Sunday, December 22

REVIEWS

Birmingham Opera Company: The Ice Break
West Midlands

Birmingham Opera Company: The Ice Break

Birmingham Opera’s Artistic Director Graham Vick takes a brave leap in transforming this opera by Michael Tippett the first interpretation since 1977 in Covent Garden. An unused warehouse is cleverly transformed into a strange airport terminal where the audience stands and is ushered around to the dramatic action by the chorus; a lot whom are from the local community. Opera can have many connotations, high brow, difficult to understand and perhaps for an old fashioned elite; Vick throws all this on its head with an utterly gripping show where everything is energised for a fascinating heady performance that is contemporary and relevant. It is indeed even more relevant with the Black Lives Movement that has been a regular feature of the last few months. The themes focus on race, rio...
Alan Bennett’s Talking Heads: The Hand of God – BBC iPlayer
REVIEWS

Alan Bennett’s Talking Heads: The Hand of God – BBC iPlayer

Television has taken over many walks of life and given them back to us all neatly packaged. Cookery, Sport, Antiques. Indeed, the latter seems to be ever present on our screens fronted by David Dickinson, Paul Martin and that funny Scottish woman with the bob hair style. I guess those who have always made a living out of these professions have to grin and bear it and hope that one day the producers of Antiques Roadshow will come knocking and ask them to join the exalted realms of telly expert. All except Celia the talking head in this Alan Bennett look at life. She is proud of the fact that she doesn’t have a television set. Costly decision that. As always, Alan Bennett, the master of making the mundane interesting, litters his observational writing with small red herrings as ...
Much Ado About Nothing – Royal Shakespeare Company
West Midlands

Much Ado About Nothing – Royal Shakespeare Company

Showing as part of the BBC’S Culture in Quarantine series, this Royal Shakespeare Company 2014 production, often wondered to be the missing Love’s Labour’s Won, was originally the latter half of a comic double bill – the first half being Love’s Labour’s Lost – devised by director Christopher Luscombe and designer Simon Higlett, and was live screened to cinema in 2015. In a clever re-staging, the action is set in December 2018 at the country house of Leonato (David Horovitch), and which has been converted to serve as a hospital, with daughter Hero (Flora Spencer-Longhurst) and cousin Beatrice (Michelle Terry) replete in nurses uniforms. Prince Don Pedro (John Hodgkinson) leads the returning soldiers which include his illegitimate brother Don John (Sam Alexander), Claudio (Tunji Kasim)...
Staged – BBC iPlayer
REVIEWS

Staged – BBC iPlayer

As lockdown measures begin to ease and businesses reopen their doors, there has been a lot of focus on the effect of quarantine on theatres and whether or not the industry will survive. The crisis has created a lot of negativity for theatres, as it has for many things in our society, but Staged, written and directed by Simon Evans, may be one of the few good things that has come out of this. The series focuses on exaggerated versions of David Tennant and Michael Sheen, who are rehearsing for a production of Six Characters in Search of an Author, also directed by Evans, over Zoom. The beginning very much has the feel of The Trip as Tennant and Sheen show off their abilities to do accents, but quickly comes into its own originality. As well as the Zoom calls between the various charact...
Michael Flatley Celtic Tiger – The Shows Myst Go On
REVIEWS

Michael Flatley Celtic Tiger – The Shows Myst Go On

Michael Flatley’s famous ‘Celtic Tiger’ show opened in July 2005. This was his third big venture following ‘Riverdance’ which famously aired during the intermission on the 1994 Eurovision song contest and then ‘Lord of the Dance’ which premiered in 1996.  This production, which seeks to explore Irish heritage and world cultures, is available for viewing curtsey of ‘The show must go on’ series. What it quite apparent from the start is that unfortunately, Flatley’s production has not stood the test of time and entertainment has come a long way in the last 15 years. ‘Celtic Tiger’ feels more like a variety show than a collaborative piece of entertainment. There is a mixture of solo songs, dance sequels and instrumentals which I have no problems with if they all tied together and made ...
Hamilton – Disney +
REVIEWS

Hamilton – Disney +

It has finally arrived! The very famous “Hamilton” has landed on Disney +! This hip-hop musical, officially titled ‘Hamilton: An American Musical’, first premiered on Broadway at the Richard Rodgers Theatre in July 2015. One year later it was recorded with most of the original cast intact and this much anticipated recording is now available on Disney plus for your endless viewing. The story follows the forgotten American Founding Father, Alexander Hamilton and his ascent out of poverty and into power during the American War of Independence starting in 1776. Not knowing the story, it is true to say that it is educational to say the least. However, it also takes a great degree of concentration. This musical is completely conveyed through song and a huge percentage of it is rapped which...
La Bohème – Royal Opera House
London

La Bohème – Royal Opera House

By the time it was retired in 2015, the Royal Opera’s previous production of La Bohème, directed by John Copley, had notched up 25 revivals in its 41-year history, so the pressure was on for its 2017 replacement, directed by Richard Jones and with sets and costumes by Stewart Laing, for what is one of the most frequently performed operas worldwide. The play is set in the Latin Quarter of Paris in about 1830 where on Christmas Eve we meet four struggling bohemians living in a garret: a poet, Rodolfo (Michael Fabiano); a painter, Marcello (Mariusz Kwiecień); a philosopher, Colline (Luca Trittoto); and a musician, Schaunard (Florian Sempes), who arrives having had some good fortune and they agree to celebrate by dining at Café Momus. They are interrupted by their landlord, Benoît (Jeremy W...
Alan Bennett’s Talking Heads: Miss Fozzard Finds Her Feet – BBC iPlayer
REVIEWS

Alan Bennett’s Talking Heads: Miss Fozzard Finds Her Feet – BBC iPlayer

‘There she is on the tellybox,’ I said. ‘Who?’ asked mother. ‘Maxine Peake,’ I said. ‘Oh,’ says mother. ‘We saw her at the Royal Exchange.’ ‘Did we?’ ‘Yes,’ I said, ‘In Hamlet, A Streetcar Named Desire and Miss Julie.’ ‘Oh yes, I remember, I sat next to that travelling salesman from Didsbury with bad breath.’ ‘Yes, that’s right mother.’ She watched the tellybox and I thought there was no point telling her that they were all directed by Sarah Frankom and when Ms Peake won an award for outstanding contribution to British theatre she put down her success to the Royal Exchange in Manchester and Ms Frankom. Mother wouldn’t be interested to know that this thing on the tellybox reunited Ms Frankom and Ms Peake. ‘Don’t be so nerdy,` she’d say. ‘Who’ll be interested in that.’ Sadly, the Ro...
Les Blancs – National Theatre at Home
London

Les Blancs – National Theatre at Home

Writer Lorraine Hansberry was a remarkable woman who, despite her early death at age 34, conquered Broadway as the first black writer to see her play ‘Raisin in the Sun’ performed on stage in 1959.  She followed her father into activism and wrote for the newspaper ‘Freedom’, working alongside Africans and African Americans.  This work; and seeing a production called ‘Les Negres’ (The Blacks), inspired Hansberry to write ‘Les Blancs’, which she began writing in 1960 and completed it just before her death.   After her death the play was adapted by her ex-husband Robert Nemiroff.  The 1970 Broadway production was staged at the Longacre Theatre and the National Theatre’s production took place in 2016. The play follows the visit of journalist Charlie Morris (Elliot C...
The Almighty Sometimes – Royal Exchange Theatre
North West

The Almighty Sometimes – Royal Exchange Theatre

Back in February 2018 the Royal Exchange Theatre showcased the world premiere of Kendall Feaver's The Almighty Sometimes. It had won the Judges Award at the 2015 Bruntwood Award for Playwriting and well deservedly. Anna is eighteen, working and lives at home with her mum, Renee. One night, after meeting him at a party, she brings home Oliver. At twenty-one he's a few years older but they had been at the same school and he had been taught by her mum. Anna likes and trusts him with her secret. She has been seeing a psychiatrist since she was 11 and is on a combination of medication to control her mental health issues. Although her illness is never named, through the play it becomes obvious how serious her mental illness is. But as Anna is beginning to embrace adulthood, she also begins qu...