Scotland Archives - North West End UK

8Apr

By Nazaret RaneaNo Comments

Scotland

The High Life – Festival Theatre

After spending the Easter weekend revisiting this quirky TV show, I was ready to immerse myself in the musical adaptation of The High Life, and I’ll admit I went in with a mixture of excitement and scepticism. It is one thing to love something in a nostalgic, half remembered way, and quite another to see it expanded into a full stage show. This feels less like a revival and more like a reunion that has been allowed to get slightly out of hand. From the outset, the production leans into its own chaos. The opening number arrives with a knowing wink, that familiar theme tune doing a lot of the work in terms of goodwill, but it quickly becomes clear that the show is not content to rely on recognition alone. It understands what made the original work and pushes it further rather than trying ...

7Apr

By Wendy McEwanNo Comments

Scotland

Game of Crones – Traverse Theatre

The Protagonist stumbles through a haze of swirling fog and beseeches Mighty Kronos, the Lord of Time. Her vision is blurry, and her phone is inexplicably in the fridge. Plus, she has wrinkles. The Protagonist begs the Keeper of the Sands to spare her from the indignities of aging. But merciless Kronos is having none of it. The Protagonist receives the Tongue Sharpener, the Spectacles of Insight, and the Cloak of Invisibility (it's a beige cardigan), and embarks on an epic mystical quest full of pitfalls and wacky characters. Clown duo Abigail Dooley and Emma Edwards combine splendid silliness with a heightened, fantastical sensibility. The costumes, created by Jess Eaton, are a fine example of this elevated foolery. The "dragged through a hedge backwards“ costume features a wild...

2Apr

By Nazaret RaneaNo Comments

Scotland

The Constant Wife – Festival Theatre

On its opening night at the Festival Theatre, The Constant Wife felt less like a revival and more like a reminder of just how ahead of its time W. Somerset Maugham really was. Written in 1926, the play sits neatly in the world of drawing-room comedy, but beneath the polished dialogue and social niceties there is something far more unsettling. It asks what happens when a woman refuses to react in the way society expects. That tension is at the centre of this new version by Laura Wade, directed by Tamara Harvey for the Royal Shakespeare Company. Wade keeps the 1920s setting but softly reshapes the structure, bringing moments forward and adding a flashback that shows Constance discovering her husband’s affair. It is a small change, but an important one. It shifts her from someone who seems...

2Apr

By Greg HolsteadNo Comments

Scotland

The Lighthouse – Traverse Theatre

There is no question that The Light House, written and performed by Alys Williams and directed by Andrea Heaton, arrives in Edinburgh with a strong reputation and a well honed touring confidence. This is a piece that knows exactly what it is doing, and, judging by the reaction in the room, it does it rather effectively for a good number of people.The subject matter, a relationship tested by suicidal ideation, is handled with care and clarity, and the production leans heavily into a theatrical language of puppetry, physical theatre, and audience interaction to carry its emotional weight. It is, in many ways, a carefully constructed machine designed to move its audience.And move them it does. I see visible tears in the auditorium, and a palpable sense of emotional release at the curtain call...

25Mar

By Dylan MooneyNo Comments

Scotland

Death on the Nile – Festival Theatre

The acclaimed Agatha Christie is adapted once more as Death on the Nile comes to Edinburgh’s Festival Theatre. Written by Ken Ludwig and directed by Lucy Bailey, this murder mystery production is sure to have you guessing ‘whodunnit?’ right up to the closing moments. On a luxurious Egyptian cruise, Hercule Poirot (Mark Hadfield) endeavors to have a peaceful break from his usual detective role. However, in true Christie fashion, it isn’t long before a brutal murder takes place and, of course, everyone is a suspect. Stuck on a boat in the middle of the Nile, Poirot aims to solve the case. With long buried secrets floating to the surface, will Poirot be able to find the killer? Hadfield, who plays the world famous detective, is truly a joy to watch. His portrayal feels original yet stil...

21Mar

By Jessie MartinNo Comments

Scotland

The Ladykillers – Church Hill Theatre

The Ladykillers, based on the 1955 film, is a kitchen-sink meets gangster comedy play written by Graham Linehan in 2011. While this adaptation is surprisingly a contemporary work, Edinburgh People’s Theatre captures all the dry, yet subtly slapstick, and indisputably British charm of the original film. Performing at the Church Hill Theatre this week, The Ladykillers showcases the typical domestic dramedy style that Edinburgh People’s Theatre seem to gravitate towards. And it’s no wonder why they often choose this style of play, as it certainly compliments their cast. Val Lennie plays the very proper, yet slightly befuddled Mrs Wilberforce, who has somehow managed to house and aid a gang of vicious criminals with no knowledge of it. Lennie is a strong lead, pla...

21Mar

By Dylan MooneyNo Comments

Scotland

Saint Joan – Traverse Theatre

George Bernard Shaw’s Saint Joan is reimagined by writer/director Stewart Laing in a risky new version influenced heavily by an unproduced screenplay by Shaw. While this decision offers a unique take on theatrical adaptation, one must question whether this is the right form for a stage production. This version places Joan firmly at the center of the action during the Hundred Years War, showcasing her rise and eventual downfall as a soldier turned saint. With a strong focus on gender and the power of youth, Saint Joan aims to remind us that anyone is capable of making change. However, the play's structure, which moves away from familiar theatrical conventions, feels disjointed. Narrative is spoken as though direction in a screenplay, with reference to close ups and camera tracki...

A Play, a Pie, and a Pint: The Swansong – Traverse Theatre

20Mar

By Jessie MartinNo Comments

Scotland

A Play, a Pie, and a Pint: The Swansong – Traverse Theatre

In a continuation of this year’s Spring season of A Play, A Pie, And A Pint, The Swansong made its way to The Traverse theatre this week. This is a musical play that sees a young woman on the brink (Lydia played by Julia Murray) take to her local duck pond with a plan to end her life. As she washes her sorrows away with a bottle of gin, she finds company in an unlikely companion - a beautiful swan (Paul McArthur). The Swan tells her he has the power to end her life as soon as she snaps her fingers and truly means it. Hesitant to let her go ahead with her plan, The Swan takes Lydia on one last night of adventure, and on this night, Lydia seems to regain the hope she had lost. Set against the beautiful compositions of Finn Parker, we are taken along to piano bars, ...

18Mar

By Greg HolsteadNo Comments

Scotland

Meursault – Traverse Theatre

There is something slightly incongruous about seeing Meursault at the Traverse Theatre. The venue is best known for drama rather than indie music, and that theatrical context inevitably shapes the experience. What might feel like a raw, emotional gig elsewhere becomes something closer to a performance piece here, with an audience inclined to listen politely rather than react. The evening opens with a generous half-hour set from Stefan Honig, the Cologne-based singer-songwriter. Performing solo with guitar, Honig delivers an intimate and understated opening to the night. His songs, which he admits he isn’t always entirely sure how to explain, lean towards reflective folk, delivered with quiet confidence. One highlight is For Those Lost at Sea (2012), which stands out for its...

The Legend of Davie McKenzie – Traverse Theatre

14Mar

By Roger JacobsNo Comments

Scotland

The Legend of Davie McKenzie – Traverse Theatre

From the duo who brought us Dancing Shoes at this venue before Christmas (and The Scaff prior to that) comes another play providing a comic, tragic and moving portrait of life on the ‘other’ side of the tracks. In their latest offering Stephen Christopher & Graeme Smith bring us Sean and Davie who meet as kids on a housing scheme and, both father-less, hang out together escaping their drab surroundings via their favourite films. Their perspectives on life are betrayed as they frequently play characters set against the world whether it’s Butch and Sundance or Tony Montana. Davie is clearly the more gallus of the two, claiming to have seen every single film ever made. Unsurprisingly his vibrant, imaginative approach to life knows few boundaries. The two end up in prison for ...