Friday, May 10

Scotland

The Ritual – The Banshee Labyrinth, Edinburgh
Scotland

The Ritual – The Banshee Labyrinth, Edinburgh

As Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile, The Ritual draws a sell-out, expectant audience to the fifty-seater underground vault that is The Chamber Room. Talking to the queue beforehand, I find one acolyte who is back to see the show for the 13th time, who swears that the first viewing changed her life. By the end of a very quick hour, I can see why this classic double act, Steffens Hanes as ‘The Master’ and Gregory Lass as his stumbling, crouching, fawning servant ‘Gregor’, are in the process of assembling an almost cult-like following. They are just brilliant. Good Clowning requires not acting but reacting. Hanes, half Norwegian, half Danish and a graduate of the Paris Clown Academy knows this and uses it to its utm...
The Shadow in the Dark – The Banshee Labyrinth, Edinburgh
Scotland

The Shadow in the Dark – The Banshee Labyrinth, Edinburgh

Edith Nesbit is best known as a writer of children’s fiction, but alongside her classic novels such as The Railway Children, she explored a variety of genres, including horror. The Shadow in the Dark is comprised of spoken word adaptations of several such stories, told by a trio of actors. Edith (Rebecca Hale) sits at a wax cylinder machine, surrounded by candles.  She speaks into the recording device, telling us of her memories of childhood, and of how she became afraid of the dark. Hale’s Edith speaks in the way I always imagined she would. In her crisp accent, she is soothing and deliberate. She gives the impression that she is telling a bedtime story, but the atmosphere is sinister. In The Mummies at Bordeaux, she tells of a creepy childhood encounter in a charnel house, th...
Dr Bonk’s Macarbaret – The Banshee Labyrinth, Edinburgh
Scotland

Dr Bonk’s Macarbaret – The Banshee Labyrinth, Edinburgh

As Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile Dr Bonk’s Macarbaret promises an evening of drag, burlesque, music, comedy and medical mayhem. Dr. Bonk, imagine a more creepy and cookie version of Mr Bean if you will, unspeaking and with a white leather beak-like gimp mask. Prompted by a script read from the back of the room, the reason for this being…unclear? The demographics in the 50-seater underground chamber are interesting, 90% female and average age of twenty-something. The bird-faced Bonk is an odd-looking character who prods and pokes various audience members with his stethoscope and at one point removes the earwax from one rather uneasy looking young lady to create an instant candle. Which drew some nervous la...
The Haunted Haus: Adamas Family Values – The Banshee Labyrinth, Edinburgh
Scotland

The Haunted Haus: Adamas Family Values – The Banshee Labyrinth, Edinburgh

As Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile, April Adamas international drag legend (it says here!) and friends are certainly on the ‘Rocky’ side of Horror as they strut and lip-synch their way at (time)warp speed towards the witching hour. Chaotic, amateur, energetic, edgy. In a performance that started twenty minutes late and with performers outnumbering audience at the start this got off to a bad start, but certainly was a grower, to the point an hour later the 40-seater venue was full to bursting point and rocking big style. The infeasible lithe April and friends certainly put on a show, dramatic and well-choreographed, gymnastic and high octane and with April’s ascetic wit (like a latter-day Lily Savage) just ab...
Devil In The Belfry – The Banshee Labyrinth, Edinburgh
Scotland

Devil In The Belfry – The Banshee Labyrinth, Edinburgh

Part of the Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile, Edgar Allan Poe’s short tale is vividly reincarnated by the brilliant David Robb in partnership with the assured touch of director Flavia D’Avila. All seems well in the town of Vondervotteimittiss (wonder-what-time-it-is), somewhere in the mountains of Holland (?), where the clock is king and the cabbage is queen, until a fiddle playing stranger comes a calling. With rubber face and equally lithe body, Robb with just a handful of props shows just what can be achieved with very little indeed but with quite a bit of help from an entranced audience, who, with varying levels of enthusiasm, take on the role of central character Handel Fledermaus. Handel, whose parents were unfo...
Tarmac Lullaby – The Banshee Labyrinth, Edinburgh
Scotland

Tarmac Lullaby – The Banshee Labyrinth, Edinburgh

Part of the five-day long Edinburgh Horror Festival, at The Banshee Labyrinth just off Edinburgh’s ghostly Royal Mile. A suitably dark and stormy night saw me head out for a Labyrinthine hat trick of horror. First up, written by Daniel Orejon for his theatre company Crested Fools, this one-woman show looses its way a little by being way too wordy for its own good. Often the simplest stories told well work out the best. A flow chart showing all of the characters featured in the stories and their relationships would have been handy. A chance meeting in a car park brings together two old schoolteacher friends, and soon they are recounting stories from the past, but these are not cosy school stories, these are tales of blood-weeping daughters, abusive relationships, a foul-mouthed m...
Moorcroft – Traverse Theatre
Scotland

Moorcroft – Traverse Theatre

This tale of male friendship and football is based on writer / director Eilidh Loan’s own memories of growing up in a working-class community in Renfrewshire, and the stories that her dad told her. The play begins as Garry (Martin Docherty) turns 50. He’s grown weary over the years, and he starts to reminisce about his glory days, in the 1980’s, and the friends he played football with back when he had fire in his belly. As narrator, Garry establishes that the story is about working-class men, and will not feature “big bits of furniture falling from the sky”, or sparkly costumes, because “life is so boring and shite” where he comes from.  Everyone needs an escape from life’s hardships, and these men find it in their grassroots football team, Moorcroft. The characters are well dr...
Battery Park – Traverse Theatre
Scotland

Battery Park – Traverse Theatre

Andy McGregor’s show, about a short-lived Indie band in the early nineties, includes an album’s worth of original songs, so it’s a lot like seeing a play and a gig at the same time. In the present day, Older Tommy (Chris Alexander) is approached by student Lucy (Chloe-Ann Taylor), who multi-roles as Tommy’s girlfriend, Angie, back in the nineties. Lucy is writing a dissertation on indie music, and she wants to know why Battery Park crashed and burned just before they made it big. In the nineties, Tommy’s (Stuart Edgar) brother Ed (Tommy McGowan) has just been fired from his dead-end job, and his pal Biffy’s (Charlie West) band has split up because one of the members got grounded for failing higher maths. They happen to hear Tommy playing a song on his guitar, and agree to form a ban...
Treason The Musical – Festival Theatre
Scotland

Treason The Musical – Festival Theatre

Ricky Allan’s Treason, The Musical ends on a poignant point - years after the event itself, we’re fixated on the burning of a man who never started the fire. The story, in theory, is simple. Here is the Gunpowder plot, but like you’ve never seen it before. And, instead of focusing on the primary school stories of your youth where Guy Fawkes is caught red-handed and burnt at the stake, Treason focuses on the themes of persecution, scapegoating and secrecy to understand the motives behind the real plotters who took the Gunpowder plot from being a desperate last resort to a possible reality. Setting out the motivations behind the plot, the storyline follows Thomas Percy as he embroils himself in a group of plotters to take down parliament. At the same time, the figure of Guy Fawkes watche...
Nae Expectations – Tron Theatre
Scotland

Nae Expectations – Tron Theatre

As the title suggests, this is a version of Charles Dickens's Great Expectations, relocated North of the English border. Young Pip (Gavin Jon Wright) is now a young Scottish lad encountering Scottish versions of Magwitch (Gerry Mulgrew), Miss Havisham (Karen Dunbar) and, unexpectedly, judgemental cows, on a journey from the Scottish countryside to Glasgow. It's a journey of great, and sometimes nae, expectations as he meets and helps an escaped convict and a twisted lady & young girl in a decrepit house, three people who will have far-reaching, and often sinister, consequences in his ongoing journey for personal betterment. Director Andy Arnold, for whom this is the 40th and final directing turn at the Tron called this story "a wonderful mix of dry and caustic wit combined with...