Tuesday, December 16

REVIEWS

Ghosts of the Titanic – Park Theatre
London

Ghosts of the Titanic – Park Theatre

The play is set in New York six months or so after the Titanic sank, and interest in the tragedy is waning. A young lady, who describes herself as the fiancé of one of the musicians, arrives trying to resolve some of the unexplained questions about the sinking. Why was there confusion about which tunes the band were playing as the ship went down? Why were the lookout's binoculars locked away? Why were the original distress calls ignored? Why did the ship set sail with a fire on board? Her questioning leads to issues surrounding the construction of the vessel, and even more sinister motivations for wanting the ship never to complete her maiden voyage. Playwright Ron Hutchinson has inventively used this most enduring of disaster stories to raise questions about conspiracy theories. These ...
ADHD The Musical – Royal Court, Liverpool
North West

ADHD The Musical – Royal Court, Liverpool

ADHD The Musical is an enjoyable and informative show that explores the realities of life when your brain is ‘differently made’.  Written and performed by Dora Colquhoun the show is part musical parody, part stand-up and part ADHD infomercial.  Colquhoun is an incredibly engaging performer who is ably supported by the excellent Karl LLorca (who provides BSL interpretation).  Indeed, Llorca was gifted a show stealing moment when Colquhoun’s mic pack malfunctioned, and he and musical director Luke Thomas, were required to entertain the sold-out Royal Court studio.  Given the huge diagnosis gap between men and women with ADHD, with men almost three times more likely to be diagnosed, this is an important topic and one that Colquhoun, with collaborator Izzie Major, str...
Opera North: Carmen – The Lowry
North West

Opera North: Carmen – The Lowry

Carmen is stuffed full of well-known arias and melodies, or as one audience member put it as she left the theatre, “I was surprised by how many songs I already knew.” From the Toreador’s song to the Habanera and the Seguidilla the music is easily recognisable by most people even if they have never been to an opera. This boisterous production by Opera North updated events from 19th century Sevilla to a border town in the late 1950s early 1960s. This was a clever idea as this was a time of rebellion, of counter-culture, where young people wanted to be free and do their own thing. To live and love on their own terms. For the character of Carmen love is transitory. She is open and honest in saying that she falls in and out of love with ease. She just wants freedom and is unconcerned with...
Kerbs – Unity Theatre
North West

Kerbs – Unity Theatre

Kerbs, written by Michael Southan and directed by Nickie Miles-Wildin, is a brutally honest and delightfully awkward story about dating with disability and fighting for your independence while keeping your relationships, romantic and otherwise, alive. Fully subtitled throughout, with audio description available, the play cleverly uses set and graphics to bring life to an original take on the boy meets girl story. Lucy (Maya Coates) has signed up to a dating app and it’s clear from the start that she’s looking for sex rather than love. As is always the way, there are a few cringey profiles that she quickly blocks, but sparks fly when she “meets” David (Jack Hunter) resulting in some heavy flirting in the DMs. They soon meet up in person for drinks, but a fun evening which both are hoping...
Billionaire Boy – Palace Theatre
North West

Billionaire Boy – Palace Theatre

When a boy has everything in the world you would think he was the happiest person ever. Gifted 1 million pounds every birthday and a further 100,000 pounds a week for pocket money. He had all the games and consoles you could imagine. What a life Joe Spud (Matthew Gordon) lead. However, poor Joe wanted the one thing that money can’t buy, a true friend. Everyone at his school would tease him because his dad (Matthew Mellalieu) made his billions from selling Bum Fresh toilet rolls, that also had a catchy jingle. Joe decides to go to a state school instead of his very expensive private school, as it was there that he could start a fresh. Because nobody knew him, he could be anybody he wanted and not be asked for money and deal with fake friendships. Joe Spud loved his new school he met all ...
The Scent of Roses – Royal Lyceum Edinburgh
Scotland

The Scent of Roses – Royal Lyceum Edinburgh

Scottish playwright and director Zinnie Harris' The Scent of Roses begins with a wife who takes her husband hostage to finally have an honest conversation, locking him into their bedroom for more than a night. But this isn't the whole story. In the five sections which follow we explore the interlocking lives of four pairs of people, each in their separate location, the first scene not so much sparking as giving the audience a way into a chain of conversations, obfuscations and revelations in this circle of connected lives. The constantly reconstituted set designed by Tom Piper is marvellous, starting off angled to contrast the natural shape of the stage and subsequently offering us four to five different locations mostly from the same pieces of wall, floor and slanted ceiling, the last ...
Fiji – Omnibus Theatre
London

Fiji – Omnibus Theatre

Conflicted Theatre’s Fiji is a morbidly quirky two-hander between Nick and Sam. We are drawn in as we witness them meeting for the first time. There is a rawness and intimacy as a wet-haired Nick enters the room and it feels like we are also complicit and an unspoken part of their relationship. What appears to be a slightly awkward and unconventional first date takes a shocking turn. With hints at the characters’ back stories, it inspires the audience to psychoanalyse and question the two whilst also empathising with their situations. The writing is witty, fluid and dynamic as it explores taboo topics with ease, without forcing opinions. It switches between highly personal moments and more casual chit chat, which are both subtly emotionally charged. Pedro Leandro is impressive as gaw...
We Will Rock You – Brindley Theatre
North West

We Will Rock You – Brindley Theatre

At last, the near two-year wait is over, as amateur musical groups can return once more to the place they belong - in their local theatres, doing what they do best – entertaining. “Codys Productions”, a youth company of cast members aged between 11-18 years old, produced by Nick Cupit since its conception in 1996, are firm favourites at the Brindley theatre having played their last remarkable show there-“Battle of the Boat” in March 2020, just as the pandemic hit the nation, and so were welcomed with open arms for this show that depicts the story of a gang of youths who fight to regain the world that was once normal – quite ironic and very fitting – and bring back music to the world , the world 300 years from now when the post-apocalyptic world is controlled by Globalsoft and known as P...
Nora: A Doll’s House – Royal Exchange Theatre
North West

Nora: A Doll’s House – Royal Exchange Theatre

Even though he resembled everyone's idea of a Victorian gentleman, Ibsen's radical 1879 study of a woman's place in a patriarchal, middle class Norwegian society, is often cited as a crucial accelerant to the nascent female emancipation movement at the end of the 19th century. It is therefore fitting that in the week we celebrate International Women's Day, that writer Stef Smith has adapted it to ' Nora: A Doll's House', examining how one of the most famous characters in theatre would have fared in three different time periods. The result is complex, confusing and frustrating in equal measure. We meet Nora as three separate entities simultaneously on stage. Nora 1918 (Kirsty Rider) cuts a frustrated figure, married and caged at the end of World War One as the suffrage movement is reachi...
Beauty and the Beast – Birmingham Hippodrome
West Midlands

Beauty and the Beast – Birmingham Hippodrome

Disney has, for many years, been synonymous with quality family entertainment with works dating way back into the early part of the twentieth century which have woven themselves into the hearts and minds of children creating classics loved by successive generations. In recent years many of those works have found themselves translated to stage versions proving themselves a further cash cow for Mickey. Some may say this is just cynical cash-in exploiting previous works, but, oh, no, not I. It’s nearly thirty years since Disney’s renaissance with Little Mermaid, Beauty and the Beast and The Lion King brought the eye of the world back to their work and proved even sans Walt this company was going places! The theatrical wing of the business has proved itself time and again where Disney’s hea...