Thursday, January 16

REVIEWS

Love, Liverpool – Liverpool Playhouse
North West

Love, Liverpool – Liverpool Playhouse

Love, Liverpool, created by Chloë Moss and directed by Nathan Powell, is a tender and varied homage to Merseyside and its people. Combining video, stage performance and a vibrant soundscape, this is a love letter to a city and its surrounding areas, which exposes the high points and the low points, the good days and the bad, and focuses in on the core of love and hope which is left when all is said and done. Before the show opens, snippets of recordings of people’s memories of Liverpool, curated by Sound Designer, Xenia Bayer, play as a map is projected on the stage with the words “I love Liverpool” is various languages alternate over it. The play opens with a projected image of a Merseyrail train, and simple setting creating the journey from New Brighton to Liverpool. The first of a...
Singin’ In The Rain – Sadler’s Wells
London

Singin’ In The Rain – Sadler’s Wells

I saw the film Singin’ in the Rain when I was about 14 and some of the songs lodged themselves in my head to the extent that whenever anyone says “good morning” to me, I sing “good morning, we’ve talked the whole night through” silently to myself. If the musical numbers from the film stayed with me, the plot and performances definitely didn’t - but fortunately the same can’t be said of last night’s production. Don Lockwood (Adam Cooper) and Lina Lamont (Faye Tozer) are lighting up the Hollywood silent movie scene on and off screen, but all is not as it seems. Dom has fallen for unknown performer Kathy Seldon (Charlotte Gooch) and the dawn of the ‘talkies’ spells trouble for Lina, whose talents aren’t quite as wide-reaching as the audience has been led to believe. Together, Dom, Kathy an...
All That –  King’s Head Theatre
London

All That – King’s Head Theatre

All That is a deliciously funny and heart-warming take on how convoluted modern relationships can get when their very foundation is threatened. Written by Shaun Kitchener (Hollyoaks, Positive) and directed by James Callàs Ball, this production at the King’s Head Theatre, staged as part of their popular Queer Season, is a delightful watch. Through the lives of four housemates – two couples with wildly different outlooks on life – we witness a hilarious evening of misunderstandings, confessions and secrets unfurl as they try to salvage the lives they’ve built together. The show additionally explores themes of love, sex, monogamy and the fallacy of the “right” way for LGBTQ+ couples to manifest their relationships in the public eye. At the centre of the drama is a decision made by suburban...
Masks and Faces or, Before and Behind the Curtain – Finborough Theatre
REVIEWS

Masks and Faces or, Before and Behind the Curtain – Finborough Theatre

Masks and Faces or, Before and Behind the Curtain is a comedy of errors and mistaken identities, written by Charles Reade and Tom Taylor in the 19th century. This version, directed by Matthew Iliffe, assisted by Myles O’Gorman, is an online performance, filmed by each of the actors individually in a table read style. The play tells the story of Ernest Vane (Will Kerr), a country gentleman in London who has been frequenting a theatre and become charmed by actress Peg Woffington (Amy McAllister). When his wife, Mabel (Sophie Melville) suddenly arrives in London, she and Ernest are dragged into the farcical world of the theatre as hearts are broken, identities swapped, and small mistakes lead to big problems. The play opens with actors, Kitty Clive (Madison Clare) and Quin (Robyn Holdaw...
Wonderville Magic & Illusion – Palace Theatre
London

Wonderville Magic & Illusion – Palace Theatre

The West End has new wizards in town. While Cambridge Circus awaits the return of Harry Potter in October, Wonderville, a new family-friendly show packed with magic and illusion, is keeping his place warm. Wonderville is a throwback to the type of vaudeville magic show of old, featuring an eclectic range of acts. Alongside the regular performers, there's also a set by a guest artiste, one of a number performing at different shows.  The energetic bowtie-wearing Chris Cox, a star on both Broadway and the West End, hosts and provides the links between the acts.  Cox is an excellent MC, affable and funny.  He's also a brilliant mind-reader, producing some stunning moments of "How did he know that?" and gasps from the audience as he follows in the footsteps of Derren Brown, but wit...
I Could Use a Drink – Vaudeville Theatre
London

I Could Use a Drink – Vaudeville Theatre

“I Could Use a Drink”, and couldn’t we all after the year we’ve had? Originally a successful streaming event, tonight Drew Gasparini’s “I Could Use a Drink” made it’s west end debut at the Garrick Theatre, London. First released in 2013 as a contemporary Musical Theatre album, exploring a range of themes from love and heartbreak to teen pregnancy, producers Liam Gartland and Alex Conder (of Gartland Productions) transform this album to a staged production. Whilst the original album features an array of Broadway’s biggest names, this cast certainly gives a well overdue opportunity to showcase some of the young west end stars of the future. And what an exciting cast this is: Ahmed Hamad (Rent), Billy Nevers (& Juliet, Jesus Christ Superstar), Caroline Kay (Daisy, The Space Between), L...
Dandilicious – APG Films Ltd
REVIEWS

Dandilicious – APG Films Ltd

Written and directed by and starring Andrew Games as the eponymous King of the Teds, Dandilicious from APG Films is a stylised neo-western which explores a day in the life in of Marty, the hero – or anti-hero – of a suburban town, beset by menace and disruption of his making during 1959, with this its production launch for a festival run which includes Lift-Off Film Festival and the Wales International Film Festival. I have been supportive of the development of this piece over the last few years – I’m even credited at the end – but the promise of its trailer some two years ago has not fully come to fruition as the mooted clash of 1950’s culture has turned into more of a crash, bang, wallop that initially plays out in a somewhat surreal, tongue in cheek style – which I’m not sure was int...
Changing Destiny – Young Vic
London

Changing Destiny – Young Vic

As I enter the Main House Theatre at the Young Vic, there is a strange sense of ‘community’ that starts building up inside me. Perhaps it’s the in-the-round seating that is oddly reminiscent of being gathered around a campfire or simply, the lively atmosphere full of hushed conversations and exchanges as we return to full capacity audiences in the theatres. Tonight, The Young Vic mounts a new age retelling of a 4000-year-old poem from ancient Egyptian literature, based on the adventures of warrior king Sinuhe. Written by Ben Okri and directed by Young Vic’s artistic director Kwame Kwei-Armah, Changing Destiny is a wonderfully crafted ode to resilience, identity and belonging that not only breathes fresh life into the literature that inspired it, but also raises larger questions around the ...
A Live Stream with Dad’s Army – Fane Productions
REVIEWS

A Live Stream with Dad’s Army – Fane Productions

Anyone of a certain age will be familiar with the much loved characters of Perry and Croft’s television series “Dad’s Army”. You’re probably humming “who do you think you are kidding, Mr Hitler” while reading this. David Benson and Jack Lane brought the entire cast of Dad’s Army to life tonight working from original radio scripts but transferred to stage. Although originally billed as three episodes, there were two episodes played out tonight: “When You’ve Got To Go” and “Never Too Old” (which was the final episode of Dad’s Army). The whole feel of the war years and the Home Guard was evoked from the very beginning, with an air raid siren and then snippets of famous wartime speeches from Chamberlain and Churchill before the familiar theme tune commenced. I was a bit unsure at firs...
The Cancellation of Crispin Cox – crispincox.com
REVIEWS

The Cancellation of Crispin Cox – crispincox.com

One hour before press night of one-man musical ‘Les Liasions Dangereuses’, we take a look inside the dressing room of Crispin Cox, who has stepped in at the last minute. The original star has been ‘cancelled’ which is why Cox has so kindly taken his place. This fifty-minute performance is actively annoying. It is a series of half telephone conversations in between which Cox puts on enough powder to cake the whole cast of Les Mis twice over. In between calls, the viewer is given a bit of background about the person on the other end of the phone, each time featuring irritatingly repetitive jokes that consistently fall flat. This then leads into a yarn- likely about something that happened ‘a hundred years ago’- before he goes back to rehearsing the same song’s opening bars again, again an...