Tuesday, October 8

Scotland

Charlie and the Chocolate Factory – Edinburgh Playhouse
Scotland

Charlie and the Chocolate Factory – Edinburgh Playhouse

Come to Edinburgh Playhouse and you'll be in 'a world of pure imagination' with the first ever UK and Ireland tour of Charlie and the Chocolate factory directed by James Brining and written by David Greig with music and lyrics by Marc Shaiman and Scott Wittman. Adapted from Roald Dahl's children's story of the same name, this production is sure to be a hit with the whole family! With vibrant and colourful lighting by Tim Mitchell and mystifying video and illusion design from David Callanan and Chris Cox respectively, the show lives up to the expectations of the book as well as the two movie adaptations from 1971 and 2005. A notable moment where it is as though you are watching the film live in front of your eyes comes from the four grandparents. Although not on stage as a full four i...
How Not To Drown – Traverse Theatre
Scotland

How Not To Drown – Traverse Theatre

This might not be the best production one sees this calendar year but it’s a shining example of why theatre itself, companies like ThickSkin and venues like The Traverse are so important. Having said that, the village and/or town halls of middle England might benefit from a tour, the front five rows reserved for Daily Mail readers. It’d be nice to think this ninety minutes would prove more nourishing than the three-word-slogan diet they’ve been addicted to for the last seven years. For amongst the complexities of what constitutes home or how essential the family is, the key message here is that conditions and circumstances exist in some countries of which plenty have no concept. It explains, at the very end, why Dritan’s father took the shocking decision to send his 11-year-old son on a ha...
<strong>Unbecoming – Summerhall</strong>
Scotland

Unbecoming – Summerhall

This deeply personal solo piece, by Anna Porubcansky of Company of Wolves, unmasks the artist’s windswept inner world in all its dreamlike complexity, through poetry, song and performance. The show opens with a lament.  A melodic dirge about loss, death and mortality.  Porubcansky’s clear, plaintive singing voice is perfect here, and there are some lines of poetry which will stay with me for very a long time. Here, and elsewhere in the show, Porubcansky uses technology to layer her vocalisations, drawing on repetition to create a richly meditative atmosphere. Porubcansky’s openness and vulnerability, as a poet and performer, is exquisite.  This is not a work of fiction: all the content comes from Porubcansky’s personal experience.  She really shows up, emotionally...
Puccini’s Il trittico – Festival Theatre, Edinburgh
Scotland

Puccini’s Il trittico – Festival Theatre, Edinburgh

Puccini’s Il trittico is part of Scottish Opera’s 60th Anniversary programme. The company aims is “to lay the treasures of opera at the feet of the people of Scotland”. It certainly succeeds with this triple treasure of shorts. Death unites this triptych, but the mood of each showcases Puccini’s inventive mind and creative breadth: aching thwarted love (Il Tabarro); misguided penance and cruel inhumanity (Suor Angelica); the delicious absurdity of human relationships (Gianni Schicchi). If one piece doesn’t touch your sensibility, then the others must, surely. This Scottish Opera team is creative. Director, Sir David McVicar, houses Puccini’s music in stunning sets (designers Charles Edwards), costumes to delight (Hannah Clark), perfect lighting (Ben Pickersgill) and a fantastic orche...
Annie – Edinburgh Playhouse
Scotland

Annie – Edinburgh Playhouse

What a show! The sun may come out tomorrow, but you should go see ‘Annie’ today! It follows the story of an optimistic young orphan trying to find her way in New York’s Great Depression. Based on a 1924 comic script “little orphan Annie” by Harold Gray, the Ambassador Theatre Group really brought the performance to life with catchy songs, cheeky humour and captivating choreography. All performers had a lot of chemistry and really brought the characters to life - we all had a particular sweet spot for the kind Mr Warbucks whose kindness really moved the audience. Paul O’Grady was captivating as Miss Hannigan with sass and his own particular brand of humour. All the child actors were extremely talented and surely have a bright future ahead of them and hit all the complicated choreography. Ho...
Buddy – The Buddy Holly Story – Festival Theatre, Edinburgh
Scotland

Buddy – The Buddy Holly Story – Festival Theatre, Edinburgh

Week 3 of a 40-week tour of the UK, the long-running musical Buddy - The Buddy Holly Story, lands at the Edinburgh Festival Theatre. The multi award winning globe-trotting show, first performed in 1989, has clocked up an impressive 10,000+ performances in the UK, putting it firmly in the top 10 of UK musicals and can fairly promote itself as the forerunner of the now very popular Juke Box musical. Typical of this style of musical, the script and acting play very much second fiddle to the music, which to be fair is practically non-stop. The story, what there is of it, by Alan Janes, focuses on the last 18 months, between 1957 and 1959, of Charles Hardin Holley’s, too short 22 years. The script could do with a reboot and the delivery is patchy, but gratefully, the music is never far away....
The Rocky Horror Show – Edinburgh Playhouse
Scotland

The Rocky Horror Show – Edinburgh Playhouse

On their way to announce their engagement to their old science teacher - no wait, this is the part of the plot that makes sense - Brad (Richard Meek) and Janet (Haley Flaherty) are forced to take refuge in a castle when their car breaks down. Inside, they find Doctor Frank'n'Furter (Stephen Webb), and their acolytes Riff Raff (Kristian Lavercombe), Columbia (Darcy Finden), Magenta (Suzie McAdam) and phantoms (Reese Budin, Fionan O'Carroll, Jessica Sole, Sefania Du Toit, Tyla Dee Nurden and Nathan Shaw), transvestites from the planet Transylvania - told you it was getting less run-of-the-mill - experimenting on human matter Eddie (Joe Allen) and Rocky (Ben Westhead) with sonic tranducers, rubber gloves, sex, and a floor-show. (And we're back to the every day stuff. Or is that just me?) R...
Dada Masilo’s The Sacrifice – Festival Theatre
Scotland

Dada Masilo’s The Sacrifice – Festival Theatre

Award-winning South African choreographer Dada Masilo has embarked on a UK tour of The Sacrifice, and it is not one that you want to miss – with its last date in Newcastle on 12th April 2023, it will fly by as quickly as this performance did. Revisiting Igor Stravinsky’s The Rite of Spring and inspired by Pina Bausch’s performance of the same name, the amount of influences that Dada draws upon make for a deeply compelling piece of storytelling: with a mixture of classical and contemporary dance forms, and drawing on her own cultural heritage, incorporating ‘Tswana’, the traditional dance of Botswana, into the movement, The Sacrifice is a beautiful piece about ritual, sacrifice, and healing. Featuring its own original score, performed live on stage (with the spellbinding voice of Ann ...
You Bury Me – Edinburgh Royal Lyceum
Scotland

You Bury Me – Edinburgh Royal Lyceum

‘‘to’-bor-ni’, states author Ahlam’s notes, ‘a saying in Levantine Arabic used to express affection and love. ‘May you bury me’ is a declaration that one does not want to live without a loved one (or loved thing).’ As do the characters in this story, be it each other or the city of Cairo. It’s set in 2015 as the optimism generated by the ‘Arab Spring’ of 2011 (naively reported by many major news agencies worldwide) finally evaporated, authoritarian rule reasserting itself, extinguishing the joy of a younger generation believing they might finally have the freedom to express themselves as themselves… rather than as a product of their family, religion or politics. The action hurtled along pell mell, representing the vibrancy and volatility of Cairo but an occasional drop in tempo migh...
Peaky Blinders – Festival Theatre, Edinburgh
Scotland

Peaky Blinders – Festival Theatre, Edinburgh

Attention to detail is powerful and Rambert hits the right note from the get-go. Ushers dressed in waistcoats and peaked caps direct the audience. The request to turn off your mobile could be termed menacing. Even the coasters for your interval drink remind you the venue is under new management by order of the Peaky Blinders - the now famous fictional Shelby family, created by Steven Kinght, CBE, who claw their way up from street hoodlums to legitimate business owners in early twentieth century Birmingham.  The special effects (Filipe J Carvalho), especially the burning barge are bold, unapologetic, theatrical: awesome. And so apt. Peaky Blinders wins at story-telling because it’s “in your face” yet the brushstrokes of anguish and wounds that seep from the past into the present are...