REVIEWS Archives - Page 316 of 548

7Jun

By Jackie FoottitNo Comments

Yorkshire & Humber

Sully – Hull Truck Theatre

Take a bow Chris Bewers and Luke James of The Yorkshire Workshop for creating the most basic stage setting for a production of Sully, which came to the Hull Truck Theatre, on Tuesday evening. Basic, but genius. I loved it. Let me explain… Sully tells the story of Hull’s favourite adopted son, Welshman Clive Sullivan, who played for the city’s two rugby league teams in his amazing career - Hull Kingston Rovers (yay, up the Robins), and Hull FC (whatever). The red and white strip of Hull KR is supported by those Hullites living east of the river Hull; the “other team” wear black and white and enjoy the loyalty of those living to the west of the river. I’m east Hull born and bred; my dad (Arthur Lewis) played for Hull KR, so my loyalty has never been in doubt. Back to the afore...

The Commitments – Opera House, Manchester

6Jun

By Brian MaddenNo Comments

North West

The Commitments – Opera House, Manchester

The Commitments Musical, stopping off at the Opera House in Manchester on its nationwide tour, takes on the daunting task of bringing a classic film to the stage. The result is a performance that might be aptly described as 'Commitments Lite', yet it is filled with sensational soul and a cast rich in talent. The story is simple. Jimmy, played by James Killeen, forms a soul band from a group of unlikely characters in the town who draw on the essence of being Dubliners to create their original sound. The band experiences a fleeting moment of massive success before falling apart. This narrative is supported by a plethora of fantastic numbers, performed by an array of talented actor-musicians. James Deegan stands out as Deco, a character brimming with charisma and a voice that rises to a s...

5Jun

By Kathleen MansfieldNo Comments

Scotland

Pibroch – Scottish Storytelling Centre

Pibroch is a multimedia theatre production exploring parallels between the 1988 Piper Alpha disaster and our current climate crisis. Bolland’s lyrical spoken word show deplores the sanitisation of traumatic events and the tragedy of disabled self-direction as, sheep-like, we follow the rules and meekly meet our death. The Piper Alpha tragedy caused 165 deaths because safety measures on paper did not translate to reality, just as in the Bhopal gas tragedy in 1984, and the Grenfell Tower in 2017: emergency services were tardy, safety standards were jeopardised and human flesh was sacrificed to balance the books and up the profit margin. Public Inquiries simply create a sanitised record and a statistical translation of guttural human anguish and suffering - wretchedness which impa...

A Midsummer Night’s Dream – The Charterhouse

5Jun

By Samantha CollettNo Comments

London

A Midsummer Night’s Dream – The Charterhouse

Having watched hundreds of productions, it’s hard to surprise me. But stepping into Charterhouse gardens, a small patch of green in the shadow of the Barbican towers, I found myself confused by the set up. In the corner, under some ancient trees, was a primitive looking stage reminiscent of a village fete. In front of said stage were a collection of people joyously picnicking on camping chairs and mats. The atmosphere was peaceful, happy, relaxed and easy. It was hard to believe you were in central London amidst this little gathering chowing down on wine and home-made sandwiches. It was also hard to believe the production I was about to see was to be performed by The Handlebards - cycling actors who tour across the world presenting Shakespeare. It was at that point I knew I was in fo...

3Jun

By Wendy McEwanNo Comments

Scotland

Richard III – Shakespeare at Traquair

This outdoor spectacle is staged in promenade, with scenes taking place at locations around the beautiful gardens of Traquair House in the Scottish Borders. Shakespeare at Traquair has been an annual tradition since 1995, and this year, director Leah Moorhouse has chosen Richard III, the play which contains many of Shakespeare’s best insults. For me, the highlight of the show was Rhiannon King’s badass Queen Margaret. Her animalistic movements converge with her swaggering delivery to invoke a force of nature. I am not a believer in otherworldly powers, but if she cursed me, I would be properly scared. I also loved Faye Turpie-Laird’s performance as the aristocratically camp Catesby. She is compelling to watch, even when she is standing still on the periphery of the stage. ...

3Jun

By Gonzalo SentanaNo Comments

London

Gypsy – The Mill at Sonning

Can one live vicariously? Can one be successful through one's child's success? How much can one change when pushed to the edge of exhaustion? Welcome to Gipsy, a classic that will make you shiver in your seat. This staging of the now classic Musical on the Mill at Sonning hits all the right spots. When going to the performance, the ticket includes a two-course dinner, about which this reviewer cannot knowledgeably comment, other than to say that it was almost as great as the main dish: the theatre part. This play written by Arthur Laurents, with music by Jule Styne, and lyrics by Stephen Sondheim is entire directed and choreographed for The Mill by Joseph Pitcher, with Francis Goodhand in charge of musical arrangement, direction and keyboards, Jason Denvir in the incredibly lively Se...

2Jun

By Donna M DayNo Comments

North West

The Incident Room, Black-E, Liverpool

Old Fruit Jar Productions’ performance of The Incident Room, directed by Alex Carr, is an intense and thought-provoking look into the police investigation into the crimes of the Yorkshire Ripper. The tragic events surrounding these violent offences and their massive impact on the people of Yorkshire are distilled into one tiny room in Millgarth Police Station, where the action takes place. As a venue, the Black-E is perfect. Venues usually only stand out when they have a negative impact on a play, and when the venue is suitable, it fades into the background. In this case however, before the audience even see the stage, the stone spiral staircase leading to the performance space, which happens to be identical to staircases seen in many of Yorkshire’s courthouses, creates a sense of immer...

2Jun

By Peter RuddickNo Comments

North West

Crave – 53two, Manchester

Sarah Kane’s poetic masterpiece Crave marked a significant departure for the playwright when it was first performed in 1998. Whereas Kane’s previous work had featured graphic violence and sex, Crave relied on language. A quarter of a century on and it is clear the power of Kane’s words has hardly subdued. Four characters - A, B, C and M - take to the simple but beautifully-lit stage under the atmospheric 53Two arches. A black curtain backdrop and four stylish grey chairs are the only set dressing. This could be a waiting room or a therapy session or both those things or something else entirely or nothing at all. What follows are four haunting monologues or conversations beautifully interwoven together in a way that is almost impenetrable and yet totally understandable on a human leve...

Panti Bliss: If These Wigs Could Talk – Soho Theatre

1Jun

By Alan Stuart MalinNo Comments

London

Panti Bliss: If These Wigs Could Talk – Soho Theatre

On a warm and vibrant evening at the esteemed Soho Theatre, Panti Bliss sets down her dancing shoes and returns to walking the boards with her bold and glamourous theatre show. The “Queen of Ireland” takes centre stage in an extraordinary display of talent, wit, and unapologetic charm in the celebrated one-woman production, ‘If These Wigs Could Talk’. Having walked into an overture of toe-tapping, camp club classics, the lights dimmed, and the stage came alive with an infectious energy that immediately captivated the packed audience, setting the tone for a remarkable and personal theatrical experience. From the very beginning, Panti was effortless in her command of the stage with an undeniable presence, earned with years of experience, she exuded confidence and a mature grace missing...

1Jun

By Anisha PucadyilNo Comments

London

30 and Out – Pleasance Theatre

Kit Sinclair's new work '30 and Out' chronicles the ins and outs of understanding one's gender and sexual expression, albeit not in one's teens. Based on Sinclair's honest journey, the solo show also intersperses audio recordings of interviews conducted with lesbians from diverse ages and lived realities. The show is funny, engaging and heartwarming. Kit Sinclair is such a talented artist; with her wit, charm, and an eclectic multiverse of characters, she brings to the front so many nuances of accepting oneself and allowing them to flourish as lesbian/non-binary. Following a successful sell-out Brighton Fringe run, '30 and Out' is spending this week in London at The Pleasance, ahead of concluding its mini tour at 53two in Manchester. Presented by Prentice Productions and assisted by her...