REVIEWS Archives - Page 510 of 548

31May

By Luke StephensonNo Comments

North West

Sleeping Beauty – M&S Bank Arena

Live theatre is back after over. A year of wanting and hoping it was amazing to be in an auditorium waiting for the curtain to rise. Sleeping Beauty at the M&S Bank auditorium until the 6th of June. The show had Gareth Gates (Les Miserable and Pop Idol), Bippo who is the comedy relief in the show, and Emma Grace Arends as Beauty amongst a small chorus. The show is approx. 2 hours long with one interval. Watching the show I felt it was rather flat, it’s opening weekend energy is meant to be high but I just felt underwhelmed. The music over shadowed the microphones so some parts of the vocals were lost. Moving on some lines were muddled up and Gareth Gates entered too early for his scene. Bippo however, rescued it well. It came to a point where it was a live rehearsal not an opening w...

No Strings Attached – King’s Head Theatre

28May

By Jessica BattisonNo Comments

London

No Strings Attached – King’s Head Theatre

“You asked ‘who are you then?’ I don’t think I know the answer to that.” The debut play by Charles Entsie marks the King’s Head Theatre’s return to live performances after 436 days. Directed by Aileen Gonsalves, the audience are exposed to, and reminded of, the lengths gay men feel they must go to hide in the closet. Sorcha Corcoran’s skeletal car structure against a concrete backdrop, set in an underground car park, brilliantly highlights the claustrophobia felt by the two men. At very different stages in their lives, they are equally lost in trying to find themselves, “tired of just surviving”. The play is riddled with their anxieties, distraught and pain, despite attempts to suppress. Utilising Gonsalves’s own method, of the audience feeling what the actor does in each moment, ...

28May

By Caroline WorswickNo Comments

London

Public Domain – Vaudeville Theatre

There is a fresh breeze blowing through the world of musical theatre from the general direction of Forristal and Clarke. This very on-trend musical does not hold back in its dissection of social media, and as we emerge, bleary eyed from the latest lockdown, it is making a very relevant point. It is all too easy to reach for the smart phone, iPad or laptop to see what is going on outside your front door, when you cannot leave the house, we are sociable animals and need interaction. Hidden, lurking behind this online socialisation is a world of capitalism, where every click is monitored, every search is logged. With this in mind, ‘Public Domain’ attempts to give us a musical, collating the words of others, via Tweets, Instagram posts and You Tube videos. T...

Touching The Void – Bristol Old Vic at Home

27May

By Kiefer WilliamsNo Comments

REVIEWS

Touching The Void – Bristol Old Vic at Home

After a successful and critically acclaimed West End run, David Greig’s tense play based on Joe Simpson’s bestselling mountaineering memoir is brought to the live streaming platform by Bristol Old Vic. Touching The Void is a play about the human spirit and the need to survive under extreme and dangerous circumstances. The story is set in the perilous Peruvian Andes where climbers Joe (Josh Williams) and Simon (Angus Yellowlees) are facing the treacherous descent of the infamous Siula Grande Mountain. Greig’s lean and powerful script plays out like a nail biting thriller as we see both climbers struggle to survive not just the unforgiving weather conditions but the mountain itself. When one of the climbers slips during their descent, all bets are off as the real tension builds and ...

27May

By Carole GordonNo Comments

London

Here Come The Boys – London Palladium

After more than a year starved of live theatre, it is not surprising that the socially distanced and masked audience for Here Come The Boys is champing at the bit, wildly enthusiastic, and totally up for an evening of sparkling entertainment. And they certainly get that in this show. Here Come The Boys toured to sold-out theatres in 2019 and the performers are clearly as keen to get back into the swing as the audience. The four lead dancers, calling themselves the "Kings of Dance", are Strictly stars present and past Aljaž Škorjanec, Pasha Kovalev, Graziano di Prima and Robin Windsor. They are joined by Nadiya Bychkova representing the ladies, Strictly finalist Karim Zeroual as dancer and MC, and a large dance ensemble. The vibe of the show is Strictly on steroids, a dance p...

26May

By Katie LeicesterNo Comments

North West

Meet Me at Dawn – Hope Mill Theatre

“No matter how bad your heart is broken, the world doesn't stop for your grief or does it?” “Death ends a life, not a relationship.” The stunning Hope Mill Theatre opened its doors to a long-awaited theatre audience eager to get back to watching live performing arts. The Covid safety screening was efficient and slick where the front of house staff guided you through from the box office to the bar area where they had tables with sectioned screens and table service to minimise movement. British playwright, screenwriter and director Zinnie Harris’ Meet Me at Dawn was first performed at the Traverse Theatre in Scotland in 2017 at the age of 48 her plays have been translated and performed in many countries and she has directed for a number of theatres, including the Royal Shakespear...

26May

By Angela KellyNo Comments

South East

The Preacher – Brighton Fringe

‘Philospohical’, ‘existential’ and based on the ‘Biblical book of Ecclesiasticus’ are not common descriptions you would associate with a stand up comedian but these descriptions can certainly be attributed to David ‘Dave’ Davidson in his stand up performance ‘The Preacher’, performed as part of the Brighton Fringe Festival. It’s true that many of us challenged ourselves during the various lockdowns of the past year or so but performing stand up, based on a book of the bible to no live audience was certainly up there with the strangest of challenges. Adapted by Anthony Noack and now performing on line, David ‘Dave’ Davidson was one comic who chose to carry on with stand up whether there was a live audience or not. Perhaps something a Preacher may also do in times of the Bible and spea...

Decades: 1970s/1980s/2000s – Leeds Playhouse

26May

By Paul ClarkeNo Comments

Yorkshire & Humber

Decades: 1970s/1980s/2000s – Leeds Playhouse

To kick off their delayed 50th birthday celebrations the Playhouse team commissioned both experienced and newer creatives to create short monologues boldly trying to meld the history of Leeds and events across the north over six decades since they opened their doors.. They are offering all six as the King Lear of monologues, or two lots of three like tonight’s offering spanning three decades. There may be some obscure artistic reasoning behind this but it seems odd to run them out of sequence as doing so might have added to their power. As a veteran of the eighties Leeds anarchist and squat scene it must have tempting for Alice Nutter to offer a sugar-coated version of that scene, but typically in Nicer Than Orange Squash she offers an often funny indictment of the hypocrisy an...

Monday Night at the Apollo – Apollo Theatre, Shaftesbury Avenue

25May

By Jenn McKeanNo Comments

London

Monday Night at the Apollo – Apollo Theatre, Shaftesbury Avenue

One positive that has come out of theatres being closed? Line ups like this evening that probably wouldn’t have happened had we not had lockdown and the closing of theatres. It’s about the only good thing I can think of – that and the streaming of shows, such as this one, that you otherwise wouldn’t be able to get to! This powerhouse quintet is enough to cheer anyone up after a miserable Monday and worth the ticket price alone. Billed as an intimate evening of conversation and song filled with an eclectic mix of music from the performers’ favourite genres, the night definitely did not disappoint. The first act felt like it got off to a slow start and that it was going to be an evening more about the talking than the singing, but after each performer had sung once and chatted with host G...

24May

By Alan Stuart MalinNo Comments

London

CRUISE – Duchess Theatre

Having reviewed the online stream of CRUISE during the last lockdown back in April, I was super excited to see how this intimate piece would translate from the screen to the stage, and believe me it did not disappoint. CRUISE is a lyrical celebration of queer culture, a musical and spoken word tribute to the veterans of the AIDS crisis written and performed by Jack Holden. In every way it is a perfectly crafted piece of queer theatre and whilst the online version was deeply personal in its storytelling, the on the stage narrative hits you with full force square between the eyes. A brilliant, beautiful and yet gut wrenchingly brutal piece of theatre. Poetic. Artistic. Honest. One man’s memory of a horrific period in the gay culture of ‘80s London. CRUISE is the true story of what shou...