd Webber’s ‘Phantom’-follow-up ‘Love Never Dies’ hit the West End in 2010, it opened to a critical mauling that led to the show being closed to allow significant reworking. The press still wasn’t too kind, with some jokingly retitling the show as ‘Paint Never Dries’. While the show never stood a chance of replicating the success of its predecessor, there is still a lot of love for it in theatreland, as showed by the standing ovations at the Drury Lane concerts last year. And now it’s time for the country’s amateur groups to have a bash, starting with the West Bromwich Operatic Society (WBOS), who are performing the show this week at the Wolverhampton Grand. Loosely based on the 1999 novel ‘The Phantom Of Manhattan’ by Frederick Forsyth, ‘Love Never Dies...

1May

By Peter KinnockNo Comments

West Midlands

Blood Brothers – Birmingham Hippodrome

It’s not surprising that two of the greatest, and longest-lasting, touring shows in the history of the British theatre (“Blood Brothers” and “Joseph”) have outlasted the producer of both, Bill Kenwright. It was his acumen as well as his insight which spotted their potential for longevity - and he was certainly proved right. Not only was Kenwright a powerhouse of theatre production for many years, but the progenitor of numerous solid, lucrative tours giving work to hundreds, if not thousands, of actors, singers and dancers. It’s with these two shows Kenwright will be synonymous, and both have toured forever without a conclusion in sight. “Joseph” has lasted pretty much continuously for forty years with “Blood Brothers” trailing behind with a mere thirty or so under its belt. Where “Joseph” ...