REVIEWS Archives - Page 454 of 549

17Feb

By Alice RoseNo Comments

London

Splintered – Soho Theatre

Splintered is a ‘part-play, part-cabaret’ which explores and celebrates the queer joy and coming out in a homophobic culture. Chanté Faucher, Melissa Saint and Alice Vilanculo grab our hands and pull us in as we hear the real words of Caribbean people telling their coming out stories and seeing how they keep that part of themselves secret due to the culture surrounding them. But this show promises queer joy and where people might find themselves with no hope, there is always something to celebrate ‘despite, IN SPITE’ of their oppressors. Emily Aboud, writer and director has created something beautiful. From the moment the lights go down, the audience were edging forward, clapping their hands and beaming from ear to ear. It is a show that you can only sit back in your chair after the bow...

The Addams Family – New Wimbledon Theatre

17Feb

By Lewis DownhamNo Comments

London

The Addams Family – New Wimbledon Theatre

The hit musical The Addams Family transports you to Central Park for an evening of wild entertainment for all, with renowned songs such as ‘When You’re An Addams’ and the famous Addams Family theme song featured in the overture that fans love and adore. Along with witty jokes and spectacular sets throughout. Directed by Matthew White and choregraphed by Alistair David, this show immerses you within the beautiful design created by Diego Pitarch and transports you into the quirky and strange Addams Family household. The story follows The Addams Family, Gomez (Cameron Blakely) and Mortcia (Joanne Clifton) the perfect husband and wife, Wednesday (Kingsley Morton) the beloved daughter who has a secret about Lucas Beineke (Ahmed Hamad) and keeping it could be more difficult than it seems with...

17Feb

By Melissa JonesNo Comments

Scotland

The Dresser – The King’s Theatre

Since changes in restrictions have brought theatre back, sent it away and brought it back again, the number of plays about theatre and the theatrical experience have seemingly quadrupled. But Ronald Harwood’s The Dresser is different. It’s not about why we need theatre, or even why need actors. In fact, in keeping with Ronald Harwood’s dictate with didactic theatre, ‘The Dresser’ is art for art’s sake. But it soon becomes apparent that ‘The Dresser’ is more than just a bit of two-dimensional entertainment. Norman, (Samuel Holmes) is the dresser to ‘Sir’ (Matthew Kelly) a stalwart actor, who now in the depths of WWII and in the midst of emotional despair, finds himself touring ‘provincial’ theatres in the blitz with a cast of ill-prepared actors. Every night they desperately try to cobbl...

17Feb

By Riana HowarthNo Comments

London

Running With Lions – Lyric Hammersmith

Running With Lions is a colourful, vibrant and life-affirming celebration of family, which also addresses the dark shadows lurking in the corners, where things have been swept away and repressed. Gloria returns to her parents’ home where her daughter has been staying whilst she has been away at a mental health clinic. She struggles to get through to her parents, who feel too ashamed to acknowledge her condition. Problems ensue as desires clash and as the family grapple with the past and the underlying tensions between them. The play begins with Gloria’s perspective but then widens into others showing the inescapable intermingling of worlds. Carter’s writing is very true to life, reflecting conversations which I feel like I have witnessed or had with my own family. She doesn’t compromise...

The Ballad of Maria Marten – Wilton’s Music Hall

17Feb

By Caroline WorswickNo Comments

London

The Ballad of Maria Marten – Wilton’s Music Hall

Set in the 1820’s, writer Beth Flintoff and Artistic Director Ivan Cutting were keen to tell this age-old story of the death of Maria Marten from the viewpoint of the victim. The story has been told in many ways previously, but tended to look at the murderer, William Corder, rather than taking an interest in Maria Marten’s life. Maria (Elizabeth Crarer), lived in a small rural village called Polstead where she had grown up in poverty losing her mother at an early age. This led to her looking after the house at age 10, until her father met and married Ann (Sarah Goddard) who was kindly and took over many of these tasks, so that Maria could finally have a childhood. She played with her friends who formed a club called the ‘hazard club’, in which they dared each oth...

17Feb

By Robert BartleyNo Comments

London

Broken Wings – Charing Cross Theatre

One of the lovely things about being a theatregoer is seeing a show grow from workshops, through to concert productions, and then being finally fully realised on stage. The joy is even greater when it's clearly a passion project of its creators, and you can feel how much work and care has gone into its creation. Such is the journey of ‘Broken Wings’, a British musical which started life 4 years ago as public readings, before enjoying well-received concerts at the Theatre Royal Haymarket and The Other Palace. Its development continues with a new fully staged production at the London’s Charing Cross Theatre, where it opened this week. With music and lyrics by Dana Al Fardan and Nadim Naaman, ‘Broken Wings’ is adapted from Khalil Gibran’s novel of the same name and tells Gibran...

16Feb

By Khushboo ShahNo Comments

London

TRADE – Omnibus Theatre

“We are…human. They try to make us forget it, but we don’t.” TRADE is a powerful narrative reflecting the issue of sex trafficking in Europe. Performed by Tanya Cubric (Jana), Ojan Genc, and Eleanor Roberts, TRADE is directed by Maddy Corner and written by Ella Dorman-Gajic. Jana, a young Serbian woman, prepares to move to London with her first boyfriend, Stefan, to make a living for her family. Little does she know that life will push her into the deep, dark, gruesome world of sex-trafficking. In the years to come, Jana is faced with several moral choices. Once a victim, she now plays the perpetrator. TRADE unravels the motives behind a young, helpless Jana’s transformation into a compliant trafficker, posing complex moral questions on her journey. The play along with the statistical d...

16Feb

By Luke StephensonNo Comments

North West

Blood Brothers – Palace Theatre

Before coming to the theatre, I was told by email that due to restrictions and guidelines there were a couple of cast changes to the evenings show. Once again understudies coming to the rescue so that shows can continue to bring joy, laughter and musical theatre to those who wish to seek it. It’s an incredible thing to see and witness before me on stage. The show in question was Willy Russell’s Blood Brothers. A story about The Johnstone twins, like each other as two new pins, of one womb born on self same day. How one was kept and one given away. Mrs Johnstone (Niki Evans) was excited to start her new job as she was living hand to mouth with endless catalogue purchases and 7 hungry mouths to feed with one on the way. Or so she thought. It came to pass that she was expecting twins an...

16Feb

By Max EdenNo Comments

North West

Private Lives – The Lowry

When you put Patricia Hodge and Nigel Havers on a stage together, you already know it’s going to be a great show. Noel Coward’s Private Lives by the newly formed Nigel Havers Theatre Company does just that, and it’s everything you hoped it would be and more! Set in the 1930s, the play tells the story of Elyot (played by Havers) and Amanda (played by Hodge) who were once married and find themselves in adjoining rooms at a French hotel with their new partners, with the unexpected happening and the couple reconnecting. Havers takes on the role taken by Noël Coward himself in the original production in 1930 with a Suaveness we’ve come to expect, the character being delightfully charming but also quite stubborn and obstinate. Olivier Award winning actress Hodge is effortlessly glamorou...

Kevin Clifton: Burn the Floor – Bridgewater Hall

15Feb

By Lou SteggalsNo Comments

North West

Kevin Clifton: Burn the Floor – Bridgewater Hall

On a wet and windy night in Manchester, former Strictly Come Dancing champion Kevin Clifton is trying to raise the temperature with the delayed revival of Ballroom dancing phenomenon, Burn the Floor. The show is a riotous celebration of dance, fusing traditional waltzes with fiery Latin Tangos; Quicksteps and Rumbas and some good old Rock and Roll to boot. It’s been a two-year wait for tonight’s performance – with Clifton joking at what proved an ill-timed decision for him to quit Strictly for a life in the theatre, just weeks before stages went dark and Covid stole the spotlight. But the show itself has been thrilling audiences for longer than some of tonight’s dancers have been alive, conceived 25 years ago at a birthday bash for Elton John. There’s a slightly contrived start...