Sunday, October 18

Scotland

Thanyia Moore: August – Pleasance Courtyard
Scotland

Thanyia Moore: August – Pleasance Courtyard

Thanyia Moore is a seasoned comedian and actress who has appeared on Mock the Week (BBC) Drunk Histories Black Stories (Comedy Central) and Cats does Countdown (C4). First appearing at the Fringe in 2022 she returns with her show August. She named her show August because it was whilst she was at the Fringe she experienced a personal loss through an ectopic pregnancy which interrupted her long awaited run and resulted in her returning to London for treatment. Through comedy she tells the story of her journey and encounters from her favourite taxi driver, the NHS staff and her production team who supported her throughout. Determined to finish her run Thanyia returned and continued to what she described as not the best performance. Humble and steadfast she ploughed through to a standing ovati...
Frisky’s Reshuffle – Assembly George Square Gardens
Scotland

Frisky’s Reshuffle – Assembly George Square Gardens

Frisky and Mannish have been Fringe stalwarts for quite a few years now, and this time Frisky has her own solo show (albeit “with the accompaniment of four accomplished musicians and a great deal of tech support”). Frisky sings well-known songs, but she conspires with audience members to switch up the genre. After some introductory antics, we dip our toes gently at first, with a rock-and-roll version of Like a Virgin. It works, of course it does, and it’s a lot of fun. Then there’s a rave version (with Frisky imitating a vocal breakbeat), and an attempt at traditional Scottish music – a genre with which Frisky is maybe less familiar. Anything could happen. Frisky is very sparkly in a green sequinned playsuit, an entertainer from head to toe, and she builds a great rapport with th...
Edinburgh Days – St. Brides Community Centre
Scotland

Edinburgh Days – St. Brides Community Centre

There is something stirring at the heart of Edinburgh Days, a new sung-through musical that plants its feet in 19th-century Scotland and tries to tell a story of love, loss and survival against the hardships of the city. It has ambition and flashes of real quality. It also has problems. The creative team is a serious one, Edinburgh-born composer Brian Spence, director Bob Tomson (Blood Brothers), and choreographer Caroline Inglis. That pedigree shows in places: the Celtic-rock inflected score gives the show its own colour, and some of the cast deliver performances of real power. Debbie McKenna, as Mary, is outstanding, a husky-voiced presence who can belt with thrilling intensity. She grounds her character with emotional truth, and her songs are some of the evening’s highlights. Col...
Derby Day – theSpace Triplex
Scotland

Derby Day – theSpace Triplex

Following the success of their returning production Wish You Were Here, Without Compromise Theatre brings its second show to the Edinburgh Fringe with the gritty and gut-wrenching Derby Day. Set in Fife, the play examines the aftermath of a fatal stabbing through the eyes of friends Danny (Xander Cowan) and Harris (Kieran Lee-Hamilton). As the investigation unfolds, the two attempt to distance themselves from any connection to the deceased. Yet the harder they try to conceal the truth, the more it inevitably seeps through the cracks. Written by Michael Johnson, Derby Day explores themes of cyclical violence and abuse within the framework of a Scottish community. In doing so, it remains true to Without Compromise Theatre’s mission: to advocate for the Scottish working class while exp...
Unravel – theSpaceUK @ Surgeons’ Hall
Scotland

Unravel – theSpaceUK @ Surgeons’ Hall

All Arya wants to do is eat her chips. Dressed in dungarees, her hair is messily piled on top of her head. A single chair and a table are present on the stage. The lighting is basic and neutral. A baby cries and so begins an involved character study of postpartum depression and paranoia. The representation of the child is a small bundle of wool and cloth. The bundle isn’t particularly well cared for. This action, deliberate or not, offers a useful metaphor for the piece. Arya reads The Eddas to her baby in the belief that intellectual nurture will give him the life she never had. The early beats of the monologue run through a traditional pattern. Exhaustion is ever present and Solene Capaldi’s performance as the mother begins to intrigue and come alive. And then the disembodied voic...
SLUGS – Summerhall (Red Lecture Theatre)
Scotland

SLUGS – Summerhall (Red Lecture Theatre)

At its outset, SLUGS boldly claims to be a show about “NOTHING, NOTHING, NOTHING, NOTHING”. Inspired by garden slugs – seemingly formless, mindless, useless creatures – the characters set out to create a show that completely avoids touching on any serious or thought-provoking topics. The show should supposedly be pure escapism, akin to scrolling through cute videos of puppies on Instagram. However, serious topics inevitably creep in. The characters – fictionalised versions of the performer S.E. Grummett and Sam Kruger themselves – can’t help but bring up gun violence, transphobia, sexual harassment in the comedy industry, and so on. The result is an hour of nonstop, unhinged, manic, perfectly executed comedy, as the characters desperately attempt to avoid these topics. The show is b...
KC Shornima: Detachment Style – Bunker One
Scotland

KC Shornima: Detachment Style – Bunker One

Shornima born in Nepal raised in Georgia America is a comedienne with a twist. She draws on her personal experiences from childhood trauma living in a boarding school during a civil war in Nepal, to relationships with friends, boyfriends and rejection from her parents. Her ability to conceptualise these personal challenges and reverse the psychology into comedy is impressive. Quick firing one liners and layers of storytelling packed full of realism of a life most would find deeply debilitating. The relevance of the ‘Me To’ movement, rape and therapy are part of what she deconstructs through her comedy hour. Shornima is a writer for Saturday Night live, she has an extraordinary way of explanation that is unique and at times difficult to absorb, but this is her style, and it gets a la...
ShakeItUp: The Improvised Shakespeare Show – Gilded Balloon
Scotland

ShakeItUp: The Improvised Shakespeare Show – Gilded Balloon

With spontaneous sharp wit, wild rhymes and surprise pop culture references, Shake It Up Shakespeare pokes fun at the classic tragedies in this unpredictable and boisterous romp. We are confronted with our first choice of a comedy, tragedy or history – after a resounding chant for tragedy, we are told to expect that everyone will, in true Shakespearean fashion, die. As we walk to our seats, we are given the option to write phrases and prompts for the cast to select at random throughout the play, with the power to change the entire course of the story. The result is hilarious chaos, with a murder being committed in Aisle 4 of an ASDA, Hamilton lines being freestyled for a 16th century audience ('methinks I am not throwing away my shot’) and Auld Lang Syne celebrations thrown in. The ...
Bog Body – Paradise in the Vault
Scotland

Bog Body – Paradise in the Vault

Lindow Moss, Cheshire - a peat bogland gains notoriety in 1984 when an iron-age body is uncovered from the bog mostly intact, fondly named Lindow Man.  Soon after being discovered, the body was properly preserved and then displayed in the British Museum - until now.  It’s Petra’s wedding day and she’s full of the pre-wedding jitters, maybe because it’s a huge milestone in life, or maybe because she is about to marry the decaying body of Lindow Man which she has stolen from the British Museum. Produced by Itchy Feet Theatre, Bog Body is a one-woman show that revels in the dark and brooding atmosphere, with both humour and almost thriller-like aspects.  Performed by Maddie White, we are let into Petra’s inner world - stressed, all over the place, and in deep emotional a...
The King of Hollywood – theSpaceUK @ Surgeon’s Hall
Scotland

The King of Hollywood – theSpaceUK @ Surgeon’s Hall

Two heroes; long forgotten but pillars of an epoch. On a simply set stage, Hollywood silent movie star Douglas Fairbanks waits for his friend Charlie Chaplin in a heavenly restaurant. He’s been waiting for over 37 years; Fairbanks passed in 1939 and Chaplin in 1977. At some point around 1900, Charlie Chaplin trod the boards of the Gaiety Theatre in Leith with the clog dancing troupe ‘The Eight Lancashire Lads’. Chaplin enters and alludes to this connection as Fairbanks takes us on a potted history of his life in the movies. From the first moment this is highly engaging theatre. Lit with two large defined circles of light, two chairs and a table of expected restaurant props, Gerardo Cabal leans back confidently and brings a suave charm and subtle nuance to his version of Fairbanks. W...