Wednesday, November 27

Scotland

Almost Adult – Gilded Balloon Patter Hoose
Scotland

Almost Adult – Gilded Balloon Patter Hoose

Actor and creator Anne-Tilley combines comedy and drama as her character Hope tackles both coming-of-age issues as well as the more serious ones that unfortunately confront women in particular. Hope thinks she's escaped the north of England for the bright lights of London, only to find the capital, and adulthood come with their own challenges. Though well-meant, timely and heartfelt, the uncomfortable nature of these issues and Anne-Tilley's natural strengths as a performer make the more dramatic parts of the show much more successful than the comedy ones. Though the two stars given here might suggest there is more that doesn't work than there is, that very much isn't the case, as it's more a question of imbalance. Had comedy been more the icing than the raison d'etre, Anne-Tille...
Something About George – Assembly Rooms Spiegeltent
Scotland

Something About George – Assembly Rooms Spiegeltent

The songs of George Harrison are something of an enigma to many. More known as a member of The Beatles, the ‘greatest band in the history of the world’, than a solo artist. This show aims to set the record straight, and does a pretty good job of that, although it falls short on other fronts. Through songs like, All Things Must Change, Something and My Sweet Lord, Daniel Taylor, tightly accompanied by Jon Fellowes on Guitar and backing vocals and Jon Thorn on Keyboards takes us at a swift pace through Harrison’s extensive solo repertoire.  Along the way Taylor also fills in many of the blanks that few of us were aware of – his difficult marriages, his legal battles, his part in the creation of the worlds first super group, The Travelling Willburys his work in film production, and hi...
Kathy and Stella Solve a Murder – Summerhall Roundabout
Scotland

Kathy and Stella Solve a Murder – Summerhall Roundabout

BFFs Kathy and Stella are true-crime fans hosting a podcast on the subject in Hull. With it, they dream of making the big time (and avoiding their other problems) but their best chance is blown when their favourite investigator-author is murdered. Building on the skills they've no doubt absorbed through osmosis, they resolve to crack the case themselves. Making good use of the venue's theatre-in-the round mise en scene, Bronté Barbé, Rebekah Hinds, Jodie Jacobs, TJ Lloyd and Imelda Warren-Green (in particular) are energetic, funny and likeable, navigating effortlessly between the humour, drama, and, of course, singing, ably accompanied by live keyboards, with the lighting underlining well the mood, punctuating the joke and energising the scene transitions. However, the show is sl...
The Queen’s Cartoonists – Assembly Roxy
Scotland

The Queen’s Cartoonists – Assembly Roxy

The Queen's Cartoonists are six jazz musicians currently part of the New York City jazz scene (the eponymous Queen's being the location over there, rather than the person over here). Their show aims to make jazz music more accessible by performing a live soundtrack (which sometimes involve folley too) to classic and contemporary animation, synchronized with the projected films. With a seemingly extensive repertoire of music and shorts, their Fringe show feature prominently Classic Warner Bros cartoons, accompanied by some (probably less well known here) shorts from Russia and Korea. For their British audience they have also teamed up with Aardman Animation to include four of their pieces starring their three most famous characters, a no doubt canny move judging by the awed murmur which ...
Something About Simon – Assembly Rooms
Scotland

Something About Simon – Assembly Rooms

The songs of Paul Simon are embedded in all of us - The Sound of Silence, Homeward Bound, The Boxer, and of course Bridge Over Troubled Water. Gary Edward Jones turn musical shaman as he draws Paul Simon classics from our very souls, in the almost mystical surroundings of the Assembly Rooms George Street Spiegeltent. Perhaps the only things missing are giant beanbags and joss sticks to make this a truly heavenly experience. There is no doubt that Jones has an innate talent for relaxing his audience – his measured, almost whispered, hypnotic delivery and his great stillness anchor him in front of a rapt audience. You could see this retelling working equally well – perhaps even better - in a church. There is a reverence here, and it is not lost. Having spent twenty years as a singer...
Becoming Chavela – theSpace on North Bridge
Scotland

Becoming Chavela – theSpace on North Bridge

Stephanie Trudeau is a one woman tour de force as she serves up an informative and transformative docu-cabaret following the life and songs of legendary Latin American ranchera singer, Chavela Vargas, accompanied by a simple solo acoustic guitar. Having overheard two Americans beforehand complain that they had missed Trudeau’s performance in LA and New York, I expected much from this globe-trotting show - I was not disappointed. But who you may well ask, or rather was, Chavela. Well, from the sound that comes from Trudeau it is clear from the start that she was firstly an extraordinary singer. Trudeau has the ability to modulate her voice from a teenage girl, to an ancient husky (male) ranchero, sometimes in the same song! Perhaps it is the liberal quantities of Tequila that help to loo...
Buffy: Revamped – Pleasance at EICC
Scotland

Buffy: Revamped – Pleasance at EICC

As a long-time fan of Buffy, I had high hopes for this show, and I was not disappointed. This show is a rip-roaring ride through 90’s nostalgia. Brendan Murphy is like a one-man time machine pulling in jokes and references from all branches of the fruitful 90’s tree. He is an amazing storyteller, and you can feel his passion for Buffy speak for itself through his energetic performance. This is a well-crafted piece of theatre that uses all manner of media to set the scene, songs, video clips, theatre, props, poems, audience participation, lighting, sound effects and stand up, this show has it all! This show leans hard into the cult, campy fun of Buffy the Vampire Slayer and gives it a silly, original update for the 2020’s , Buffy: Revamped is a very self-aware show that manages to poke f...
Lizard Boy – Gilded Balloon
Scotland

Lizard Boy – Gilded Balloon

The premise of ‘Lizard Boy’ is certainly unconventional. Trevor is a 20 something who, as a result of a childhood run-in with a dragon, is covered in green lizard scales and has shut himself off from the World. However, on ‘Monster Fest’, he decides to venture out of his isolation and meet up with a guy he met on Grindr. Things escalate very, very quickly from there. There are many factors contributing to how, somehow, this show works, one of which is the extraordinary talent on stage. All three performers I saw had insane vocal and instrumental talent (This is an actor-musician show), being able to cover the reasonably wide range of styles and tones that the score covers. They were all also able to imbue their characters, who could have so easily been played as one-note cartoons, with ...
Joe Wells: I am Autistic – Banshee Labyrinth
Scotland

Joe Wells: I am Autistic – Banshee Labyrinth

Joe Wells is Autistic. About two years ago, he had a video about Autism go viral online and was unwittingly thrust into the role of Autism Spokesperson. This show is part of his effort to fulfil this job by talking about his experiences as an Autistic person. Whether covering directly Autism-related material, such as the Spectrum 10K debacle, or more standard fare, such as conspiracy theories and Vladimir Putin, Wells is clearly a masterful comic. As well as being just very funny, he has a great stage presence and is incredibly engaging, despite never relying on direct audience engagement, going as far as to have a notice at the beginning saying this won’t be happening. A further indicator of Wells’ mastery of comedy is the balance he’s able to strike between getting the laughs a...
Black is the Color of my Voice – Pleasance at EICC
Scotland

Black is the Color of my Voice – Pleasance at EICC

Amazing. Brilliant. Such an expanse of energy. These are some of the comments I heard on leaving the theatre. For myself the rapture began less than one minute in. The hairs, not just on my arms, but on my scalp, stood on end as our protagonist call “Daddy!” Why? I’m not sure. It must have been the emotional intensity. I knew this was going to press buttons and make me bleed. In a good way. Apphia Campbell has a powerful voice: a fitting tribute to Nina Simone, but, more than that, this woman can act. She knows about pace and tension and pathos and immersion. It is a beautiful piece of theatre. Scripted to perfection by Campbell, this is a don't miss piece for lovers of Nina Simone and all theatre goers who admire true commitment and emotional frankness. For me, I knew little of t...