REVIEWS Archives - Page 503 of 548

7Jul

By Gemma PrinceNo Comments

London

Shoes to Fill – Iris Theatre

Part of the Iris Theatre’s Summer Festival at the Actor’s Church, Fair Play Production’s Shoes to Fill is a story of celebration, exploring mixed-race identity and the coming together of two different cultures. Written and performed by Tanya Bridgeman and directed by Alex Miller, the one-woman play mixes elements of spoken word, music, and multi-rolling in a lyrical journey of self-discovery and realisations. Despite the unfortunate weather that plagued the outdoor setting, Bridgeman was able to truly command attention with her high-energy performance as ‘Granddaughter’, a young woman struggling to find herself. Flitting between her Bajan grandmother’s memories of Barbados, her present inner conflict with her growing self-doubt and her Irish grandmother’s advice, Bridgeman’s performance...

Heathers the Musical – Theatre Royal Haymarket

6Jul

By Alan Stuart MalinNo Comments

London

Heathers the Musical – Theatre Royal Haymarket

You know when you wake up the next day singing the songs that you have seen a good musical. Those little ear worms working away overnight, doing what they do best and making sure the tunes continuously occupy our minds long into the next day and beyond. A great musical connects with its audience, involves them, allows them to care about the characters they are seeing and to become invested in what is happening to them regardless of the subject matter. THAT is exactly what ‘Heathers the Musical’ does. As a result, its high energy music, and quirky, easily memorable, witty book are fast developing a cult following. Produced by Bill Kenwright and Paul Taylor-Mills, this high-octane black-comedy rock musical, based on one of the greatest cult teen films of all time, starring Winona Ryder an...

5Jul

By Mark DavorenNo Comments

REVIEWS

Idlib by Storm in the North

Idlib, from new production company Storm in the North, is a transient piece in so many ways. Written and directed by Kevin Dyer, it started as a piece of prose as a prelude for a play that morphed into a short story before becoming the script for this monologue. As a halfway step on its journey to becoming a full-length stage play, the parallel to its content couldn’t be more complete. Commissioned by Chester Bandstand, performed by Paislie Reid, and based on the story of a Syrian baker who wanted to go home and real interviews with Syrian refugees and escapees across Europe, it tells the story of a woman who has hope. There’s a normality to Reid’s delivery that is comforting and almost invites you to step into the picture she paints, but it isn’t a scene that most of us would recogn...

3Jul

By Jackie FoottitNo Comments

Yorkshire & Humber

Hull & High Water – Hull Truck Theatre

Listening to the pre-show chatter of the Hull Truck Theatre audience, awaiting the start of the world premiere of Hull & High Water, made me realise just how much I have missed the live theatre atmosphere. I watched this, the third of the theatre’s socially distanced Homecomings Season monologues, online but, no doubt, I’ll be back in that cosy theatre before too long. As in the first two monologues (The Greatest Play In The History Of The World and Everything I Own), the stage setting was a tad too dark for my liking. Dim lighting and dark furniture added to the gloom. Luckily, Emmerdale actor John Middleton lit up the stage the minute he set foot on it. I warmed to him immediately. Although his character, Frank Piddock, is getting on in years, suffering from dementia and ...

3Jul

By Gaurav SinghNo Comments

London

Extinct – Theatre Royal Stratford East

As I walked through the exit doors of Theatre Royal Stratford East, two immediate thoughts struck me. First, a growing feeling of being overwhelmed (in a good way) by something I thought I knew but hadn’t fully grasped until just then. Second, a feeling of (self-conscious) irony that washed over me as I looked around for a recyclable bin to dispose of my complimentary-press-night beverage can. Unable to find one, I settled for a general use bin instead (I know, I know) and made my way home. Through this brief and exceedingly casual act that many of us probably undertake everyday without much thought, I was confronted by the central argument the show represents – human indifference in the face of a global extinction crisis. Extinct is a deeply gripping, hauntingly vivid call for action a...

3Jul

By Paul WilcoxNo Comments

Yorkshire & Humber

Talent – Crucible Theatre

Just over five years ago, in April 2016, Britain lost a unique and irreplaceable comedy voice with the untimely death of Victoria Wood. In addition to her brilliance as a stand up comedian and actress in both comedic and dramatic roles, Wood also scripted a number of plays and musicals for the stage and her very first attempt from 1978, 'Talent', is the subject of a revival at Sheffield’s Crucible during July. The world of the late 1970's northern working men's club, is evoked by both the cheesy ballads playing as we enter the auditorium and the set design of Janet Bird. A golden cloak covers the stage and reaches up to a white grand piano perched high on a plinth, evoking the glamour of Liberace and 1940's Hollywood. This is quickly revealed to be a grotty backstage with boxes of crisp...

Spend, Spend, Spend – Guilford School of Acting

2Jul

By Tracey BellNo Comments

REVIEWS

Spend, Spend, Spend – Guilford School of Acting

Upon winning a fortune of £152,000 (today’s equivalent of 3.3m) on the football pools in 1961, Viv Nicholson told the press she was going to "spend, spend, spend." Her true life rags to riches story and its decline back to rags is chronicled in this musical with book and lyrics by Steve Brown and Justin Greene based on the original book by Viv Nicholson herself and Stephen Smith. The story both starts and ends in present day, with Viv working in a Hairdressers in Castleford, West Yorkshire. We are transported back to the young, 16-year-old Viv as the story unfurls of her abusive father, poverty to a pools win, five unconventional marriages, fast cars, Fur coats, lots of alcohol and parties and a desperate need to be loved. Spend, Spend Spend does not make Viv as happy as she first think...

2Jul

By Rebecca CaseyNo Comments

North West

Swan Song – Unity Theatre

I have just returned home from Liverpool’s Unity Theatre, or for the purposes of this evening a high school back in 1997. Swan song is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement all I can say is that I truly hope that this is not Andrew Lancel’s swan song because he is outstanding in this role. I don’t quite know what I was expecting tonight but Lancel’s portrayal of the character was the polar opposite to any role you may have seen him in previously. Andrew has had a celebrated career including several leading roles in television. I personally can’t look at him without picturing his character from Coronation Street. I also saw him in the national tour of The Sound of Music last year in Blackpool. The guy seems to be able t...

Can You See Into a Black Hole – Iris Theatre

1Jul

By Gaurav SinghNo Comments

London

Can You See Into a Black Hole – Iris Theatre

“Can You See Into A Black Hole” is the first of a three-part series by Tom Ryalls that offers a glimpse into childhood epilepsy and youth hospitalizations told through their own personal story. Through a heart-warming personal account of their adolescent years and a combination of documentary interviews, electronic music and the only surviving film of one of their seizures, we witness the complex consequences and conditions of living with an invisible disease that could strike at any time, without warning. Presented at an outdoor setting under the Iris Theatre’s Summer Festival at the St. Paul’s Church in Covent Garden, the show is directed by Deirdre McLaughlin and performed by Dan Fitzsimons, accompanied by Christian Czornyj’ sound design. The text by Ryalls is the driving force of th...

Starting Here, Starting Now – Waterloo East

1Jul

By Carole GordonNo Comments

London

Starting Here, Starting Now – Waterloo East

Maltby and Shire's revue, Starting Here, Starting Now, was first produced at the Manhattan Theater Club in 1976, with songs accumulated from the many shows they had written, some of which were never produced. As a revue, their songs have seen much more success. There have been frequent revivals and even a Grammy nomination for the original cast recording. Each song is a cleverly crafted mini-drama on the timeless themes of love and relationships, good, bad, broken, angry, joyful, new, old, hopeful and hopeless. It's an eclectic mix of songs and styles - sometimes thrilling, sometimes funny, and occasionally baffling. "Thrilling" are the performers, Nikki Bentley, Gina Murray and Noel Sullivan, all seasoned West End stars, whose voices individually and together are the ene...