REVIEWS Archives - Page 73 of 548

21Jun

By Greg HolsteadNo Comments

Scotland

In The Cult of Work – Traverse Theatre

Edinburgh Youth Theatre charity, Strange town, return to the Traverse this week with three shows and this is the second of them. On stage tonight are the Tuesday 14 – 18-year-olds and they certainly put on a spirited and well rehearsed show, with no obvious line blunders, a well-drilled cohort who are a credit to director Catherine Ward-Stoddart. I’ve seen a few shows by Strange town over the years and what always comes across is the unbridled enthusiasm and commitment to the creative process from all involved. It’s always great to see the acting youth of Edinburgh taking over one of the best performance spaces in the Capital. Writer, Daniel Orejon was tasked with producing a short play on the theme of, Nobody wants to work anymore. In the centre of the stage a poster pronounces, ‘Ou...

21Jun

By Savitha VenugopalNo Comments

London

Medea – The Coronet Theatre

This is Medea like you have never seen it before. Director Satoshi Miyagi takes an ancient masterpiece, tweaks it, paints it in fresh colours, and creates a jewel that dazzles. This is no mere telling of a story, it is an experience. Performed in Japanese with English subtitles, the play is set in a restaurant in Meiji era Japan. It is a time of wide-ranging changes from government policies to education systems to trade. A group of male patrons in the restaurant has decided to perform Medea. Each character will be played by two people – a male “speaker” who will deliver the lines, and a female “mover” who will act them out. The female staff of the restaurant present themselves to be picked for the roles. They appear on stage dressed in kimonos of the same shade, brown bags on their ...

Bad Girls the Musical – Rainhill Village Hall

20Jun

By Stephanie WiswallNo Comments

North West

Bad Girls the Musical – Rainhill Village Hall

A musical adaptation from the 1990s TV series Bad Girls with a few familiar roles amongst the cast such as the gobby and cocky Shell Dockley (Laura Riley) and the loathsome and despicable Fenner (Paul Robinson). When the show opens, you meet a colourful array of characters from the sweet and saintly Wing Governor Helen Stewart (Michelle Williams) who is battling against older, more defiant guards such as Fenner, and the stoic and patronising Sylvia "Bodybag" Hollamby (Ruth Gibb) to bring more humanity and empathy to the prison. Due to an uprising in the block, Stewart (who has been falling for an inmate) is in hot water and her budding love story between her and the strong and defiant inmate, Nikki Wade (Diane Glover), is under threat. A very fragile and naive portrayal of Rachel Hic...

20Jun

By Ralph JeffreysNo Comments

London

4.48 Psychosis – Royal Court

‘At 4.48 when depression visits, I shall hang myself to my lover’s breathing’. Sarah Kane’s 4.48 Psychosis contains many lines like the one above that simply go through you. The play is a beautiful and terrifying exploration of the pain, anguish, despair, boredom and paralysis that accompany someone thinking of killing themselves. The work has an obvious resonance because it is Kane’s last before her own suicide, but the quality of the writing is such that it would be wrong to say that this is why the play is so impactful. Kane mixes honest, brutal statements with poetic, even biblical passages; lucid descriptions of a prescription with strange lists of numbers and staccato strings of words ‘flicker, punch, slash, dab, wring, press, burn, slash’. It is a startling piece of writing, w...

20Jun

By Jessie MartinNo Comments

Scotland

Livin’ On a Prayer – Traverse Theatre

‘Are we making the most of our time?’ is the question posed by Strange Town in their latest piece of new writing: Livin’ On a Prayer. The Edinburgh-based youth theatre company of 8-25 year-olds took on the writing and direction of James Beagon who has worked with Strange Town for almost a decade, currently working as the Youth Theatre Manager. Beagon’s Livin’ On a Prayer is set in a karaoke bar in which a selection of Greek Gods and Deities enjoy the sweet taste of ambrosia (the source of their immortality). But when Dionysus, God of madness, decides to hide their ambrosia, the Gods must work together to decipher the clues left for them by Dionysus. Initially led to believe that if they enter a singing competition, the winner will earn the remaining ambrosia, howeve...

20Jun

By Adam WilliamsNo Comments

North West

Macbeth – Hope Mill Theatre

Sometimes you see a piece of theatre and it just blows you away. This production was inventive, audacious and stunningly theatrical. Theatrical seems an odd thing to write in a theatre review. Surely all theatre is theatrical. Yet, the fashion these days is to shun theatricality, to underplay, to minimise. Thankfully, the directors of this play were not afraid to create a spectacle. Fittingly, for a play where bewitchment is central to the plot, they created magic in a very small space. From the start, there was dynamism, vivacity, verve and brio which grabbed the attention. And it did not let up. There was a briskness to the direction which gave the play its vim and vigour. It was so compelling that you could not take your eyes off the action. It was co-directed by Amy Gavin and Han...

Kieran Hodgson: Voice of America – Soho Theatre

20Jun

By Zak RosenNo Comments

London

Kieran Hodgson: Voice of America – Soho Theatre

Kieran Hodgson, the avowed atheist bisexual vegetarian Brahms-enthusiast, wants to be a Voice of America. He even orchestrates a US presidential campaign style entrance to the theatre, complete with standing, chanting, and a great deal of handshaking. But he doesn’t quite let us forget that there is one voice hoarding all the oxygen when it comes to speaking of, and for, the United States, and he asks some vital questions about how to relate to the country, to its hope and promise, when trapped by the totemic power of that voice. Hodgson is hilarious, with every joke pulling peals of laughter from the audience, combining clever writing and delightful impressions (minus He Who Must Not Be Named) and a surprisingly dense amount of British cultural reference with an extended riff on Hodgso...

Frozen: The Hit Broadway Musical – Disney+

20Jun

By Paddy Darnell-WalshNo Comments

REVIEWS

Frozen: The Hit Broadway Musical – Disney+

Disney’s modern classic ‘Frozen’ is brought to life on stage, with a lot to live up to following a string of hit predecessors, including, ‘The Lion King’, ‘Beauty and the Beast’ and ‘Aladdin’. However, it certainly does live up to it, and then some! Opening on Broadway in 2018, before crossing the Atlantic to London’s West End in 2021, the show is now accessible to a Global audience with this wonderful, recorded performance from London’s Theatre Royal Drury Lane. Predominantly keeping true to the film, the story centres around Queen Elsa and sister Anna, of Arendelle, as Elsa’s hidden powers unwittingly plunge the town into an eternal winter. The sisters, along with friends made along the way, must learn to thaw the snow and ice before it’s too late. With all the songs and thrills of th...

19Jun

By Zain RussellNo Comments

London

The Last Laugh – Richmond Theatre

The Last Laugh is a fast-paced and nostalgic stage show that transports audiences back in time to celebrate three of Britain’s finest comedians: Tommy Cooper, portrayed by Damian Williams; Eric Morecambe, brought to life by Bob Golding; and Bob Monkhouse, played by Simon Cartwright. From the moment the curtain rises, the energy is palpable, and what immediately stands out is how astonishingly accurate each actor is in embodying the comedian they represent. Their mastery of the mannerisms, voices, and comedic timing is so convincing that it genuinely feels like you are watching the real legends share the stage together. One of the show’s greatest strengths is how it seamlessly blends homage with humour. The script incorporates many of the comedians' iconic catchphrases and inside jokes—m...

19Jun

By Angela KellyNo Comments

North West

Calamity Jane – Regent Theatre, Stoke

Time for the good citizens of Stoke to watch their backs as Calamity Jane is in town! Yes, the Regent Theatre has bravely opened its doors to an absolute classic. Lock your doors folks- "Calamity Jane" has arrived! Originally directed by Nikolai Foster and co-directed and choreographed by Nick Winston, this very much ‘updated’ musical was literally all singing and all dancing from the opening scene. Based on the well-known movie starring Doris Day, it tells the story of the charismatic ‘Calamity Jane’ and how her life in Deadwood, Dakota changes subtly when there is a new girl in town. From a strong friendship to the need to control her jealousy, this is essentially a story about love, relationships and personal growth- in a gun slinging way of course! West End star, Carrie Hop...