Sunday, October 6

Scotland

The Kate Bush Story – theSpace @ Surgeons’ Hall
Scotland

The Kate Bush Story – theSpace @ Surgeons’ Hall

I took my seat at this one slightly concerned for the welfare of the singer. Would she try to be like Bush and fail, or try to be like Bush, but just be a parody or mimic, affecting a false voice (the worst of all options!), or just try not to be like Bush at all? The whole premise of the show seems like a bear-trap. After all, who can compare to the incomparable Bush, sing the unsingable songs, or be the unbearable complexity that is Kate. The first two intro songs of Hounds of Love and Wuthering Heights do nothing to quell my concerns. Thank God therefore for The Man With the Child In His Eyes, which sees Richards sitting down on keyboard, calm the hell down, and channel the essence of Kate for the first time with a sensitive and beautiful interpretation. Brilliant! The wonderf...
21: The Music of Adele – theSpace @ Symposium Hall
Scotland

21: The Music of Adele – theSpace @ Symposium Hall

Ella McCready comes from an early life immersed in the music of Adele, a true fan, which is very apparent in this performance. Close your eyes, and you could easily be in the front row of an intimate audience with one of the all-time greats. Her voice is remarkably similar, singing and phrasing are faultless which is obviously a good thing, right? McCready’s tender, breathy, rendition of When We were Young, which she acknowledges as one of her all-time favourites, and mine, is one of the undoubted highlights of this dedicated homage. However, there is always a fine line between mimicry and artistry, and this walks perilously close to the former. In danger of becoming the equivalent of listening to a greatest hits album, salvation here comes from an unlikely source, the skins. The...
007 Voices of Bond – theSpace @ Symposium Hall
Scotland

007 Voices of Bond – theSpace @ Symposium Hall

Following a brief video-briefing from M…M….Mike, we are passed into the very capable hands of femme fatale Ella McCready, resplendent centre stage in shimmering red sequin dress, supported by a full band. The scene is set for a journey through the music of Bond in the more than capable hands of Fringe music experts, Owl….. Night Owl. So, relax into the superior comfort of real leather upholstery, and the stunning acoustic of The Symposium Hall. All the expected songs are here, but also some welcome surprises. And these are not mere copies. McCready’s brilliantly Jazzy, upbeat version of Nobody Does it Better, is quickly bettered by an elastic and colourful interpretation of, For Your Eyes Only, a sure improvement on the dour Easton original. McCready’s range is exceptional, worki...
Depression vs Anxiety – Waverly Bar
Scotland

Depression vs Anxiety – Waverly Bar

Anxious & Hilarious: Performers with Anxiety and Depression Deliver Smash-Hit Comedy—This Is What Makes Fringe Festival So Special! I cannot believe that this show was done by people with anxiety, depression, and bipolar disorder. No, it’s not what you’re thinking—it’s a complete comedy show, and an absolutely brilliant one at that! Moni Zhang, who led the show, was exceptionally funny, setting the tone for an afternoon of laughter that you wouldn’t expect from a group dealing with such heavy personal challenges. As the afternoon unfolded, a series of comedians took the stage, each sharing their own experiences with mental health in the most hilarious ways imaginable. What they say on stage is 100 percent true about their situations, but the way they say it leaves the audienc...
Malion – theSpace @ Surgeons’ Hall
Scotland

Malion – theSpace @ Surgeons’ Hall

The play was a sensational mix of modern and ancient theatre, transcending time and language that connects modern audiences and Greek theatre buffs alike. Speeches of Gods and Goddesses were spoken in verse. The use of verse displayed the play’s connections to traditional Greek theater. However, this was broken up with modern conversations and ideas that the everyday viewer could understand and connect with in one way or another. This in turn made the play more accessible to a wider audience. Created by Tired Horses Theatre, written by Joseph Meardon, directed by Mikael Phillips and assistant directed by Hannah MacMillan. The stage was transformed into an art studio that looked like it belonged in today’s society just as much as an ancient one. The play seemed to be along the lines ...
The Edinburgh Seven – Greenside @ Riddle’s Court
Scotland

The Edinburgh Seven – Greenside @ Riddle’s Court

The Edinburgh Seven were the first women to go to medical school in Scotland - and indeed the whole UK. But they faced discrimination from the University of Edinburgh, ridicule from male lecturers, criticism in some newspapers, and insults and even violence from male students. Their story began in the 1860s long before women (or even most men) had the vote. In 1869 Sophia Jex-Blake applied to study medicine at the University of Edinburgh. Then in her late twenties, she had been born and educated in England. She lived for a while in the USA and applied to Harvard University for a place in their medical school, but her application was declined because she was a woman. On returning to England Jex-Blake wrote an essay, entitled ‘Medicine as a profession for women’ in which she argued that w...
Kai Humphries: Gallivanting – Just the Tonic Nucleus
Scotland

Kai Humphries: Gallivanting – Just the Tonic Nucleus

Isn’t it a joy, after a busy day at the Edinburgh Fringe, to be treated to effortless entertainment as a sparkling, inventive mind takes you gallivanting? That’s you, Kai Humphries. And thank you.  Kai Humphries writes his own material and once got grilled by border security in a foreign land where writers (i.e. journalists) were not welcome. They didn’t understand the word “joke” and soon decided he wasn’t worth their time. He is definitely worth your time. He’s a funny writer and tells a good story. I loved his opening where he explored different cultural ways of greeting one another and his existential response to “What’s happening?” He had the audience in the palm of his hand right from the moment he introduced himself off-stage. A Geordie, Humphries exploits both his...
Bronwyn Kuss: Sounds Good – Assembly George Square Studios
Scotland

Bronwyn Kuss: Sounds Good – Assembly George Square Studios

Bronwyn Kuss makes her highly anticipated solo debut at Edinburgh, bringing her signature dry charm and sharp wit to the stage. Known for transforming everyday misadventures and questionable life choices into comedic gold, she captivates audiences with her deadpan delivery and wry observations. A writer and comedian celebrated for her masterful storytelling, Kuss has already earned accolades like the Director's Choice Award and Pinder Prize at the Melbourne Comedy Festival. With her sharp and perceptive observational comedy, Kuss is sure to leave you laughing long after the show ends. The X-rated music playing before she takes the stage gives Kuss her opening gag, setting the tone for a deep dive into her past traumas. She scrutinises memories of her younger self, including her enco...
Complete works of William Shakespeare (Abridged) – theSpace @ Surgeons’ Hall
Scotland

Complete works of William Shakespeare (Abridged) – theSpace @ Surgeons’ Hall

The Complete Works of William Shakespeare (Abridged), performed by the talented trio from 3 Witty fools—Sam Milner, Barnaby, and Henry Williams—delivered a whirlwind of laughter and sheer entertainment. Based on the book with the same title, this show is a condensed and comedic take on all of Shakespeare’s plays, and the team did a fantastic job bringing it to life on stage. The show kicked off with a hilarious rendition of Romeo and Juliet, setting the tone for an evening filled with clever humour and lively performances. Juliet’s exaggerated reactions to Romeo’s declarations of love were side-splitting, and her over-the-top manner of ending her life was a highlight, leaving the audience roaring with laughter. The chemistry between the performers was undeniable, and their ability t...
Swamplesque – Assembly Hall
Scotland

Swamplesque – Assembly Hall

Shrek themed burlesque sounds like the premise for a show which could either be very good or very bad. Thankfully, Australian cabaret troupe Trigger Happy Productions have the skills and confidence to make this show both entertaining and impressive. After a stern announcement reminding the audience that this is in no way connected with DreamWorks, the show starts with a bang. Trigger Happy imbues the role of Shrek with an infectious pizazz, whether he's high kicking in sequins or coyly peeping out from behind a feathered fan. This energy is more than matched by Tash York as Princess Fiona, who showcases a powerful voice in two solos. Drag king Rainbow takes on the role of Lord Farquaad, arriving on her knees for comic effect. She has a wonderfully expressive face, which adds to the ...