REVIEWS Archives - Page 82 of 548

25May

By Jessie MartinNo Comments

Scotland

Ballet BC – Festival Theatre

Presenting a double bill of innovative contemporary dance, Dance Consortium brought Canadian company Ballet BC to the Festival Theatre’s stage. Playing with both the dark and light, fluidity and harshness, humour and sadness, Ballet BC provides us with an intentional and diverse vision of creation that stretches the boundaries of contemporary dance. It is clear that choreographers Crystal Pite and Johan Inger take great care with their work, with even the slightest movement bringing impact and meaning to the respective pieces - each joint, limb, and muscle being utilised in unique and unusual ways. Act one featured the work of Crystal Pite with their piece entitled Frontier. Frontier explored the relationship between the self and the shadow with dancers dressed ent...

25May

By Anisha PucadyilNo Comments

London

Little Brother – Jermyn Street Theatre

The Jermyn Street Theatre is known for its office winning productions is tucked away in the corner of the prestigious west end boulevard in central London. It has a neat line up of programs like creative associates supporting early career under represented theatre makers and women in Theatre lab. ‘Little Brother’ retraces the steps of adolescent Ibrahima Balde searching for his younger brother in Libya. The book on which the play is based, began with the conversations Ibrahima had with Amets Arzallus Antia, while seeking asylum. Youness Bouzinab, Blair Gyabaah, Whitney Kehinde, Ivan Oyik and Mo Sesay recreate memorable plethora of characters that young 11-year-old meets. Special mention to the innocence, grief and honesty captured by Blair Gyabaah. In his recreation of wide eyed ...

25May

By Kevin EcclestonNo Comments

North West

Afloat – Unity Theatre

Theatre has long held the power to inspire action, evoke empathy, and shine a light on the injustices of the world. Afloat, the latest production from the socially driven theatre company of the same name does exactly that—delivering a deeply moving and thought-provoking exploration of the asylum system in the UK. Performed at Liverpool's Unity Theatre over two nights (May 23rd and 24th), Afloat seamlessly blends traditional theatrical storytelling with striking physical theatre and evocative music, creating an unforgettable experience that lingers long after the final scene. Helmed by director Phoebe McSweeney, this production was collaboratively devised through workshops involving asylum seekers, volunteers, and advocates—ensuring authenticity and emotional depth in every performance. ...

24May

By Greg HolsteadNo Comments

Scotland

Mama’s Broke – Traverse Theatre Bar

Kicking off their first show in a five week tour of the UK, the Bar at Traverse Theatre proved an ideal intimate setting for a spell-binding performance by Canadian Folk duo, Mamma’s Broke, which had everyone leaning in and, at times, tapping along. Hailing from Nova Scotia, Edinburgh has been a regular destination for the pair, since their first Edinburgh Fringe foray eleven years ago, where they resorted to busking on the streets to survive. They have come a long way since then. Known for their haunting harmonies and genre-defying compositions, the 30-something pair served up a beautiful mixture of songs from their previous two albums, Count The Wicked (2017) and Narrow Line (2022), along with some new material heading into the recording studio later this year. The venue’s simpl...

22May

By Tom ScottNo Comments

Scotland

Blinded By The Light – Traverse Theatre

‘Blinded By The Light’ is a gem of a play which celebrates a group of miners fighting to preserve their community, their jobs and their way of life. But at the same time it shows us a future where life has become unsustainable on our planet. Playwright Sylvia Dow was teaching at Bo’Ness Academy in 1982 when the National Coal Board decided to close the town’s Kinneil Colliery on the grounds that it was no longer workable. This was disputed by the miners who believed there was a hundred years’ worth of coal left for them and their descendants to mine. Twelve of them (nicknamed ‘the dirty dozen’) decided to stage a ‘stay-doon’ in the deep pit tunnel under the River Forth. This was two years before the Miners’ Strike of 1984. Two of the actors playing miners are from Bo’Ness and the town...

Shucked – Regent’s Park Open Air Theatre

22May

By Gemma PrinceNo Comments

London

Shucked – Regent’s Park Open Air Theatre

Tony Award-winning musical comedy Shucked has officially kicked off Regent’s Park Open Air Theatre’s 2025 summer season with its highly anticipated UK premier. The question on everyone’s lips, will such an American show be enjoyed by a UK audience? Set in the fictional Cob County, Shucked tells the story of young couple Maizy and Beau as they prepare to get hitched; however, crisis strikes when the town’s much-loved corn begins to die off. Maizy sets off on the adventure of a lifetime when she heads to Tampa in search of help and meets smooth-talking Gordy (Matthew Seadon-Young), who seemingly offers the solution to all their problems. Will Maizy bring back the close-knit town’s happily ever after? Indeed, Shucked is a musical that revolves around corn, yet Robert Horn’s clever writing ...

The Crucible – Shakespeare’s Globe Theatre

22May

By Zain RussellNo Comments

London

The Crucible – Shakespeare’s Globe Theatre

The Crucible, written by the extraordinary Arthur Miller, remains a powerful examination of mass hysteria, moral panic, and how fragile truth becomes in a climate of fear. At Shakespeare’s Globe, the play is given fresh urgency in a setting that amplifies both its historical weight and its emotional resonance. The Globe Theatre itself enhances the drama. Watching a performance in this open-air venue, with its wooden balconies and standing pit, is a unique and deeply atmospheric experience. The historical design transports you to another era, which makes The Crucible—though written in the 20th century—feel like a natural fit. The architecture reinforces the themes of scrutiny, public shame, and isolation. Set in 1692 Salem, the play dramatises a society tearing itself apart over accus...

22May

By Grace AnnabelNo Comments

North West

The Band – Northwich Memorial Court

Joyous, uplifting and moving. This triumph of a production took Northwich by storm this evening, as we were taken on a heart-warming journey of friendship and fandom told through the iconic music of Take That. The talents of the director, Ben Ireson, musical director, Michael J Scott and co-choreographers, Sophie Megitt and Kate Scanlan, were showcased exquisitely by the entire cast of TMTC. From the outset, it was evident that we would be treated to a standard performance worthy of the professional stage - not least due to the impressive stage set and visuals. The storyline follows a group of 16 year-old girls in the early 1990’s, who are stereotypically enamoured by the latest boyband on the scene. After a tragic event, the storyline fast-forwards 25 years, where we see the girls (now...

22May

By Emma WildNo Comments

North West

The 39 Steps – Blackburn Empire

Well, what an absolutely wonderful, joyful evening at the theatre! The 39 Steps, performed by multi award-winning, Blackburn Drama Club, had all the elements for a fabulous show… Firstly, the stunning home of this historic Drama Club, Blackburn Empire Theatre, which has a wonderful blend of traditional and modern decor, including exposed brick walls, an exquisite red proscenium arch decorated with ornate gold details, a beautiful plush red curtain, as well as carefully laid out seating, ensuring all an excellent view. There could not have been a better location for this production, which is set in 1935, but has a modern twist! From the off, the auditorium was used to full effect, with actors using the sides and the seated area to heighten the desperation and urgency of Annabella Schm...

22May

By Brian MaddenNo Comments

North West

Little Shop of Horrors – The Met, Bury

Prestwich Amateur Dramatic & Operatic Society performed Little Shop of Horrors at The Met, Bury this May. The rock-horror musical’s dark humour and catchy songs make it a fun but challenging choice for an amateur company. While some performances stood out, the production as a whole felt uneven and lacking polish. Kit Phillips was among the stronger cast members as Seymour. He captured Seymour’s awkward charm well, delivering solid vocals and an emotional arc. His chemistry with Audrey felt sincere, and he navigated Seymour’s struggles with subtlety. Isobel Cunliffe played Audrey with warmth and vulnerability. Her rendition of “Suddenly Seymour” alongside Phillips was a highlight — emotional and well-sung. Izzi Smith voiced Audrey II, the man-eating plant, which was one of ...