REVIEWS Archives - Page 7 of 563

It’s Such a Beautiful Day + ME – Edinburgh Filmhouse

11Feb

By Wendy McEwanNo Comments

Scotland

It’s Such a Beautiful Day + ME – Edinburgh Filmhouse

Don Hertzveldt’s animated film, It’s Such a Beautiful Day, uses simple line drawings, stream of consciousness narration, and inventive cinematography as brushstrokes to build the story of Bill, a man with a neurological disorder. In Hertzveldt’s narration, the mundane and the fantastical are woven together: “Bill sat down and put on a big sweater, but it only made him sleepy”. “The guy next to him at the bus stop had the head of a cow, but Bill pretended not to notice.” As reality slips and slides around him, Bill does his best to make his world make sense. Bill recalls his childhood, his happy and his strange memories. Has his condition distorted his recollection? He attends medical appointments. His ex-girlfriend, and his mother, take care of him, but he is isolated from the people...

11Feb

By Peter KinnockNo Comments

West Midlands

Fawlty Towers – Wolverhampton Grand

Of course I don’t need to remind you of the high esteem in which Fawlty Towers is held not only by the international comedy loving public but also by comedic contemporaries and comedians of today. It is the one. The first and the best. Bar none. End of. Its first script was once described by an early producer as “a collection of cliches and stock characters which I can’t see being anything but a disaster.” Unlike John Cleese, Prunella Scales, Andrew Sachs and Connie Booth that producer’s name has been consigned to history. We watch the show over and over, without tiring, in abject horror and disbelief as Basil commits the same acts of frustrated stupidity taking his indignation to dizzying heights transcending taboo after taboo. It’s a glorious fusion of British stiff-upper-lipped suppr...

11Feb

By Stewart Who?No Comments

London

Miles – Southwark Playhouse

The Southwark Playhouse (Borough) was heaving and giddy for the Monday press night of Miles, which swaggers into London after dazzling Edinburgh Fringe last year. Two young women were sat next to me. We chatted before the show started. They are both actors, blessed with good looks, quick wit and youthful enthusiasm. They were amused to hear I’m reviewing the show. Why? One of them turned out to be to be Amelia Bright, Assistant Director on this production. Written and directed by Oliver Kaderbhai, the concept of this show was crafted by globally renowned jazz trumpet whizz, Jay Phelps. He also happens play one of two characters in Miles. Phelps plays a thinly veiled version of himself. His co-star, Benjamin Akintuyosi, plays Miles Davis. Phelps isn’t messing about. The man with the trum...

9Feb

By Kira DanielsNo Comments

London

The Virgins – Soho Theatre

Oh my god, twist! And shout. Come on and work it on out. For these virgins, that’s pretty much the entire night’s agenda. Best friends Chloe (Anushka Chakravarti) and Jess (Ella Bruccoleri) are headed out for the night to “pull” for the very first time but find their plans needlessly complicated by the simple fact they have no idea what they actually want. Aided and abetted by the persistently peripheral Phoebe (Molly Hewitt-Richards), cool girl/experienced slut Anya (Zoë Armer), a bottle of Absolut vodka, and two liters of lemonade, they’re ready for anything, in theory. In practice, practice is about all they’re up for. Writer Miriam Battye’s playtext is clever and cringe in equal measure, and Jaz Woodcock-Stewart’s direction is funky and fresh, with particular flavour peppered...

9Feb

By Greg HolsteadNo Comments

Scotland

The Rite of Spring – Traverse Theatre

At the Traverse Theatre, as part of the Manipulate Festival, Dewey Dell’s The Rite of Spring announces itself as a work that expects, and repays, sustained attention. Running a concentrated fifty minutes, this is not a production that courts easy admiration or quick interpretation. It is slow, deliberate, and insistently moody, drawing the audience into a sealed weird world that unfolds according to its own internal logic.The original scandal of Stravinsky’s The Rite of Spring lay in its pagan brutality, Nijinsky and the Ballets Russes presenting sacrifice as the necessary price of renewal. In Dewey Dell’s reimagining, conceived and directed by Agata Castellucci, Teodora Castellucci, and Vito Matera, that focus subtly shifts. As a monumental red flower opens to reveal a prot...

Don Quixote (Is A Very Big Book) – Traverse Theatre

9Feb

By Greg HolsteadNo Comments

Scotland

Don Quixote (Is A Very Big Book) – Traverse Theatre

There’s a moment early on in Don Quixote (is a Very Big Book) where the performer suggests the entire show sprang from a serendipitous eBay purchase, a suit of unlikely, clown-footed, articulated armour. It’s a charming idea, but frankly, it’s nonsense. The armour is far too central, too embedded, too perfectly calibrated to the rhythms of the piece for this to be anything other than myth-making. And that’s no bad thing. Don Quixote, after all, is built on glorious delusion. What matters is that this is an almost perfect one-man show, and that’s a bold claim, but a justified one. One-handers often get tantalisingly close to perfection because of the sheer control involved, one body, one voice, one mind shaping the entire theatrical universe. What’s remarkable here is that this sh...

9Feb

By Charles PipeNo Comments

London

Digging Up Appearances – Old Red Lion

Inspired by the 90s British sitcom Keeping Up Appearances, this creative horror-comedy play will delight you with macabre hilarity whether or not you’re familiar with the source material. Decades after the sitcom is set, Sheridan is going through a heartbreaking divorce and, through the powers of a magical amulet, accidentally resurrects his dead mother, Hyacinth. Seeing her son’s life isn’t as wonderful as she hoped or expected it would be, Hyacinth takes it upon herself to guide Sheridan and get his life back on track. She also has an insatiable appetite for human flesh. Hilarious horror-comedy antics ensue. I have never seen a single episode of Keeping Up Appearances but knew just enough from cultural osmosis to not be completely lost while watching this play. Some jokes went over...

Animated Documentary Shorts – Edinburgh Film House

9Feb

By Kathleen MansfieldNo Comments

Scotland

Animated Documentary Shorts – Edinburgh Film House

It is good to be back in the Filmhouse after the crowdfunded rescue and a beautiful refurbishment. Run by a new charity, Filmhouse (Edinburgh) Ltd, the staff are welcoming, the decor contemporary and warm on this cold winter night. The bus stops right outside and, inside, the bar serves hot food and drink. Seeing the nineteenth Manipulate Festival, which specialises in animation, puppetry and visual theatre from the plush new seating is a treat. On this night, there were eight animated short films. Other nights included short horror films and a daytime dance workshop for over 14s at Dance Base led by two outstanding Italian improvisational breakdancers. The festival runs from 4th - 10th February. Within the eight short animated documentaries, you are gripped by the psychological trau...

Edgar in the Red Room – The Hope Theatre

9Feb

By Charles PipeNo Comments

London

Edgar in the Red Room – The Hope Theatre

All the way from New York, The Shylock Project bring their Edgar Allan Poe - inspired Gothic musical to London. Collaging elements from a variety of Poe’s stories and poems, from his most famous works such as The Raven or The Fall of the House of Usher to multitudinous deeper cuts, Edgar in the Red Room tells an original story exploring the life, death, and legacy of Edgar Allan Poe. Poe aficionados will delight in spotting the various references, while those less familiar with his work will enjoy being exposed to these spooky components for the first time. Poe – played by both Morgan Smith and Sammy Overton – is both narrator and protagonist, but it gradually becomes apparent that he is not in control of the story as it whisks him along on a surreal and frightening journey into the mac...

9Feb

By Charles PipeNo Comments

London

Exhuming Emily – Etcetera Theatre

Monty Bulmer sits at the bottom of Mealt Falls in the Isle of Skye with a compound leg fracture and the tide coming in. Above him, entombed in the frozen waterfall, is the body of Emily. Monty intends to exhume the body. He beseeches God for a miracle. In order to convey to God just how important it is for him to exhume Emily, Monty tells the story of what led him to his current situation. With a heavy focus on his tumultuous relationship with his father, Monty recounts his life story. I don’t want to describe the plot further, so as not to spoil any of the shocking twists and turns. I would suggest that those particularly sensitive to upsetting themes around sexual offences use their discretion when deciding whether or not to see this show. Alex Maslin’s richly complex script...