Scotland Archives - Page 30 of 91

MacBeth (An Undoing) – Lyceum Theatre Edinburgh

16May

By Beth EltringhamNo Comments

Scotland

MacBeth (An Undoing) – Lyceum Theatre Edinburgh

Macbeth is often one of the first Shakespeare stories that we think of, it's known for: its scottish setting, it's themes of betrayal and manipulation and of course for its gory and dramatic ending. The tale is often told in the same manner time and time again, the tale of a man being told by a group of witches that he will be king, a manipulative wife who convinces him to murder the current monarch and the insanity and guilt that rips the married couple apart until ultimately, she commits suicide, and he is slain by a former friend. Whilst the original story exists within Macbeth An Undoing, writer Zinnie Harris has turned the tale on its head, asking what would happen if it were Lady Macbeth who took control? What if she had not gone crazy and instead Macbeth himself was the one takin...

The Collie’s Shed – Festival Theatre Studio

15May

By H.S. BakerNo Comments

Scotland

The Collie’s Shed – Festival Theatre Studio

This short and powerful play has made an appearance on Edinburgh fringe for the last two years. The Collie’s Shed now returns for a tour of Scotland’s central belt during the 40th anniversary year of the 1984 miners’ strike. Written and directed by Shelley Middler, the play focuses on four retired coal miners, all of whom lost their jobs when their colliery, Bilston Glen, closed in the 1980s following a bitter and violent strike which pitted miners against each other and against the police. Eight actors play four characters, with the action switching from 1984 to present day. Some of the striking miners of the time were arrested and imprisoned for their part in the violent acts on the picket line, and the narrative begins with news of a review by the Sco...

EDGAS: The Gondoliers – Festival Theatre, Edinburgh

10May

By Greg HolsteadNo Comments

Scotland

EDGAS: The Gondoliers – Festival Theatre, Edinburgh

Some who might expect a Gilbert and Sullivan Opera to be about as exciting as watching paint dry, might well be persuaded otherwise, as I was, by this visual and musical treat, served up with exuberant brilliance by a company who clearly adore their craft. Undoubtedly one of G&S’s most joyful and brightest of light operas, The Gondoliers is crammed full with catchy toe-tapping songs, colourful characters and a farcical storyline which, to its credit, never takes itself too seriously. The titular boat-pushing Palmieri brothers, played with carefree boyishness by Theo Rankine-Fourdraine and Sebastian Davidson have it all going for them. In the Piazzetta of Venice, the peasant girls are throwing themselves at the peerless pair. Alas the odds are not good, there are four and twenty maid...

5May

By Louise BalaguerNo Comments

Scotland

Swan Lake – Festival Theatre

David Dawson, who has created this new interpretation for Scottish Ballet, sees Swan Lake as the dance equivalent of the Mona Lisa’. This statement from the souvenir programme is one that stood out to me – it speaks to the monument of ballet that Swan Lake is. But unlike the Mona Lisa, it presents the advantage of being a form of art that is live, constantly in motion, with endless possibilities of reinterpretation. With the aim of creating a show for a modern audience, Dawson stripped back the layers of the story to reach its essence: passion and betrayed trust. There are no elaborate palace and lakeside decors, or costumes adorned with tutus. The costumes, designed by Yumiko Takeshima, are for simplicity, elegancy, and showing off the physicality of the dance. No Baron von Rothbart ei...

3May

By Wendy McEwanNo Comments

Scotland

The Drifters Girl – Edinburgh Playhouse

Faye Treadwell was the manager, and driving force, behind the iconic American vocal group, The Drifters. Formed in 1959, the group’s hits included Hello Happiness, Saturday Night at the Movies, Under the Boardwalk, and so many more familiar numbers. Between the soundtrack, and the trailblazing lead character, the story seems to be made for musical theatre success. The line-up of the Drifters changed frequently during their history. We see members being drafted into the military, or fired by Treadwell and her husband George, or undergoing other personal tragedies. Sometimes – like Ben E. King (Ethan Davis), they move on to greater success elsewhere. In total, The Drifters featured 60 different vocalists during their history. This means a lot of multi-roling. Matthew Dawkins, Davis, Tarik...

30Apr

By Greg HolsteadNo Comments

Scotland

Rage Room – Traverse Theatre

Writer Mhairi Quinn, one third of Tandem Writing Collective, returns with a rewritten and expanded version of her new play, Rage Room, following on from an original 20 minute read through at the same venue one year ago. This is part of a series of three new plays under the collective title of Rock, Paper, Scissors, developed with funding from Creative Scotland. Still at workshop stage we are treated to a script-in-hand performance by a trio of fine actors. Kim Allen as the 35-years-old socially inept, introverted daughter April, Natalie Arle-Toyne as the domineering and critical mother and Betty Valencia as Jos, the younger daughter, a socially successful feminist podcaster with thousands of followers. Allegedly, the ‘Number 1 Feminist Podcaster for Glasgow and West of Scotland’, Jos...

29Apr

By Wendy McEwanNo Comments

Scotland

Futuristic Folktales – Tramway

Futuristic Folktales is an experimental dance theatre production which tells the story of the first womb. Along with movement and music, spoken words are also used to tell the story. The storytelling feels both abstract and visceral. At one point, a performer mentions “a colour that cannot even be described” and the other immediately demonstrates said colour through movement. However, for this article I must use words, and I am especially aware of the subjectivity with which I write. Other people may have experienced the show differently from me. The concept originated from director Charlotte McLean’s personal contemplation of whether to reproduce. The scope is wide – birth and death, identity and injustice, the personal and the universe. The piece is highly ambitious. A cohort...

19Apr

By Roger JacobsNo Comments

Scotland

Chicken – Traverse Theatre

Having nearly died in the egg, rescued and raised by a kindly Kerry couple, narrowly avoiding being whisked into an omelette and living ‘claw to beak’ in New York, Don Murphy gets his break. His bird-break. Into the business we call show, following a monumental orgy of Jameson with Michael Fassbender (That Don Murphy? No, he’s a human). Keep up now, we’re talking one of the most determined, resourceful cocks to ever grace the cinematic wests of Ireland and the United States, but fame and success can have a downside. Three exhausting years of 16-hour day shoots leads to the inevitable glitch, a ketamine addiction resulting from a party hosted by evil LA-based Colin Farrell. That Colin Farrell? Enjoyably surreal, entertainingly disarming, this was a true k-hole of a show, so quite ...

The Girls of Slender Means – Royal Lyceum, Edinburgh

18Apr

By Nazaret RaneaNo Comments

Scotland

The Girls of Slender Means – Royal Lyceum, Edinburgh

Directed by Roxana Silbert, "The Girls of Slender Means" follows the lives of five young women living in the May of Teck Club in London during the summer of 1945. Adapted by Gabriel Quigley from Muriel Spark's novel, the play explores the post-war hopes and struggles of the characters as they navigate love, work, and survival in a society torn by war. Romance, fashion, and politics intersect as the girls grapple with uncertainty and cling to their dreams amidst the rubble of the past. The fragmented structure adds depth to the storytelling, inviting audiences to piece together the narrative while reflecting on themes of resilience and the lasting power of hope. Under Silbert's direction, the production shines with its immaculate production design, drawing the audience into a world where...

James V: Katherine – The Studio, Edinburgh

15Apr

By Greg HolsteadNo Comments

Scotland

James V: Katherine – The Studio, Edinburgh

How do you make a play about the Scottish reformation, set in 1527-28; playful, thought-provoking and above all very funny. Writer Rona Munro provides a master class in character writing, and humour in a fascinating historical setting in this superbly watchable addition to her James Plays. Many will already be aware of Munro’s epic historical series comprising of seven works in total, six staged to date, which span two centuries of the house of Stuart between 1406 and 1603. This is part 5 of the series, but unlike all the others which have been grand in scale and staging, Katherine is a much more intimate four-hander chamber piece, which seeks to delve into the very minutiae of life, love and death. The play is set in a time when the Catholic Church’s grip on Scotland is loosening, p...