REVIEWS Archives - Page 45 of 548

Cutting The Tightrope – Church Hill Theatre

16Aug

By Tom ScottNo Comments

Scotland

Cutting The Tightrope – Church Hill Theatre

This is a compelling, provocative and passionate piece of theatre about artistic freedom, censorship and political activism. You may love it, you may hate it, but you certainly won’t be bored. Originally produced last year at London’s Arcola Theatre, this collection of short plays was written in response to a statement from Arts Council, England, in 2024, warning that artists making political statements either in their work or even on social media could be in breach of their funding agreements. Later it was revealed that the statement followed discussions with the British Government about artists speaking out about the Israel-Gaza war. We know the names of the twelve playwrights but we don’t know who wrote each play. Although all the plays are making serious points, some of them are ...

A Monty Python Cabaret Singalong Circus – St. Mark’s Church

16Aug

By Greg HolsteadNo Comments

Scotland

A Monty Python Cabaret Singalong Circus – St. Mark’s Church

There’s something deliciously wrong about sitting in an 1835 Unitarian church while a cheerful Australian pianist invites me to sing “Sit on My Face and Tell Me That You Love Me.” St Mark’s, designed by David Bryce, is a handsome bit of early Victorian stonework, high ceilings, clear acoustics, stained glass filtering the light, more accustomed to hymns than to songs about spam, lumberjacks, or finding myself in Finland for no apparent reason. Still, this is the Fringe, and in August the sacred and the silly often share a pew. The show is the brainchild of Antony “Dr H” Hubmayer, an award winning music educator from Adelaide who, if his own jokes are to be believed, never wants to be a cabaret pianist anyway. He wants to be a lumberjack. Obviously. He has the sort of avuncular charm...

16Aug

By Kira DanielsNo Comments

London

Back to the Moon – The Glitch

A sixty-minute fever dream that feels more like babysitting a very hyperactive child than spectating a professional theatrical performance, writer and performer Giovanna Koyama’s incomprehensible antics convince that, in the case of Back to the Moon, comprehension is majorly overrated. She is relentlessly charming and possesses an infectious confidence that lends itself to a script that is quirky more than it is coherent. Selwin Hulme-Teague’s direction is competent and occasionally creative but falls short of the spectacle demanded by Koyama’s writing and writhing. Sensational sound design by Yuri Furtado does a lot of heavy lifting where the story (or lack thereof) occasionally sags. Fortunately, the brevity of the play allows little time for minds to wander, despite the meanderin...

16Aug

By Jessie MartinNo Comments

Scotland

Nocturne – Greenside @ George Street

Produced by One More Saga, Norwegian folk-musical Nocturne makes its Edinburgh Fringe debut this year. Inspired by a number of traditional Norwegian folklore tales, Nocturne tells the story of Solveig as she ventures into the enchanted forest in order to find her missing cow. The further she forges into the forest, the stranger creatures she meets - kind-natured and helpful, Solveig puts her own quest aside to free these fairytale creatures from the curse of Nøkken - “the water spirit of beauty and dread.” As the curse is lifted, the creatures remember their stories, and eventually, so does Solveig. Solveig is played by the multi-talented Hedda Rustad Carlsen, who also co-wrote Nocturne, working on the composition and lyrics as well as the book. Carlsen gives...

Pussy Riot: Riot Days – Summerhall, Dissection Room

16Aug

By Greg HolsteadNo Comments

Scotland

Pussy Riot: Riot Days – Summerhall, Dissection Room

Political theatre turned punk gig turned call to arms, Pussy Riot’s Riot Days is an unflinching blast of protest art. At Summerhall’s Dissection Room, the Russian collective fire off pounding beats, stark captions, and unapologetic political fury. It’s powerful, messy, and confrontational, from the raw delivery to the deliberately provocative splashes of water into the crowd. You might not like every tactic, but you’ll leave knowing you’ve been in the same room as the real thing. There are protest gigs, and then there’s Pussy Riot. The Russian art-punk collective’s Riot Days tour has been roaring through cities worldwide, bringing their mix of punk gig, political rally, and theatre piece to stages that can barely contain them. At Summerhall’s Dissection Room, it’s all on top of you:...

16Aug

By Jessie MartinNo Comments

Scotland

Echoes – C ARTS

Founded in 1947, China Coal Mine Art Troupe is a national arts group which combines a range of artistic modes, from rap to physical theatre. At this year's Fringe, CCMAT brings their multi-medium show Echoes to Edinburgh audiences. Echoes tells the tale of the Seven Sages of the Bamboo Forest - a group of scholars who fled to the mountains due to the suppressive political climate of the time, instead following the beliefs of Daoism. The group’s leader, Ji Kang has disappeared from the lives of the sages after being executed. Echoes explores the sage's search for fulfilment now that Ji Kang is gone, through dance, poetry, wine and music. Music plays a large, symbolic role in Echoes, with Ji Kang being known as a master of the guqin, a traditional Chinese...

A Letter to Lyndon B Johnson or God: Whoever Reads it First – theSpace @ Niddry Street

16Aug

By Paul WilcoxNo Comments

Scotland

A Letter to Lyndon B Johnson or God: Whoever Reads it First – theSpace @ Niddry Street

Xhloe Rice and Natasha Roland are bringing their award-winning comedy back to Edinburgh this year with a reprise of ‘A Letter to LBJ….’ which is playing to sold-out houses on Niddry St this month. This is the first opportunity for me to witness their Absurdist clowning in the flesh, and I confess I was completely charmed and blown away by this moving take on the idealised 1960s American childhood. Ace and Grasshopper are two young Scouts, covered in mud and badges and on a self-proclaimed mission to see President LBJ’s train as it whistles through their town. Ostensibly this is a simple tale of boyhood, camaraderie and adventure but the setting of the timeframe in early 1960s America foreshadows the boys' later involvement in the Vietnam War and the horrors of Southeast Asia for the...

Lorna Rose Treen: 24 Hour Diner People – Pleasance

16Aug

By Greg HolsteadNo Comments

Scotland

Lorna Rose Treen: 24 Hour Diner People – Pleasance

Well, don’t make the same mistake I made by queuing like an idiot at Below instead of Beneath. I should have figured when I was the only one waiting in line! Lorna Rose Treen follows up last year’s Skin Pigeon with a more cohesive, diner-themed hour that’s still packed with the absurdity and oddball characters she’s known for. From a long-armed trucker to a teenage orthodontic nightmare, it’s silly, self-aware, and frequently hilarious, even when it knowingly “fails” at its own stated mission. If you enjoyed Skin Pigeon last year, you will love this. Here, the whole thing revolves around an American diner, albeit a diner as seen through Treen’s surreal lens, and also around her tongue-in-cheek mission statement: having allegedly “broken comedy” in 2023 with her Dave’s Funniest Jo...

Poe – Theatre 2 theSpace @ Surgeons’ Hall

16Aug

By Oliver GigginsNo Comments

Scotland

Poe – Theatre 2 theSpace @ Surgeons’ Hall

Edgar Allan Poe's death remains mysterious to this day. He was found delirious and ill in a tavern on 3rd October 1849 and was dead 4 days of later, of what has been suggested to have been anything from illness, suicide, murder, or even non-consensual electoral fraud gone wrong. Devised by Leon Witcomb, (who also plays Shape 2 / Fortunato / Old Man / Doctor) Michael Ward (Shape 1/Servant/Policeman/Dr Moran) and Chris Bedford (Poe) uses Poe's unusual final moments as a starting point, interspersing his final moments in with adaptations of several of his most famous tales. Versions of The Raven, The Cask of Amontillado, The Tell-Tale Heart, Murders In The Rue Morge and The Pit and the Pendulum become a collage of delirious memories, augmented by lights (strobe warning to the photosens...

16Aug

By Greg HolsteadNo Comments

Scotland

Ohio – Assembly Roxy

One of the hottest tickets on the Fringe, maybe the hottest, from the producers that brought you Fleabag and Baby Reindeer. Sold out for most of the run before the Fringe even started, but if you are willing to hang around the ticket booth at exactly two hours before showtime you might just be lucky enough to snag the odd seat. This one’s going to tour, and it deserves to.The Bengsons, husband and wife, Shaun and Abigail, call Ohio an “ecstatic grief concert,” which sounds like something dreamed up by a marketing intern on too much kombucha. But within about thirty seconds you realise they mean it, every word. This is part gig, part confession, part secular revival meeting, and part science lecture for people who didn’t know they wanted to learn about the inner ear.Shaun Bengson, bespectac...