Tuesday, December 16

Scotland

Now That’s What I Call A Musical – Edinburgh Playhouse
Scotland

Now That’s What I Call A Musical – Edinburgh Playhouse

It’s big, bold and cheesier than a Swiss Fondue, but if you can put up with the variably dodgy Brummie accents there is a lot to enjoy in this jukebox musical based on the best musical decade there ever was – the eighties of course! The story, set in Birmingham, follows two school chums Gemma and April and their friends and family between the year 1989 and a class reunion in 2009, and music is the elixir that never grows old – as powerful and evocative twenty years on as it was when they first heard it. It is certainly an interesting and well thought out concept for a musical and on the whole, it works, helped in no small part by a brilliant set which flips very cleverly from bar to lounge to park to video shop (remember those!). The clever and at times very funny script also skips alon...
The Flames – Traverse Theatre
Scotland

The Flames – Traverse Theatre

The Flames is a performance company for people over the age of fifty. Each member of the ensemble (I counted approximately 22) tells a moving story from their own past. The theme of the stories is ikigai, a Japanese term often translated as “purpose”. Ikigai is about the things that bring value and meaning to life. Each performer speaks in turn, while the others set the scene with movement (choreographed by Aya Kobayashi), reacting with excitement or disdain to the speaker; becoming waves, or an ID parade; stamping out the rhythm of a train. They tell stories about lifelong friendships; sleeping rough in Helsinki; and uncovering family secrets. One participant tells us about the time she literally walked a mile in someone else’s shoes. She ended up with sore feet. Film footage (desig...
Kjetil Mulelid Trio – Traverse Bar
Scotland

Kjetil Mulelid Trio – Traverse Bar

Returning from a trip to Oslo a few years back someone excitedly described Norway as ‘the new Scotland’; oil, fish, love of conversation fuelled, dare one admit, by a glass or two. Music was in there too and in 2025, let’s, specifically, add Jazz, though with a distinct folk/cultural bent. Just as Fergus McCreadie spirits one to the glens and lochs, this trio quickly has us gliding through the cool, clear air of the fjords. Jazz as a genre easily attracts derision from those unwilling to devote the required attention or application. There are ready-made phrases and cliches coined by a certain (brilliant!) sketch show a few moons ago but tonight’s performance, despite running things close, stayed just the right side of these. Improvisational it was, at points difficult to discern who was le...
Herak/Bulaktin Quartet Featuring Paul Towndrow – Traverse Theatre
Scotland

Herak/Bulaktin Quartet Featuring Paul Towndrow – Traverse Theatre

I’m not especially familiar with jazz, and if I’d heard this music on the radio, I wouldn’t have got it. It turns out that jazz makes more sense when you experience a live performance, and my ears begin to tune in to its language. It reminds me of the first time I saw Shakespeare performed. The gathering feels cosy, in the informal setting of the Traverse bar. I am struck by the intense concentration of each musician when the others are playing. This is a conversation, where each participant must focus so they can respond to the others’ cues. Listening is everything. The composers, Miro Herak and Daniel Bulaktin, draw on their Slavic heritage as well as classical traditions. The opening number, Herak’s Slavic Dance, is rousing, and is followed by Ellie, a thoughtfully melodic pie...
International Shorts : On The Edge – The French Institute
Scotland

International Shorts : On The Edge – The French Institute

As part of Manipulate Festival, and screened in the gorgeous interior of The French Institute, this is a series of short animated films mostly set in and around the Arctic and Sub-Arctic regions focusing on the Climate Emergency and the effects on the indigenous peoples and the animals that live there. Education is the key and short films like this are just perfect for delivering bite sized thought-provoking perspectives. Kicking us off is an enjoyable 14 minute documentary from the National Film Board of Canada, Three Thousand, by Asinnajaq. This mixes animation with archival footage to explore the cinematic representation of the Inuit. The format is light-touched but the implication is clear, this is a people whose days are numbered. In The Power Grid (2018) by Clara Boden, a grai...
The Law of Gravity – Traverse Theatre
Scotland

The Law of Gravity – Traverse Theatre

Spell-binding, sublime performance by the the six-strong strings of the Scottish Ensemble, accompanied by the delicate puppetry skills of a quartet from Blind Summit, made this a night to savour at Traverse 1 tonight. Classical Music can take us places in our mind, it is surely part of the joy of the experience to close our eyes and float…. Is it wise to curate, lead or interpret that trip? Blind Summit, attempted to do that tonight, but was it a help or a hinderance, an unnecessary distraction? The jury will be pretty split on this one. There was no questioning the quality of the music from Philip Glass (Symphony No. 3(1995)) and Arnold Schoenberg (Transfigured Night(1899)) superbly, and effortlessly, led by Johnathan Morton which has the audience transfixed from note one. Iro...
These things aren’t mine (film) – Traverse Theatre
Scotland

These things aren’t mine (film) – Traverse Theatre

Gabbie Cook’s attempt to turn something rotten and corrosive from her childhood into something positive and creative, aided by director Barney White, finds form in this watchable short film at the subterranean Traverse 2 tonight. As part of the Manipulate festival, which has a deserved reputation for bringing the strange and downright absurd together, this abstract film follows the life of former gymnast turned circus artist Cook. High on imagery and low on dialogue it still manages to pack quite a punch, without perhaps finding the knock-out blow. As we now look back and grimace at the ick-inducing objectification of Miss-World or the sexism of Benny Hill or indeed the unchecked racism of Rigsby, we will undoubtedly look back in years to come and grimace at the dehumanising and brutal ...
Queen Extravaganza – Edinburgh Playhouse
Scotland

Queen Extravaganza – Edinburgh Playhouse

If you love Queen… scratch that, if you like Queen just a bit… don’t miss this. A sell-out crowd was clearly up for it but the first ‘act’ began with a peculiar, muddy version of ‘We Will Rock You’, the band in dull, pub-band regulation black and as the following two tracks travelled past the chief positive was that the sound clicked sharply into place. Though hang on, that vocal pirouette Gareth Taylor dropped at the end of ‘Somebody To Love’ was a bit special, wasn’t it? Then came ‘Under Pressure’, a lump in the throat reflecting that this was written before mental health was a thing; we all had stuff going on, it just wasn’t ok to talk about it. Except that David, Freddie and the band did, producing an epic four-minute pop song that resonates more heavily every single year si...
Moments – The Studio
Scotland

Moments – The Studio

In the classic time-loop film Groundhog Day, tv reporter, Phil (Bill Murray) attempts over and over again to create the perfect day, a series of carefully choreographed ‘moments’, with his attractive producer Rita (Andie MacDowell), in an attempt to win her heart. Only to be thwarted, often at the last moment, hilariously, time and time again. Some fans calculate the time-loop at 12,403 days! Theatre Re bring their own, thankfully shorter, time-loop to The Studio tonight to wordlessly consider, and reconsider, the powerful bond between a father and a son, and the ‘casting off’ which marks the end of one generation and the beginning of the next. Twelve and a half years after Theatre Re, premiered their particular brand of thoughtful and thought provoking theatre at Pleasance Dome...
Pretty Vacant: The Story of Punk and New Wave – Usher Hall
Scotland

Pretty Vacant: The Story of Punk and New Wave – Usher Hall

Punk was never about perfection, and Pretty Vacant – The Story of Punk and New Wave definitely stuck to that ethos. Hitting the stage at Edinburgh’s Usher Hall on the 28th of January, the show set out to celebrate one of the most rebellious, game-changing movements in music history. And while the music absolutely delivered, the rest of the production felt a little basic—fun, but not quite as explosive as it could have been. The best thing about the night was, hands down, the setlist. From The Sex Pistols and The Clash to Blondie and The Ramones, the show was packed with classics. Hearing God Save the Queen and London Calling live—well, as live as a tribute show gets—still gave me chills. And when they launched into Blondie’s Heart of Glass, it was a perfect shift into the smoother, more...