Scotland Archives - Page 68 of 130

13Jun

By Tom ScottNo Comments

Scotland

Lie Low – Traverse Theatre

‘Lie Low’ is a theatrical jewel. This is theatre at its best, a production which deals with serious issues but still manages to be hugely entertaining and genuinely funny. If you possibly can, go and see this amazing show. You won’t be disappointed. ‘Lie Low’ is brilliantly written by Irish playwright, Ciara Elizabeth Smyth. The script won the Best Theatre Script award in 2023 from the Writers Guild of Ireland. It’s energetic, funny, profound, imaginative, inventive and deeply moving. Smyth’s script is superbly directed by Oisín Kearney. The production is perfectly paced and keeps the audience on the edge of its seats throughout the 70 minutes of the show. Charlotte McCurry plays Faye, a woman in her thirties who has been suffering from nightmares and insomnia following a violent ...

Scottish Opera: La traviata – Festival Theatre

8Jun

By Oliver GigginsNo Comments

Scotland

Scottish Opera: La traviata – Festival Theatre

It is an under-reported fact that the 2001 Baz Luhrman jukebox musical Moulin Rouge is an adaptation of 1853 Verdi opera La Traviata, itself an adaptation of the 1848 novel La Dame aux Camelias, the most famous (and autobiographical) work of Alexandre Dumas Fils (son of the more well-known creator of the Three Musketeers). All three works take place in Paris and, in all three, a famous courtesan (here Hye-Youn Lee as Violetta Valery) with consumption falls in love with an idealistic young man (here Ji-Min Park as Alfredo Germont) with a disapproving father (Giorgio Germont as Phillip Rhodes). She then forsakes all others until convinced to leave him by a father figure, which she does reluctantly with a lie, for an aristocrat (either a Count, a duke, or here Baron Douphol, played by Nichola...

7Jun

By Greg HolsteadNo Comments

Scotland

The Last Pearl – Traverse Theatre

This is the last stop on the ’24 tour for The Last Pearl, via Sligo, Dublin and Glasgow. It is a unique show which almost defies review in the theatrical sense, with no words at all but still plenty to relish. The Blue Raincoat Theatre Co.’s voyage started in 2016, hailing from Sligo, Ireland, clearly with an eye to the horizon, devising, amongst others, new works on explorers Shackleton and Darwin. This is a dreamy production which feels at times more like a yoga session for the senses than a theatrical experience. Some exquisite visual memories await the viewer, enhanced by appropriate sound affects; the quiet sea, the sandpiper, the whisper of wind or, in the turn of a moment, the howling gale and the lashing waves. Here, in the opening scene a long strip of fine silk cloth is tra...

5Jun

By Greg HolsteadNo Comments

Scotland

Storm Lantern – Traverse Theatre

They say partnerships are never equal, and such was the case here tonight in this generally well-executed three-hander from Edinburgh youth theatre outfit, Strange Town. This short play follows the true story of Sophia Scholl, the anti-nazi political activist, whose life was terminated prematurely, by guillotine, at the age of just 21, in 1943. Scholl was arrested with her brother Hans after scattering war protest leaflets from the top floor of the atrium of Munich University. Writer Duncan Kidd focuses primarily on the friendship between Sophia and Gisela Schertling, her good friend of several years, who is also romantically involved with her brother Hans. The third character in the piece is Nazi Interrogator, Robert Mohr. Let’s talk about the best bits first. Rebecca Forsyth is ...

Iain Stirling: Relevant – Festival Theatre

1Jun

By Roger JacobsNo Comments

Scotland

Iain Stirling: Relevant – Festival Theatre

And, it turns out, good friend and co-writer Steve Bugeja, so more like a double-bill. The two were responsible for Buffering, a TV series that ran from 2021 to 2023, residing now, jokes Iain, amongst the ads on ITVX. It’s doubtful he’s lost much sleep over its demise, proud possessor of a 15-year career that started with CBBC in 2009, taking in presenting, stand-up, writing and acting. Not to mention the narrator’s role on ITV2’s cerebral masterpiece Love Island. Nor Taskmaster, Loose Women and Gogglebox… however, propelled atop a wave of youthful energy, at the age of 36 he’s beginning to wonder if he’s still ‘relevant’. Bounding on to the stage to warm up the audience, Iain announces Steve, who ponders, following a recent break-up, the topic of ‘the ick’, Dunfermline and an awkward e...

31May

By H.S. BakerNo Comments

Scotland

The Merchant of Venice – Traquair House

Regardless of the weather, you know summer’s arrived when outdoor Shakespeare comes around. And of all the venues, Traquair House is surely the loveliest and most apposite in the Scottish borders. Shakespeare at Traquair is a promenade production, moving from one picturesque location to another, with the mewling peacocks providing an atmospheric soundscape. The night we were there, once the shower of rain had passed, we were relentlessly midged for the rest of the evening. But such are the joys of outdoor theatre in Scotland, and it’s a testament to the competence of the large cast that I only saw one young person reacting to the pesky wee blighters. In any case, they did little to detract from the enjoyment of this fine production of the Shakespea...

Country Roads: One Night of Country Classics – Festival Theatre

31May

By Wendy McEwanNo Comments

Scotland

Country Roads: One Night of Country Classics – Festival Theatre

“I’m Johnny Cash” says a performer, and we believe him, with his soothing, authoritative voice and stage presence. The line-up also includes dead ringers for Patsy Kline, Kenny Rogers, and the one-and-only Dolly Parton. They aren’t the real superstars, of course, but they put on a hell of a show. Songs include “Ring of Fire” (apparently inspired by a Wetherspoons curry), “Rhinestone Cowboy” and “Jolene”, as well as the title song. The performers want us to join in, and gradually, the audience gains confidence and starts singing along. The front-of-house staff were bemused by the number of audience members who went up to the front of the stage, and they spent the second half of the show trying to get people to get people to go back to their seats. There was a party atmosphere in the pack...

31May

By Greg HolsteadNo Comments

Scotland

Sunset Song – Royal Lyceum Theatre

Dundee Rep in a major co-production with the Royal Lyceum Theatre bring a contemporary reworking of a piece of classic Scottish fiction for the next ten days, marking the end of an East coast tour through Dundee, Aberdeen and Inverness. It is not surprising that the tour has stayed in sight of the North Sea given that almost the entire dialogue is performed in the Doric language native to the North East coast of Scotland. A script that would have had my sadly departed Mother-In-Law, Isobel, chortling away and no doubt reminiscing on her Invergorden crofting roots. Much of the setting of Lewis Grassic Gibbon’s Sunset Song would have been familiar to Isobel; the chains that bind you to the land, to family and hardship. The tears, the toil, the unending bleakness and the stoic endurance...

Uncanny – I Know What I Saw – Festival Theatre Edinburgh

30May

By H.S. BakerNo Comments

Scotland

Uncanny – I Know What I Saw – Festival Theatre Edinburgh

How have I not heard of Danny Robins? He clearly has a huge following judging from the whoops and hollers from the near capacity audience when he made his appearance at the start of the show. Opening with spooky music (uncredited), fog effect and a back projection screen showing a skinny bloke walking through a forest, said bloke’s appearance on stage resulted in an eruption of ecstatic applause, cheers and whistles, prompting my companion to ask, “Who’s that?” The only reply forthcoming from me was, “No idea!” It turns out that Danny Robins is an erstwhile comedian and comedy writer, now a journalist and podcaster. His investigations into the paranormal have led to several radio series and podcasts on the subject, including “The Battersea Poltergeist” and “Uncan...

Chitty Chitty Bang Bang – Edinburgh Playhouse

29May

By Kathleen MansfieldNo Comments

Scotland

Chitty Chitty Bang Bang – Edinburgh Playhouse

An amazing spectacle and upbeat tunes (plus the most expensive prop in British theatre history), Chitty Chitty Bang Bang, sweeps you along for a few hours of happy distraction with ease and admiration. The lighting, designed by Ben Cracknell and implemented by Ryan Van Delden and deputy head of lighting, Sophie Meredith, is a work of perfection. Gareth Tucker’s set design works seamlessly under the management of Phil Sykes, Lee Harvey and Natasha Wood. The ever-present picture frame and blueprints create a sense of fantasy, innovation and endless possibility. And whatever team designed and created that flying car … not Caractacus Potts himself, I assume … hats off to you. Thanks must go to Kielan Yates and Ellie Holloway for enabling this amazing star in its own right, night after...