REVIEWS Archives - Page 311 of 548

Fastlove: A tribute to George Michael – Adelphi Theatre

21Jun

By Samantha CollettNo Comments

London

Fastlove: A tribute to George Michael – Adelphi Theatre

With all the current talk about George Michael (it would’ve been his 60th birthday on June 25th and July 9th is the 40th anniversary of Wham’s debut album) I decided to hotfoot it to the West End for some music therapy. I’ll admit now, I’m not a massive George Michael or Wham fan, but I am fed up with the constant gloom and doom so I was in the mood for a pick-me-up. Fastlove ticks this on every box. And what did surprise me was how many of the songs I knew all of the words to! From the outset Michael Joseph (the tribute act to George Michael) sets the audience expectations. He proclaims: ‘There will only ever be one George Michael, we are just here to honour the music.’ It’s an honour they do well. The hits come thick and fast and every song you’d want to hear is played. Michael ...

21Jun

By Jo TillotsonNo Comments

North West

Julius Caesar – The Lowry

‘Friends, Romans, Countrymen; lend me your ears!’ Julius Caesar contains some of William Shakespeare’s most quoted lines, and in fact this play begins with Caesar celebrating the height of his power and influence and being faced with a stark warning to ‘Beware the Ides of March’. What follows is a dramatic exposition of the struggles of power, that is equally relevant today in 2023 as it was when it was published in 1599. This play calls on us to consider whether our actions can be justified on the basis of their goal, and whether it is a right or a duty to speak truth to those in authority. The design of the production (Rosanna Vize) is for the most part outstanding. The creeping introduction of colour into a monochrome space was really powerful, and really made me think; why is it ...

Titanic the Musical – Festival Theatre, Edinburgh

21Jun

By Beth EltringhamNo Comments

Scotland

Titanic the Musical – Festival Theatre, Edinburgh

We all know the story of the Titanic, a tragedy on the seas brought about through malpractice, ego over practicality and safety. The name of the show alone is sure to bring in the masses, generations of people interested in the ships’ story and downfall. A whole audience entering the theatre with the expectation to cry, an expectation that I’m afraid fell short. The music of this show is without a doubt beautiful with an incredibly talented cast of vocalists and performers, each song alone could work well if not for the over use of ‘I want’ ballads in succession of each other throughout act one. It is clear the production set out with the plan of showing the multiple classes on the ship, trying to give its audience a multitude of people to build a connection with before some of their un...

20Jun

By Greg HolsteadNo Comments

Scotland

Haribo Wedding -Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. Tonight is the turn of Thursday 14 – 18 group to strut their stuff, in the third outing of Strange Town in as many days, and it is good to recognise some already familiar faces on stage. The stage is set within the three-sided intimacy of the subterranean Traverse 2. On stage is a tableau of a wedding party, complete with the recognisable bride and groom, best man and bridesmaids, set like statues, or perhaps caught momentarily on camera, fixed in time. But as the lights drop and the action starts it is clear that this is no ordinary wedding, this is a fake ...

20Jun

By Bev ClarkNo Comments

North West

O’Brien’s Dream – Hope Street Theatre

Enthusiastic community theatre present a subject which resonates today. The last play by the late Bill Morrison, one of the giants of theatre in Liverpool, examines the plight of the Irish Émigré after the potato famine of the 1840s. Morrison, an Irishman himself, also had strong links to community drama in the city and a personal link to Keyhole Theatre, who have been running for twenty five years. This play premiered at the Unity Theatre in 2009. The songs by Frankie Connor and Alan Crowley offer some pleasant, musical telling of the tale. Sean O’Brien, desperate to get to America, arrives in Liverpool, falls in love, loses the little he possesses but eventually, settles and finds happiness with the sweet-faced but level-headed Mary. There can’t be many Liverpudlians who don’t have...

20Jun

By Bev ClarkNo Comments

North West

Julius Caesar – Royden Park

All Hail Hillbark! Electrifying! It’s the time of year we sit out on a beautiful evening in Royden Park, to be entertained by Hillbark Players’ bi-annual, open-air production. Julius Caesar, performed by the crème de la crème of Wirral actors, opened tonight with sunshine and blue skies: thankfully, no thunder and lightning but it was definitely an electrifying production! If you’re thinking it’s a stuffy play with old men in togas – think again! I’m not one for over doing the superlatives but I just might run out of them tonight. Directors, Ruth Stenhouse and Stuart Rathe skillfully brought this political drama to life with imaginative ensemble work, creative use of sets, eye-catching costumes, although ‘modern’ still had the Romanesque twist, and compelling performances, from...

Into The Woods – Altrincham Garrick Playhouse

20Jun

By Paul WilcoxNo Comments

North West

Into The Woods – Altrincham Garrick Playhouse

Ever since the death of Stephen Sondheim in November 2021 there has been a rush on both the professional and amateur stage to produce his works, with every performer and creative wishing to pay posthumous tribute to the most influential voice in musical theatre during the latter half of the last century. As a fully paid up 'Sondaphile', I've therefore been delighted to witness this outpouring of love for the great man with productions of Company and Sweeney Todd and 'A Little Night Music' standing next to his lesser known works (Passion, Assassins and the forthcoming Pacific Overtures) in showcasing his lyrical genius. Tonight we are firmly at the popular end of the spectrum with a production of 'Into The Woods' the 1987 collaboration with James Lapine, as Altrincham Garrick finish their s...

17Jun

By Jennifer LaishleyNo Comments

London

The Crucible – Gielgud Theatre

The National Theatre’s version of The Crucible is a play that is not to be missed. Both new audiences and fans of the original Arthur Miller play will enjoy. This talented cast use every moment to create drama and suspense and keep the audience entertained. The Crucible has recently transferred to the Gielgud Theatre after a successful run at the National Theatre last year. The show uses Arthur Miller’s original script under the direction of Lyndsey Turner. The story follows the town of Salem as they start to accuse the women of witchcraft. Singing is used throughout the play to add dramatic suspense. At the beginning this takes the form of haunting humming and by the end of the show this transforms into a haunted chorus of singing, showing that the girls have taken control. Photo...

17Jun

By Oliver GigginsNo Comments

Scotland

Into The Woods – Edinburgh College

Stephen Sondheim and James Lapine's Into the Woods musical intertwines the plots of several Brothers Grimm fairy tales, using the beginning of Rapunzel, in which the theft of some plants from a witch's garden by a desperate man (Oliver Payn) forces him into a deal with the witch, as the main link. In the musical, the couple's son, a baker (Darren Walls) and his wife (Justyne Snyder) make their own deal with the witch (Maaike Hillen) in order to have a child, a deal which will lead him to interact with characters and events from "Little Red Riding Hood" (Missy Hingley, with Andrew Lodge as the Wolf / Lucinda and Bo Gourley as Granny / Narrator), “Cinderella” (Fiona Dawson, with Joe Gill as the Prince, Heather Richardson as the Stepmother, Shannon Scott as Florinda and Aric Hanscomb Ryr...

17Jun

By Greg HolsteadNo Comments

Scotland

The Kind Complex – Traverse Theatre

Established in 2009, Edinburgh’s Strange Town Youth Theatre has developed into something of an institution for theatrical experimentation in the City and is known for pushing the boundaries of what young people are capable of. With no less than three separate plays kicking off at the Traverse this week, tonight is the turn for Tuesday night’s 14-18 year olds to show what they could do, and they certainly did not disappoint. The talented acting of this magnificent bunch, I counted twenty, combined with Isla Cowan’s thought-provoking futuristic script and Catherine Ward-Stoddart’s crisp direction, is certainly a very watchable combination. Although there is no choreographer or MD mentioned in the programme, the movement and music selection are excellent throughout, from the straight lines...