REVIEWS Archives - Page 350 of 559

24Mar

By Paul ClarkeNo Comments

Yorkshire & Humber

Lord of the Flies – Leeds Playhouse

If ever a classic 20th century novel was ripe for a reinvention, then it is Lord of the Flies and Amy Leach’s powerful reimagining set in the now offers new depth to a text beloved by generations of schoolchildren. William Goldman set loose a bunch of white posh school kids who crash on a desert island fleeing a conflict, but free of adult supervision they soon descend into a collective feral madness. We live in a different world seventy years on, so Leach has rightly brought together a young cast of boys, girls and children with disabilities from different backgrounds to interrogate how quickly societal norms can collapse, and how children target perceived weakness and otherness. The adaptation by Nigel Williams keeps all the familiar parts of the novel, like the conch that confers ...

24Mar

By Paul AckroydNo Comments

London

Slow Violence – The Pleasance Theatre

We are on the sixth floor of the office building of Happy Holidays. Claire is welcoming a new team member, Peter. Initially, things get off to a promising start, although there is a clear mismatch between the personalities; Claire, controlling but clearly needy, and Peter who is more restrained but wants to fit in and make a good impression. As the days turn into weeks and months the constraints of working in that office environment become dominant, it is far too hot, but the "people upstairs" will not allow the radiator to be turned down, the watercooler dispenses stagnant water, the electricity starts fusing, and there is flooding in the lower floors of the building water plus a leak from the ceiling. This is a brilliantly devised piece by Laura Ryder and Harry Kingscott,...

24Mar

By Gonzalo SentanaNo Comments

London

Killing the Cat – Riverside Studios

Can music and speech give fundamental answers to the questions that seem impossible to answer? Can we address the whys and what for of our existence through sound and bodies? Killing the Cat, the new musical with book and lyrics by Warner Brown and music by Joshua Schmidt, undertakes a very ambitious task, both dealing with very complex and interesting topics, while trying to develop a new and unique language in musical theatre. While the play does not reach those goals, it is undoubtedly a refined clockwork, performed with exquisite harmony. When going into the hall, the audience is met by a beautiful white set, designed by Lee Newby, where lights and colours designed by Jamie Platt will combine during the play, joining the music to display the different stages through which the cha...

24Mar

By Donna M DayNo Comments

North West

Cosmic – Liverpool’s Royal Court

Cosmic, written by Joe McNally and directed by Deborah Yhip, is a comedy drama telling the story of Vinnie (Andy McLeod) and the real world he has uncovered through his enthusiastic investigation into the world of conspiracy theories. His interest in the darker side of society was sparked by the death of his father, Billy, from cancer. Convinced that the newly built 5G towers are to blame for the loss of his father, Vinnie is determined to both uncover the truth of the harm caused by 5G and to put a stop to it once and for all. September 11th is the perfect date for him to put his plan into action as this is the anniversary of his father’s passing. Unfortunately, it is also his daughter Kirsty’s (Kalli Tant) sixteenth birthday, and he has promised his mother, Lesley (Claire Hackett) to arr...

24Mar

By Anisha PucadyilNo Comments

London

Trade – Pleasance Theatre

Ella Dorman-Gajic's Trade comes to Pleasance theatre. A gripping tale with powerful performances by Katarina Novkovic, in the lead role of Jana, superbly supported by Eleanor Roberts and Ojan Genc. Trade follows the life of Jana, who gets hoodwinked into the European trafficking industry but rises to power to claim her autonomy. Trade was awarded an OffComm commendation by the OFFIE Awards. Trade gives us a taste of some of the manipulation, deception, and violence meted out on women to submit to being involved in the sex trade. It can reflect on the socio-economic politics of gender lack of sexual health awareness of the clientele survivors of trafficking, and modern slavery has to put up with. The artistically integrated captions make Trade accessible to d/Deaf audiences...

24Mar

By Paul WilcoxNo Comments

North West

How Not To Drown – Oldham Coliseum

'STOP THE BOATS’ is an easy phrase parrotted by politicians seeking the quick dopamine rush of an approving headline in the Daily Mail or Express. In the rush to demonise immigrants as criminals and scroungers, what is lost is the individual stories of struggle, heartbreak and loss that each one of the statistics actually represents. Writer Dritan Kastrati and ThickSkin Theatre attempt to redress this imbalance in perception, resulting in an authentic voice exploring the journey of one young boy through the asylum and care system in 21st century Britain. Dritan Kastrati was an 11-year-old Kosovan Albanian, when his parents made the decision to remove him from the chaotic aftermath of the Balkan war and send him to the supposed safety and security of the UK. Kasrati told his story to Nic...

23Mar

By Carole BaldockNo Comments

Wales

Little Women – Theatr Clwyd

And there they all are on the programme cover: hot headed Jo, thoughtful Meg, quiet Beth at her beloved piano, and spoilt brat Amy…wait a minute – it’s the same actress, Hannah Churchill. And what fun she has playing every character, and how extremely well she does it. But you’ll never guess when it was created; oh ok, you probably will since Jo is stuck in her attic, struggling to write. And we’re in the studio, on quite frankly not very comfortable seats with a howling gale rocking the building and tumultuous rain drilling the roof. Not the only things with which our heroine has to contend; it does get confusing at times, and a little contrived because it can be distracting as she has to rapidly change positions, up and down by the minute, to try and make it abundantly clear which sis...

Dirty Rotten Scoundrels – The Zodiac, Frodsham Community Central

23Mar

By Paul DownhamNo Comments

North West

Dirty Rotten Scoundrels – The Zodiac, Frodsham Community Central

If we ever needed a reminder of just how much the world of theatre was tipped on it’s head by Covid, then the fact that it’s taken three years for Zodiac’s production of Dirty Rotten Scoundrels to reach the milestone of opening night will do just that. Retaining many of the original cast, it’s clear from the opening number, Give Them What They Want, that the cast, under the direction of Neil Silcock, are thrilled to finally immerse the audience into the French Riviera, where we meet the debonair Lawrence (Seb Farrell), a sophisticated swindler who charms and disarms several of the female holidaymakers each year, aided by his ‘bodyguard’ (and the town’s Chief of Police), Andre (Phil Murray). He soon takes the vulgar, young upstart Freddy Benson (Chris Doyle) under his wing to teach hi...

School of Rock – The Forum Theatre, Romiley

23Mar

By David S ClarkeNo Comments

North West

School of Rock – The Forum Theatre, Romiley

Based on the film written by Mike White. Directed by Dominic Stannage. For those few who don’t already know the story of School of Rock, the show follows Dewey Finn, a struggling musician who longs to be a rock star. After being kicked out of his own band, Dewey is penniless and jobless. To meet his rent obligations, he disguises himself as a substitute teacher and lands a job at a prestigious private school. Totally out of his depth, Dewey ignores the usual curriculum and focuses on developing the musically talented children. He forms a rock band with the 10-year-olds in the hope of winning the upcoming Battle of the Bands competition – all the while attempting to hide his true identity. There was a considerable buzz in the foyer in anticipation of the start of the show, a very nice...

Puccini’s Il trittico – Festival Theatre, Edinburgh

23Mar

By Kathleen MansfieldNo Comments

Scotland

Puccini’s Il trittico – Festival Theatre, Edinburgh

Puccini’s Il trittico is part of Scottish Opera’s 60th Anniversary programme. The company aims is “to lay the treasures of opera at the feet of the people of Scotland”. It certainly succeeds with this triple treasure of shorts. Death unites this triptych, but the mood of each showcases Puccini’s inventive mind and creative breadth: aching thwarted love (Il Tabarro); misguided penance and cruel inhumanity (Suor Angelica); the delicious absurdity of human relationships (Gianni Schicchi). If one piece doesn’t touch your sensibility, then the others must, surely. This Scottish Opera team is creative. Director, Sir David McVicar, houses Puccini’s music in stunning sets (designers Charles Edwards), costumes to delight (Hannah Clark), perfect lighting (Ben Pickersgill) and a fantastic orche...