Thursday, October 10

Scotland

A Night to Remember – Edinburgh Fringe Online
Scotland

A Night to Remember – Edinburgh Fringe Online

A Night to Remember is a musical retelling of the nativity story, extended to include some of the wider biblical details around the birth of Jesus, which are usually not included in the treasured school tradition. Presented by an ensemble cast, this sung-through musical, composed and directed by James Arthur Patterson, is an interesting take on a Christmas story, which aims to educate the audience on the biblical aspects of the story. The show was performed in aid of veterans and featured some veterans and active service members in the cast. The show opens in the modern day, showing a busy city street with shoppers and the sadly ubiquitous homeless people. A song about the magic of Christmas is performed and several of the performers give money and gifts to homeless people, as an illust...
Some Sonnets and a Bit of Bach – Greenside @ Infirmary Street
Scotland

Some Sonnets and a Bit of Bach – Greenside @ Infirmary Street

Passionate about William Shakespear and Johann Sebastian Bach, or better yet wondered what these two historical figures have in common? Then you are in for a treat. Performed by the enthusiastic Sebastian Michael, performing his first spoken word solo at the Edinburgh Fringe. This spoken word program will take you back to the past delving into the lives of Bach and Shakespear. Michael not only discusses Bach and Shakespear but adds a personal touch to the performance where he talks about his own artistic journey and how he encountered his love of these two artistic legends. The simplistic staging and clear color theme (since everything is in the color black) all eyes are on Michael, making the performance all the more intimate. Michael’s passion shines through in the moments when he...
Bluebeard’s Castle – Churchill Theatre
Scotland

Bluebeard’s Castle – Churchill Theatre

The collaboration between director/librettist, Daisy Evans, and conductor/arranger, Stephen Higgins, to create a dementia tale from Bartók’s only opera, Bluebeard’s Castle, is startlingly clever and beautifully produced. The set by Adrian Linford is simple, yet effective. The lighting is perfect for a castle where the sun never shines. The Hebrides Ensemble play like angels. And the two voices: Michael Mayes and Charlotte Hellekant - superb! Gone is the gothic horror and the manipulation of the male/female power dynamic of the original to be replaced by the less blameworthy machinations of memory loss through dementia. In reality, dementia is equally as frightening in its thievery, but not so terrifying in its conscious malice. In this version, Bluebeard and his wife, Judith, rev...
Call Mr Robeson – Edinburgh Fringe Online
Scotland

Call Mr Robeson – Edinburgh Fringe Online

Call Mr Robeson is a one-man show telling the story of the life of Paul Robeson, singer, actor, and political activist. Written and performed by Tayo Aluko and directed by Olusola Oyeleye, it is an interesting exploration of the early civil rights movement in America, against a background of Hollywood films, theatre performances and concerts, with live performances of Robeson’s songs sung by Aluko, accompanied by Michael Conliffe on piano. The piece opens with Aluko singing Nobody Knows the Trouble I’ve Seen while carrying a chair, which is used to symbolise the weight of the events of Robeson’s life on him. Aluko has a strong and operatic voice and performs the songs throughout the piece brilliantly, and often, particularly in the case of Old Man River, with dramatic flair and action w...
Dibubuísmos – Edinburgh Fringe Online
Scotland

Dibubuísmos – Edinburgh Fringe Online

Dibubuísmos is a short poetic video exploration of creativity and the self. Created and performed by Paes Loureiro, it is a unique way of delving into the artistic self and where the artist fits into the natural world. The piece opens with Loureiro mindfully cleansing herself and shedding her existing self. The movements are slow, deliberate and show an appreciation for the little things and living with intention and awareness. Loureiro contemplates herself and her surroundings in a place where land meets water, before floating through the river in a ritual of rebirth and peaceful meditation. Background music allows the mood of the piece to alter and moments of drama to be built up, which creates a sense of dialogue with Loureiro, even though the piece contains no spoken word. ...
Dee Christopher The Psychic Vampire – Frankenstein & Bier Keller
Scotland

Dee Christopher The Psychic Vampire – Frankenstein & Bier Keller

In the dark depths of the spookiest pub in Edinburgh you can find yourself a magic act like non other. Dee Christopher takes you on a journey to prove both his legitimacy as a real life vampire and his skill as a magician using the mediums of storytelling, humour and some seriously impressive tricks. The best way to describe Dee Christopher as a performer would be a man with the essence of an old Hollywood rock star, he is like Johnny Depp if they had let him play a cool vampire instead of the strange thing from Dark Shadows. His voice is somewhat calming but at the same time you feel as though you’re watching some mysterious stranger in a bar who’s stories you could listen to all night. Not only are we given magic, but through audience choices we are told stories of this vampire...
Jake Bugg – Edinburgh Playhouse
Scotland

Jake Bugg – Edinburgh Playhouse

Bringing my Edinburgh Fringe reviewing to an end for another year (with review number 63!), an absolute belter, five-star performance by Nottingham lad, singer-songwriter and supreme musician, Jake Bugg, at the Edinburgh Playhouse. An artist that I have known of and heard snippets of over the last ten years, this concert came as a very pleasant surprise, and reminded me that I actually do know loads of his songs, albeit not the names of them! Luckily, I was sitting next to fellow reviewer and big Bugg fan, Eilidh Tuckett from Artmag, who was able to lean over and tell me the names of the songs as they came thick and fast. Thanks Eilidh! From the very Oasis sounding, Kingpin, from Bugg’s second album to the much softer and more lyrical Hold Tight, his favourite from his fifth album, y...
Algo-Rhythm – The Bill Murray
Scotland

Algo-Rhythm – The Bill Murray

Algo- Rhythm by the ‘Useless group’ is a dynamic trio with memorable and relatable Musical comedy. They serve it with a twist as fresh and delicious as mint chocolate chip gelato. They burst with enthusiasm on stage. Leoni Amandin, Sinead Hegarty and Rebeka Dio have wicked sorcery under their wings. They dig deep into their experiences of being queer, creative and navigating the world around us. With some adorable use of sock puppets and cardboard cutouts, their audience interaction game is strong, confident and sassy! It is delightful to hear the clarinet, piano and ukulele being played through the show by the talented performers, seamlessly changing roles and pitches. They combine the whimsical of ‘where do eels come from?’ with matter-of-fact sharing of trade secrets that they...
The Music of Charlie Parker and Dizzy Gillespie – The Jazz Bar
Scotland

The Music of Charlie Parker and Dizzy Gillespie – The Jazz Bar

The Colin Steele quintet, featuring the brilliant saxophone of Martin Kershaw, cooked it up a storm at The Jazz Bar tonight. A young lady in the front row (who couldn’t have been more than 11 years-old!) was back for the second night in a row. And why not, when you have musicianship of this quality on your doorstep. The superlatives list would be long for the saxophone playing of Martin Kershaw who was the stand-out on stage, a truly world-class performer. Beautifully supported by Colin Steele on trumpet, Pete Johnstone on keys, Brian Shiels on Bass and Max Popp on the skins. It was great to see the level of respect and love for their fellow players and the space they all received to show off their individual skills on the various instruments, all of which was heartily applaud...
Kyiv City Ballet – Assembly Hall
Scotland

Kyiv City Ballet – Assembly Hall

Hopeful, playful and bright. Those are the adjectives I’d use to describe the show performed by the homeless Kyiv City Ballet this evening. The company was on tour in France when hostilities broke out in Ukraine. There was no going home. The company has been living by touring ever since: recycling costumes and shows, inventing new shows and making beautiful art as a means of making a living and a way of distracting themselves from their terrible exiled predicament. Creative dance is a wonderful means of expression and this company has kept itself afloat through its own endeavors. Their new piece is an expression of love, humanity, sharing and caring. It is utterly charming. There is no wiff of bitterness nor an aside to the black nature of mankind. It is simply a celebration of h...