REVIEWS Archives - Page 368 of 549

<strong>Mozart’s Requiem – Liverpool Empire</strong>

27Nov

By Lou SteggalsNo Comments

North West

Mozart’s Requiem – Liverpool Empire

Two composers, two very different backgrounds, yet both with stories swirling with intrigue and rumour. As the Glyndebourne returns to the Empire for its annual residence, tonight is an interesting showcase of arias from composer Joseph Bologne, Chevalier de Saint-Georges, sometimes nick-named the ‘Black Mozart’ alongside the legendary Requiem of the main man himself. Part one focuses on Bologna, who may not have reached the heights of fame that Mozart would eventually achieve but still impressed many of his contemporaries with his abilities (Beethoven was reportedly a particular fan). Director Simone Ibbett-Brown has cleverly combined elements of Bologne’s remarkable story – a Creole sone of a slave-woman Nanon and her Plantation owning master who travels to France to make his ma...

<strong>Puccini’s Messa di Gloria – Liverpool Philharmonic Hall</strong>

27Nov

By Johanna RobertsNo Comments

North West

Puccini’s Messa di Gloria – Liverpool Philharmonic Hall

I’ve often wondered what factors go into the decision of programming classical music concerts. Apart from the logistical decisions, on an artistic level, there must be well-known and well-loved pieces to attract the audience’s attention and guarantee ticket-sales, while also drawing in audiences by offering something new and/or challenging. Last night’s concert at the Liverpool Philharmonic managed to resolve this conundrum by a combination of two well-known and one far less well-known piece while triumphing in all three. That said, Debussy’s symphonic Prélude à l’après-midi d’un faune and what he called the "three symphonic sketches” that form La Mer, now familiar to and much loved by audiences around the world, were new and challenging for the audiences that first heard them in ...

<strong>Henry V – Shakespeare’s Globe</strong>

27Nov

By Akshay RahejaNo Comments

London

Henry V – Shakespeare’s Globe

When Henry IV dies, his son takes over the crown. The new king has risen to power in fragile and uncertain times. He is provoked by an insult from the French Prince Louis. His brother and his uncle elicit him to prove himself. Henry V decides to invade France. Henry V has popularly been received as the celebration of an uncompromising nationhood and the eminence of imperial ambitions. But this production seems to offer several counter-narratives that exist within the story. Such as the story of Pistol, Bardolph, Nym and a young Boy, who are all caught up in the patriotic fervour and join Henry's army, hoping to enrich themselves in the chaos of invasion. Their narrative brings to light the indifference of the kings towards their infantry and the unfair imbalance of power structures that...

<strong>Elf the Musical – Dominion Theatre</strong>

25Nov

By Zoё MeeresNo Comments

London

Elf the Musical – Dominion Theatre

Ask anyone what their favourite Christmas films are and Elf will inevitably be up there. Buoyant Will Ferrell, singing and silliness and just the right amount of schmaltz to give you the festive feels - it ticks all the boxes. So as a self-confessed enthusiast for all things Yuletide and a long time musical fan, I was made up at the chance to see Elf the Musical. To say festive cheer has been in scant supply this year would be an understatement, and so with a month to go until the big day I was absolutely ready for Buddy the Elf and friends to send some joy my way. And there was much joy to be had. The staging is top notch; with ever shifting back drops, moving scenery and a sleigh that gives Back to the Future’s Delorian a run for its money, the action shifts seamlessly from Santa’s No...

<strong>The Snow Queen – Festival Theatre, Edinburgh</strong>

25Nov

By H.S. BakerNo Comments

Scotland

The Snow Queen – Festival Theatre, Edinburgh

Always leave ‘em wanting more. That seems to be the philosophy behind Scottish Ballet’s latest production, the fairly short but very sweet production of “The Snow Queen”. A festive show for all the family at just 40 minutes for each of the two acts, with a 25-minute interval, this colourful charming fairy tale is perfectly pitched for all ages to enjoy without the wee ones getting too restless. “The Snow Queen” is a Hans Christian Andersen story on which the film “Frozen” is based, but Scottish Ballet brings the original tale to life with choreography by Christopher Hampson and music by Rimsky-Korsakov played by the Scottish Ballet Orchestra conducted by Jean-Claude Picard. It tells the story of two sisters, the Snow Queen, (Constance Devernay-Laurence) and the Summer ...

<strong>Baghdaddy – Royal Court Theatre</strong>

25Nov

By Anisha PucadyilNo Comments

London

Baghdaddy – Royal Court Theatre

Baghdaddy is a poignant and moving piece that shifts the lens on the indirect survivors of war. The play centres on the daughter-father relationship to provide an unseen perspective on the intergenerational trauma of war. It speaks to many truths - of being mixed heritage/ multilingual, making England home, the immigrant student experience, and witnessing war in one’s home country. The two Qareens and Jinn played by Souad Faress, Hayat Kamille and Noof Ousellam are captivating. Their obtuse costumes, clowning influences and magical aspects create a sanctuary for issues to be dwelled on but not be didactic. The memory of when we are first aware of where we are from. Zeroing on the feeling of a child watching an adult making sense of the war that unfolded kilometres away and bending time ...

<strong>Cell Outs – Traverse Theatre</strong>

25Nov

By Greg HolsteadNo Comments

Scotland

Cell Outs – Traverse Theatre

Two ex-screws take to intimate interior of the thrust stage of Traverse 2 to provide a thought-provoking insight into the British prison system. Glasshouse Theatre Company’s, Harriet Troup and Ella Church play themselves as graduates cajoled into the prison system on the promise of putting their arts backgrounds to good use in rehabilitation, only to find that barely six weeks later they are ‘lambs to the slaughter’ as fully qualified Prison Officers. In a comedic twist the two friends are posted to prisons within waving distance, one to a male prison, the other a female, covering both bases as it were, and provided rich material for this production. Set against a period of government cut-backs and lay-offs, the play takes us from initial recruitment through the ‘breakthrough grad...

<strong>Nobody: A Dance-Circus Adventure – Hull New Theatre</strong>

25Nov

By Jackie FoottitNo Comments

Yorkshire & Humber

Nobody: A Dance-Circus Adventure – Hull New Theatre

I have just one question to ask the seven performers who entertained in Nobody: A Dance-Circus Adventure at the Hull New Theatre on Thursday evening, and that is “What planet are you all from?”. I’ve lived on planet Earth all my life, so I’ve sort of got an inkling of what humans are capable of. But this crew are out of this world. The stage setting started off simply enough with a few random boxes, lit up to look like mini-office blocks (that’s my interpretation, anyway). A huge video screen backdrop showed a cityscape of high-rise buildings, and a sky full of moving clouds. A massive cube in front of the screen was draped in material, showing a building plus moving digital scenes. Each alien, I mean performer, plays two roles - one as a crow, representing the humans’ inner voice...

<strong>The Marriage of Figaro – Liverpool Empire</strong>

25Nov

By Mark DavorenNo Comments

North West

The Marriage of Figaro – Liverpool Empire

Mozart’s classic four-act comic opera, an adaptation with Da Ponte of Beaumarchais’ banned 1778 play about warring masters and servants, is delightfully brought to life as Glyndebourne’s 2022 tour reaches the Liverpool Empire with this satirical and deeply human drama. As the day of Figaro (Alexander Miminoshvili) and Susanna’s (Soraya Mafi) wedding arrives, it becomes clear that their master, Count Almaviva (George Humphreys), is keen to exercise his ‘droit du seigneur’ – his right to bed a servant girl on her wedding night – and they conspire with the forsaken Countess, Rosina (Nardus Williams), to outwit her husband and teach him a lesson in fidelity. Plans however are thrown awry when Bartolo (Henry Waddington), seeking revenge against Figaro for thwarting his own earlier plans to m...

<strong>Robin Hood ‘The Rock ‘n’ Roll Panto – Theatr Clwyd</strong>

25Nov

By Damian RiverolNo Comments

Wales

Robin Hood ‘The Rock ‘n’ Roll Panto – Theatr Clwyd

Is there anywhere that can do a Rock ‘n’ Roll panto better than Theatr Clwyd? In my opinion ‘Oh no there isn't.’ Writer Christian Patterson has written a fantastic panto this year, full of gags, current topics and local areas as part of the humour. Wonderfully directed by Tamara Harvey, Robin Hood is a hit for all. The audience were laughing booing and cheering in all the right places and proves that Theatr Clwyd is the place to be for panto this Christmas season. The set designed by Adrian Gee is perfect for this show. Over different levels as the Forest of Flintshire(shire), it is a feast for the eye and I fully enjoyed digesting it all. Johanna Town helps bring it all to life with intricate, well thought out lighting and the sound was fantastic all night thanks to Matthew Williams...