Thursday, December 18

REVIEWS

For The Grace of You Go I – Theatr Clwyd
Wales

For The Grace of You Go I – Theatr Clwyd

Last night was the opening night at Theatr Clwyd’s latest production of ‘For the grace of you go I’ the synopsis of the show is stated as “Adding meats to pizzas, Jim’s life is going nowhere. But watching I Hired A Contract Killer, he finds a solution – he will just put out a hit on himself. What could possibly go wrong?” A darkly funny new comedy. The show lasted 80 mins in duration. From the moment you walk in you feel immersed. The visual effects were eye-catching and your drawn into the performance. I felt that the performance was tense and resonated with how society can perceive disability. Both in and out of the workplace. It resonated with me personally. As I have been subjected to some of the ridicule shown within the peace. I found it to be thought provoking and it was ni...
The Play Scratch Night – Online
North West

The Play Scratch Night – Online

I think it is fair to say the arts have been hit hard during the COVID19 pandemic with the closure of theatres, music venues and everything in between but what is quite beautiful, is that the amazingly passionate people of the art world have not stopped writing or creating new drama for the world to see. Liverpool has been lucky enough to still have its own arts festival running at this time. The LightNight festival has given hope to the people of Liverpool over the last while by showcasing everything from large-scale light projections and live music to workshops on spoken word, art, crafts and theatre. LightNight has also seen a string of events such as street performance, walking tours, dancing and late-opening exhibitions taking place right across the city centre. LightNight is pr...
Psychodrama – Never for Ever, Kentish Town
London

Psychodrama – Never for Ever, Kentish Town

Psychodrama is a gripping one-person show about an ageing actress under investigation for the murder of an auteur theatre director. Written and directed by Matt Wilkinson, and performed by Emily Bruni, this 70-minute long monologue presents a sharp, incisive take on the cut-throat nature of show business and the toll it takes on the lives of those who choose to be in it. Through the eyes of its titular character, a middle-aged actress on the brink of being forgotten, we are introduced to the everyday realities of a creative struggling in an overly competitive industry – a dead-end job that demands more energy than what it deserves, the frustration of maintaining relationships that don’t actually serve you, the occasional self-indulgent purchases that remind you of just how broke you are...
The Damned United – Leeds Playhouse
Yorkshire & Humber

The Damned United – Leeds Playhouse

The last time I saw this Leeds United were in the midst of one of their regular comedic play offs collapse, but now they are riding high in the Premier League this punchy tale of hubris at Elland Road has extra resonance. It’s nominally the tale of Brian Howard Clough’s disastrous 44 day reign at Yorkshire’s biggest club after taking unfancied Derby County to the First Division title, but it is a story about obsession and  madness that will reach non football fans too. The Damned United is based on David Peace’s semi-fictional novel tracing Clough’s descent into a personal hell. Anders Lustgarten’s tight adaptation captures all the psychological demons swirling round Ol’ Big Head’s fractured psyche as he takes on a team of seasoned pros loyal who he hates as ‘cheats’, but they h...
A Cold Supper Behind Harrods – Oxford Playhouse Online
South East

A Cold Supper Behind Harrods – Oxford Playhouse Online

Written by David Morley, “A Cold Supper Behind Harrods” came into being following Morley’s meeting with ex Special Operations Executive operative, Leo Franks in the 1990s when Morley was working on a television programme called “War Heroes”. Morley felt he hadn’t done Franks’ memory justice and so penned this play which embodies what Franks told him: some of the real truth behind the Special Operations Executive, not the glossed up version told to the public. It was initially a radio play and the three lead actors who originally appeared in it have returned for the transfer to this stage version. Directed by Philip Franks, tonight’s show was a live-streamed, script in hand version which in itself presented challenges for actors and the production crew. They have had very little rehearsa...
Hushabye Mountain – Hope Mill Theatre
North West

Hushabye Mountain – Hope Mill Theatre

This was a theatre trip of many firsts for me, not only had I never heard of Hushabye Mountain (except from watching Chitty Chitty Bang Bang and singing it myself); this was my first Hope Mill performance.  And all I can say is ‘wow’.  I won’t lie, I had read the synopsis and thought that the subject matter might be a little depressing but what these six amazing artists achieve, is something wonderful. Yes, you read that right – just a cast of 6 people who not only acted but seamlessly changed ‘scenery’ whilst already into the next scene and working in costume changes into that scene. I put scenery into inverted commas as there wasn’t any to speak of really, no elaborate drops (except for the Church and the star cloth – and who doesn’t love a star cloth) no big flats to move, jus...
West End Musical Celebration – Palace Theatre
London

West End Musical Celebration – Palace Theatre

Originally planned to be A West End Musical Christmas, and devised by the producers of West End Musical Drive In and West End Musical Brunch, in association with Nica Burns, this all-star concert morphed into a celebration of the gradual re-opening of the West End after the 15-month enforced hiatus. The stellar cast of Ben Forster, Alice Fearn, Sophie Evans, Layton Williams, Rachel John, Trevor Dion Nicholas and Shanay Holmes represent the very best of what the West End has to offer and this show provides a great showcase for their talents. There are many high points in a show full of great moments. John blows away the audience with "Don't Rain On My Parade", Dion Nicholas reminds the audience of what a perfect genie he was with Aladdin's "You Never Had A Friend Like Me", and Forster re...
Atalanta Forever – Halifax Piece Hall
Yorkshire & Humber

Atalanta Forever – Halifax Piece Hall

On the day after the first ever female chair of the Football Association was announced this witty and powerful piece about the pioneers of the women’s game being banned by a bunch of misogynists in a committee room couldn’t be more pertinent. These footballing underdogs are classic Mikron Theatre territory as a fictional Huddersfield factory girl and a posh teacher come together under the watchful eye of even posher Miss Waller to form Atalanta Ladies raising money for starving wondered soldiers in the years after the war to end all wars. My only criticism is that Mikron often play posh characters off against the working class, and that idea has run its course. Bit of context here for non-footie fans as in 1921 Preston’s Dick Kerr’s Ladies played in front of 51000 at a Boxing Day gam...
Sleeping Beauties – Brighton Fringe
South East

Sleeping Beauties – Brighton Fringe

The Storytelling Choir’s Sleeping Beauties is a magical combination of song, storytelling and stunning visuals, which brings new life to an old tale by going back to its ancient roots embracing all corners of the world. The Storytelling Choir question why fairy tales have been reduced to one, accepted version, and aim to bring storytelling back to the communities where they started. Discussing their views on the Sleeping Beauty story, the choir, comprised of Marina Evans, Sophie Gibson, Joanna Gilar, Fleur Shorthouse Hemmings and Nana Tomova, it is clear that over the year this performance is put together, a lot of consideration has been given to the themes of the story and the message those themes convey. Medieval style song is then combined with poetry and beautiful paintings of sl...
HEMATOMA – Lion & Unicorn Theatre
London

HEMATOMA – Lion & Unicorn Theatre

I’ve never been to the Lion and Unicorn Theatre which as a born and bred north Londoner is, I know, disgraceful. I was met by a very polite and welcoming front of house who was clearly as pleased to be back to live performances as I was and directed through to my seat. It’s a simple black box auditorium, intimate but with one of the better seating setups I’ve seen in this kind of venue, all Covid-compliant, spacious and clean. Hematoma bills itself as a ‘road play’ - like a road movie, but on the stage. I wasn’t sure what to expect and I wasn’t sure if one man and his thoughts would be the return to being in a live audience that I wanted, but I definitely needn’t have worried. This felt to me like a true coming of age piece, and I spent an hour utterly engrossed in writer and performer ...