REVIEWS Archives - Page 83 of 548

North by Northwest – Liverpool Playhouse

21May

By Mark DavorenNo Comments

North West

North by Northwest – Liverpool Playhouse

Billed as a ‘theatre legend’ in the production’s accompanying notes, celebrated director Emma Rice’s adaptation of this Hitchcock classic for the stage is sumptuous and visually arresting but sadly more style over substance with its lack of storyline. It would be strange would it not, poses The Professor (Katy Owen) who narrates much of the evening’s proceedings, if in a city of seven million people, one man was never mistaken for another. And in a flash we are transported to the bright lights of the big city – New York – in 1959, where we meet reluctant hero Roger Thornhill (Ewan Wardrop), whose mistimed phone call to his mother lands him smack bang in the middle of a Cold War conspiracy. Now he’s on the run dodging spies and airplanes as he tries to evade the clutches of villain Phill...

The Rheingans Sisters – Traverse Theatre

20May

By Jessie MartinNo Comments

Scotland

The Rheingans Sisters – Traverse Theatre

Performing the entirety of their 2024 album, Start Close in, Anna and Rowan Rheingans shared their talent with us in a continuation of their UK tour. I use the word “shared” very intentionally here - folk music is inherently a genre which is made for, and by, a collective - there is such a feeling of connection and intuitiveness within the genre that the Rheingans Sisters manage to capture and uphold beautifully. The melding of tradition and modernity in the composition, along with the sisters’ blending of Scandinavian, French, and British musical heritage truly encapsulates the collectivity of folk music. The range of instruments played by the sisters was a feat to behold, from the ancient tambourin à cordes, to a handmade banjo made from a gourd. The Rheingans Sisters d...

Rocky Horror Picture Show – Palace Theatre

20May

By Lou SteggalsNo Comments

North West

Rocky Horror Picture Show – Palace Theatre

Time Warping its way back into Manchester, with fishnets and flair, The Rocky Horror Picture show has rolled into Manchester ready to make audiences quiver with antici…pation. Under the stead hand of director Christopher Luscombe, Jason Donovan has returned to the role and high heels of theatre’s iconic transexual scientist, Dr. Frank N. Furter, doing so with gusto. He brings a fabulous balance of louche flamboyance and furtiveness to invigorate the show with the unpredictability and playfulness it needs. He clearly enjoys himself teasing his fellow castmates and the audience and delivers chaos (including a misbehaving pair of heels) and a touch of menace to his performance. Jackie Clune brings a witty edge as the narrator, imbuing the usually ‘stuffy accountant’ vibe with somethi...

20May

By Dave SmithNo Comments

London

The Fifth Step – @sohoplace

David Ireland’s Edinburgh Fringe hit The Fifth Step transfers to London, making its debut at @sohoplace in a new version with substantial changes. Staying from its Edinburgh run is Jack Lowden with Martin Freeman joining to complete the two-hander. The title refers to the fifth step of the 12-step programme; writing down everything which brings guilt and shame so you can tell them to a trusted friend in order to reduce the chance that these will drive you to drink. There is the usual David Ireland wit and black humour as he explores themes of addiction, masculinity, and in particular, religious faith. Photo: Johan Persson The set is minimal - a blank stage with just a few chairs and a coffee point. Director Finn den Hertog has chosen to strip away all the staging from the E...

19May

By Mark DavorenNo Comments

London

Die Walküre – Royal Ballet & Opera

Following 2023’s Das Rheingold, conductor Antonio Pappano and director Barrie Kosky reunite to continue the mythical adventure with Die Walküre (The Valkyrie), the second work of Richard Wagner’s four-opera cycle Der Ring des Nibelungen. On a stormy night, fate brings Siegmund (Stanislas de Barbeyrac) to the door of Sieglinde (Natalya Romaniw), the fearful wife of bully Hunding (Soloman Howard), unleashing a love with the power to end worlds. Meanwhile, in the realm of the gods, an epic battle ensues between their ruler Wotan (Christopher Maltman) and his rebellious daughter, Brünnhilde (Elisabet Strid), after his wife Fricka (Marina Prudenskaya) has laid her own law down to him, and the battle of the Valkyries – Helmwige (Maida Hundeling); Ortlinde (Katie Lowe); Gerhilde (Lee Bisset); ...

Elgar’s Cello Concerto and More – Liverpool Philharmonic

19May

By Mark HumphreysNo Comments

North West

Elgar’s Cello Concerto and More – Liverpool Philharmonic

While much of Europe was glued to the Eurovision Song Contest, Liverpool offered its own musical spectacle at the Philharmonic Hall – and if the city had a jury, this concert might well have earned its own douze points. The evening opened with Fandangos by Puerto Rican composer Roberto Sierra, a vibrant and rhythmically charged piece that immediately set a cosmopolitan tone. Sierra, known for blending Latin American musical idioms with contemporary classical techniques, delivered a work full of colour and flair. The muted trumpets added a smoky, mysterious texture, while Helena Mackie’s agile oboe lines danced effortlessly above the ensemble. Tom Lessels’ velvety bass clarinet added depth, and the piece ended with a flourish that drew enthusiastic applause. It was a bold and brilliant o...

19May

By Mark DavorenNo Comments

REVIEWS

Salome – The Metropolitan Opera

Director Claus Guth gives the biblical story – already filtered through the beautiful and strange imagination of Oscar Wilde’s play – a psychologically perceptive Victorian-era setting, rich in symbolism and subtle shades of darkness, light, and shadow, as Strauss’ one-act tragedy receives its first new production at The Met in twenty years. Narraboth (Piotr Buszewski) admires the princess Salome (Elza van den Heever) and unable to resist her, allows her to descend into the cell holding Jochanaan (Peter Mattei). She is fascinated by the prophet’s body and begs for his kiss, but he rejects her, and she returns to the palace above. Herod (Gerhard Siegel) appears and offers her food and wine, but she refuses. Jochanaan cries out from below against Salome’s mother, Herodias (Michelle DeY...

19May

By Holly SewellNo Comments

London

Diagnosis – Finborough Theatre

Athena Stevens commands the stage in the world premiere of her new play, Diagnosis, playing at the Finborough Theatre. In a dystopian London police station, a woman with a disability, S/he (Athena Stevens), is questioned about an alleged assault against a stranger. In accordance with new procedural law around ‘vulnerable individuals’, she is taped, watched by an audience through a one-way mirror, and forced to be taken seriously - or that’s the idea. In reality, the endless red tape acts less as a support system than as a distraction from the truth of her story. The set is immediately eerie. There is one window, blinds drawn, through which an ominous red glow seeps into Juliette Demoulin’s dark interrogation room. A camera on a tripod records and projects onstage the entire questioni...

19May

By Greg HolsteadNo Comments

Scotland

Keli – Royal Lyceum Theatre

Keli is writer and composer, Martin Green’s response to his adopted community and its music. The writer moved to a small mining town in the South of Scotland and became fascinated by the relationship between the brass band and the pit. The mines were of course long gone, but the music remained and had become an emblem of continuity and resilience, where ‘the band is the toon, and the toon is the band’. At the centre of life Green’s a fictitious small mining town is Keli, a troubled and foul-mouthed young lady with few prospects, an anxiety-ridden mother and a dead-end job stacking shelves. The one good thing in her life is the band, and when she picks up the tenor horn, she becomes a different person, somehow empowered and necessary. When she blows those few inches of air it is the one ...

18May

By Mark DavorenNo Comments

North West

Dirty Dusting – Rainhill Village Hall

Rainhill Garrick Society’s take on Ed Waugh and Trevor Wood’s laugh-out-loud comedy certainly dusts off the cobwebs and guarantees you’ll never look at a vacuum cleaner the same way again! When three elderly cleaners, Olive (Lynn Aconley), Gladys (Linda Saavedra), and Elsie (Jo Webster), are threatened with redundancy by their arch nemesis and boss Dave (Peter Cliffe), they feel that their lives are coming to an end until a chance wrong number gives them a new business start-up idea: why not run a telephone sex chat line? They’ve got motive, opportunity, and a lifetime of experience... some more than others. Cue hilarious one-liners in a style not dissimilar to a Carry-On film. With the play set in a nameless office building in St Helens in 2002, with updated local references, ...