REVIEWS Archives - Page 337 of 348

Deathly Confessions – Liverpool Theatre Festival

15Sep

By Paul DownhamNo Comments

North West

Deathly Confessions – Liverpool Theatre Festival

Amidst a global pandemic we laugh about death in these four darkly comic monologues. On an unseasonably warm September evening Liverpool Theatre Festival hosted this performance written by Emma Culshaw and David Paul in St Luke’s Church, the socially distanced venue for the festival, which is an iconic roofless, bombed out church building which has become a centre for arts and performance. There was a cautious audience keen to welcome back live theatre, the stage was sparse with wooden boxes and very little in the way of costume, lighting or audio effects, so it was the ability of the actors that was to keep the audience enthralled. First up was Thomas Galashan as a guilt-ridden ex-soldier revisiting the site of a war time tragedy. Telling his tale whilst swigging from a hip flask a...

A Midsummer Night’s Dream, The Queer Shakespeare Project

14Sep

By Paul DownhamNo Comments

REVIEWS

A Midsummer Night’s Dream, The Queer Shakespeare Project

The Queer Shakespeare Project’s interpretation of A Midsummer Night’s dream is an all singing, all dancing salute to the LGBTQ+ community, rehearsed and recorded entirely in lockdown. Thanks to these remote circumstances, the show, directed by Zach Waddington, features an international cast. The play opens with overlapping dialogue led by Philostrate (Kit Foreman) which becomes an overwhelming blend of emotive language of which key words are only audible, setting the scene of a complex play with multiple storylines and characters. Following this we meet Puck (Sadie O’Conor) whose costume and make up, together with filming location, stand out for their ethereal beauty within the show. Due to the circumstances of production, costume and setting does vary massively, but this glimpse in...

Laughterhouse Comedy – Liverpool Theatre Festival

13Sep

By Paul DownhamNo Comments

North West

Laughterhouse Comedy – Liverpool Theatre Festival

Theatre is alive once again here in Liverpool, the Bombed-out Church is hosting the Liverpool Theatre Festival by Bill Elms Associates. Offering theatre from plays to comedy and even music. Its fair to say its been a rather odd few months with the Corona Virus but last night felt like theatre has never been away. Each pod was socially distanced, and it was seat service when it came to ordering drinks. Before entering your temperature is taken and hands are sanitised. The staff of the festival were on the ball when it came to safety. Last night’s entertainment was a comedy night from Laughterhouse Comedy. Opening the night was Compere Chris Cairns whose fast-witted humour had the audience laughing as soon as he started speaking. His humours and quick-fire nature started the night right. ...

9Sep

By Paul DownhamNo Comments

North West

Rose – Hope Mill Theatre

Rose is sitting shiva, participating in the Jewish tradition of mourning someone who has died and sharing stories about their life. And this particular death turns out to be tangled up with her story in a way that is really quite unexpected. As she sits, she shares snapshots from her own life that sometimes seem a little disconnected, as she wanders through the images in her memory, trying to separate the things that actually happened to her from the movies she has seen over the years and the stories she has been told; recognising that there are some things that she just doesn’t want to remember. Rose begins by talking about growing up in a Jewish village in Ukraine, her relationship with her parents and siblings, and the civil war and its consequences. She talks about following her br...

My Beautiful Laundrette – Curve Theatre Leicester

8Sep

By Paul DownhamNo Comments

East Midlands

My Beautiful Laundrette – Curve Theatre Leicester

Britain in the 1980’s – a time of division and change and this is the setting for an adaptation and stage revival of Hanif Kureishi’s screenplay from that era. First off, I must say that it hasn’t worn that well and suffers from some shameless stereotypical characterisations that modern audiences would find hard to accept. Having said that, the company under the direction of Nikolai Foster provide a lively and thoughtful rendition of Kureishi’s script and most of the acting is fine throughout. This is a recording of a dress rehearsal for the actual stage show from 2019 and it does show somewhat – the sound quality is poor and the staging does seem a little slapdash, which is a shame because I’m sure the actual performance would’ve been so much better (there is a fuller review in our...

7Sep

By Paul DownhamNo Comments

West Midlands

Birmingham Hippodrome

The Birmingham Hippodrome is a theatre situated on Hurst Street in the Chinese Quarter of Birmingham, England. Although best known as the home stage of the Birmingham Royal Ballet, it also hosts a wide variety of other performances including visiting opera and ballet companies, touring West End shows, pantomime and drama. The Hippodrome is the venue for West End touring theatrical shows, such as Wicked, Chitty Chitty Bang Bang, The Lion King, Matilda, Mary Poppins, Annie, Grease and We Will Rock You. The theatre's Christmas pantomimes are produced by Qdos Entertainment, over recent years attracting stars such as Brian Conley, Don Maclean, Julian Clary, Joe Pasquale, John Barrowman, Joan Collins, Nigel Havers, Keith Harris, Lynda Bellingham, Lesley Joseph, Gary Wilmot, Paul Zerdin...

7Sep

By Paul DownhamNo Comments

North West

Buxton Opera House

Buxton Opera House is in The Square, Buxton, Derbyshire, England. It is a 902-seat opera house that hosts the annual Buxton Festival and, from 1994 to 2013, the International Gilbert and Sullivan Festival, among others, as well as pantomime at Christmas, musicals and other entertainments year-round. Hosting live performances until 1927, the theatre then was used mostly as a cinema until 1976. In 1979, it was refurbished and reopened as a venue for live performance. History It was built in 1903 and designed by Frank Matcham, one of Britain's finest theatre architects. He also designed a number of famous London theatres, including the London Palladium (1910) and the London Coliseum (1904). The Opera House ran as a successful theatre, receiving touring companies until 1927, when...

7Sep

By Paul DownhamNo Comments

North West

Grand Theatre, Blackpool

The Blackpool Grand was designed by Victorian theatre architect Frank Matcham and was opened in 1894 after a construction period of seven months, at a cost of £20,000 between December 1893 and July 1894. The project was conceived and financed by local theatre manager Thomas Sergenson who had been using the site of the Grand for several years to stage a circus. He had also transformed the fortunes of other local theatres. Matcham's brief was to build Sergenson the "prettiest theatre in the land". The Grand was Matcham's first theatre to use an innovative 'cantilever' design to support the tiers, thereby reducing the need for the usual pillars and so allowing clear views of the stage from all parts of the auditorium. Sergenson's successful directorship of the ...

7Sep

By Paul DownhamNo Comments

North West

Empire Theatre, Liverpool

Liverpool Empire Theatre is a theatre located on the corner of Lime Street and London Road in Liverpool, Merseyside, England, United Kingdom. The playhouse, which opened in 1925, is the second one to be built on the site. It has the largest two-tier auditorium in Britain and can seat 2,348 people. During its time it has hosted many types of entertainment, including variety shows, musicals, operas, pop concerts, and plays. The Beatles appeared in the theatre in their early days. The theatre has hosted two Royal Command Performances and in 2007, a Royal Variety Performance to mark Liverpool's being designated a European City of Culture the following year. It is sited in the William Brown Street Conservation Area. History The site's first theatre, which was at that time was Liverpo...

7Sep

By Paul DownhamNo Comments

North West

Opera House, Manchester

The theatre opened as the New Theatre in 1912, renamed the New Queen’s Theatre in 1915 and as the Opera House in 1920 when it came under the wing of John Hart and his associates of United Theatres Ltd. In 1931 it was bought by, and prospered under, Howard & Wyndham Ltd which had been formed at the Theatre Royal, Glasgow in 1895 by Michael Simons. The group`s managing director A Stewart Cruikshank, headquartered at the group's headquarters in the King's Theatre, Edinburgh was joined on the board by Charles B Cochrane who now became a visiting producer at the Opera House, premiering numerous musicals and revues. The theatre staged the full range of plays, musicals, opera, and pantomime. It closed in 1979 and for five years was a bingo hall. The Palace Trust acquired it in 1984 and re...