Friday, December 19

REVIEWS

Best of Enemies – Altrincham Garrick Playhouse
North West

Best of Enemies – Altrincham Garrick Playhouse

The latest National Theatre Live production arrives at the Altrincham Garrick Playhouse on Sunday 28th May and it’s a real political powerhouse, with stunning central performances from two superb actors at the top of their game. ‘Best of Enemies’ comes from the pen of James Graham, the prolific talent behind This House, Ink and Labour of Love, productions which manage to dramatise recent political British history in an entertaining and illuminating manner. Mining a similar seam to Peter Morgan in the Netflix smash ‘The Crown’, Graham takes real political events (Lib/Lab pact, Rupert Murdoch’s purchase of The Sun newspaper) and turns tinder dry history into unmissable drama. For his most recent success, filmed at the Noel Coward Theatre early in 2023, Graham has crossed the Atlantic and ...
Witness for the Prosecution – Altrincham Garrick Playhouse
North West

Witness for the Prosecution – Altrincham Garrick Playhouse

Director Mike Shaw has delighted us with his production of ‘Witness for the Prosecution’ a play that has been adapted from Agatha Christie’s 1925 short story "Traitor's Hands". Shaw is no stranger to directing some of Agatha Christie’s having directed at least three others previously as well as other whodunnit and murder mysteries. I have not seen any of Agatha Christie’s greats, so I was entering the theatre as a novice and had no expectations of the play itself. The creative team have done a magnificent job on the staging as the set is that of an authentic court room creating the atmosphere of being in the chambers itself. It’s the atmosphere that they have created that makes this a very unique experience; the echoes of footsteps outside the chamber and the grandeur of the Old Bail...
The Way Old Friends Do – The Lowry
North West

The Way Old Friends Do – The Lowry

"The Way Old Friends Do," written by Ian Hallard, is an engaging, light-hearted comedy that playfully straddles the line between homage to iconic pop band ABBA and an exploration of significant societal themes. Balancing the frivolity of a tribute band with weightier undertones of male friendship, homophobia, and familial relationships, the play invites audiences to a narrative filled with laughter and introspection. The story pivots around Peter (played by the writer; Ian Hallard), a middle-aged former librarian and ABBA superfan who reunites with his old school friend, Edward (James Bradshaw). Their coincidental reunion leads them to form half of a gender-reversed ABBA tribute show, alongside the prim Mrs. Campbell (Triyé Peterside) and the endearingly anxious Jodie (Rose Shalloo). Th...
Don Giovanni – The Metropolitan Opera Live in HD
REVIEWS

Don Giovanni – The Metropolitan Opera Live in HD

Mozart’s retelling of the Don Juan myth dates from 1787 and its tale of a serial, sexual predator sadly remains far too relevant some 235 years later. Don Giovanni (Peter Mattei) has seduced some 1,800 women, all catalogued by servant Leporello (Adam Plachetka), and he is looking to add another name with his attempted rape of Donna Anna (Federica Lombardi) that results in him killing her father, the Commendatore (Alexander Tsymbalyuk), and which her fiancé Don Ottavio (Ben Bliss) swears to revenge. Donna Elvira (Ana Maria Martinez), an earlier conquest, has come in search of Don Giovanni, although he is now trying to seduce peasant girl Zerlina (Ying Fang) on her wedding day to Masetto (Alfred Walker) and later attempts to rape her at his party. The next day, Giovanni forces Lepor...
Dear Billy – Traverse Theatre, Edinburgh
Scotland

Dear Billy – Traverse Theatre, Edinburgh

Why is Gary McNair’s ode to master comedian, Billy Connoly, Dear Billy, excellent? It is the authentic voice of Scotland. It has perfect comic timing. Every man and woman portayed is distinct in characterisation. The words are all true - not a single piece of fiction. The idea is brilliantly simple while the execution looks simple, but is, in fact, brilliantly compiled, composed and performed - not simple at all. He makes it funny. I take my hat off to you, Mr McNair, and your team of story-gatherers. This is a fabulously funny, tender, and varied piece of theatre which had me in stitches, and I’m not a die-hard Billy Connolly fan, like some of the audience in this full-house. It is the breadth of commentary/recollections that makes this piece sparkle - stories of...
Your Body is a Wasteland – Brighton Fringe Online
REVIEWS

Your Body is a Wasteland – Brighton Fringe Online

Your Body is a Wasteland, is a multi-media online experience being released daily-ish. Written by Emma Maguire, this is a unique and thought-provoking journey into life with chronic illness and its life changing impact on everything that you do. Featuring a combination of video, text extracts, images and audio recordings, the piece takes full advantage of the online theatre medium to create something truly original and remarkable. There are two options to experience this piece. The Long Road allows you to explore the material in your own way. The Short Road relates the story in a linear way. Posts are still being added to the piece and this review is of the Short Road as it stands today, 20 May 2023. Maguire plays “the Wanderer”, who has chronic illness and is wandering through the w...
Brokeback Mountain – Soho Place
London

Brokeback Mountain – Soho Place

Set in the wild Wyoming mountains during the 60s, Brokeback Mountain is based on Annie Proulx’s 1997 short story of the same name about two cowboys, Jack Twist and Ennis Del Mar working on a ranch who struggle with their feelings for each other in a hostile and unforgiving world. Most will be more familiar with the hit film adaptation starring Jake Gyllenhaal and Heath Ledger. Directed by Jonathan Butterell, the story is told through the perspective of an older Ennis (brilliantly played by Paul Hickey), depressed and drinking alone in a bedroom, looking back on his past life with the solemn ‘Don’t Let the Years Get Your Down’ playing on the radio. Hickey appears throughout the story, sorrowfully looking back at his younger self, softly reacting to painful moments and decisions that shap...
A Brief List of Everyone Who Died – Finborough Theatre
London

A Brief List of Everyone Who Died – Finborough Theatre

“There is no me in me without the way I love you”. A light, convivial family atmosphere transitions into a dark comedy as Graciela’s (Vivia Font) parents figure out how to tell her that their dog has died. Denial and questioning turns into blame and Graciela develops some sort of fear of her loved ones dying. Members of the cast take it in turns delineating the time passing as Gracie ages. Jacob Marx Rice’s script is mischievously witty and exuberant one moment before revealing undercurrents of disquiet and grief.  Throughout the play, people in Gracie’s life die, and she struggles to deal with each one, until it eventually becomes her turn. What I loved about this play was its earnestness and the acute portrayal of grappling with something beyond your control. Font was emotiona...
Jesus, Jane, Mother & Me – Waterside Arts, Sale
North West

Jesus, Jane, Mother & Me – Waterside Arts, Sale

There is a rich theatrical tradition of showcasing stories of people who have been left behind, left out. They tend to veer towards empowering and uplifting. So, it is safe to say theatregoers may make certain assumptions as they head into a one-person show about a young man growing up in a challenging background only to discover the power of cruise ship singer Jane McDonald. In reality, however, Jesus, Jane, Mother & Me is something altogether darker. Daniel Valentine (Jack Stokes) is restlessly roaming his mothers’ front room as the audience members take their seats. Bin bags full of clothes litter the floor, the windows are boarded up, no cleaner has troubled the space for many years and the faded shape of a cross on the wall tells us religion was here but is present no longer...
It is what it is – 53two
North West

It is what it is – 53two

When does a one-woman play become a stand-up set and vice versa? This show seemed to be unsure which side of that fine line it wanted to be and whilst it was a highly entertaining show it was not entirely clear what was intended. The space itself mirrored this problem as at the front were a number of tables and chairs set out as they would be in a comedy club. Yet behind them was the traditional tiered seating you would find in a theatre. Before the play started there was a warm-up act in the form of Maisie McFarlane who played a few sweet songs. This had nothing to do with the play and only added to the cabaret feel for the whole project. There was an overwhelmingly young, exuberant, animated audience who were extremely lively and definitely keen to enjoy themselves. Given their ...