REVIEWS Archives - Page 31 of 555

The Silence of Snow: The Life of Patrick Hamilton – The White Bear

29Sep

By Charles PipeNo Comments

London

The Silence of Snow: The Life of Patrick Hamilton – The White Bear

The Silence of Snow: The Life of Patrick Hamilton opens like a gothic horror: thunder and rain set a moody scene as a figure sits slumped over in a white hospital gown, before jolting to life and erupting into a crazed monologue complete with manic laughter. This play – like the novels and plays of the real-life Patrick Hamilton – boldly explores dark themes and incorporates spooky imagery. Life – the play seems to suggest – can be as terrifying as any fictional ghost or demon, but we can still smile and laugh. Above all, this play tells an interesting story about an interesting character and is masterfully performed. This one-man show (written and performed by Mark Farrelly) follows almost the entire life of Patrick Hamilton from his youth in the 1910s and ‘20s to his declining hea...

The Secret of the Black Spider – Leeds Grand Theatre

29Sep

By Mark HumphreysNo Comments

Yorkshire & Humber

The Secret of the Black Spider – Leeds Grand Theatre

Opera North opened its 2025–26 season with something quietly radical: the UK premiere of the extended Hamburg version of Dame Judith Weir’s The Secret of the Black Spider, performed not by the mainstage company but by the Opera North Youth Company—soloists, chorus, and orchestra. It was the first time an opera by a female composer had featured on the company’s main stage, and the first time its young performers had opened the season both on stage and in the pit. With the composer in attendance and a warm response from a mixed-age audience, it was a landmark evening in every sense. The opera weaves together a 19th-century gothic novella with the real-life story of a supposed curse that followed the 1980s opening of a royal tomb in Wawel Cathedral, Kraków. Weir’s score and libretto blend ...

29Sep

By Michelle KnightNo Comments

North West

Silent Approach – New Adelphi Theatre

Silent Approach is a sobering play depicting a timeline of emotional battles, with mental health, guilt and feelings of overwhelming shame to a place of “triumphant recovery”. Marcella Hazell is Rebecca House, a Lancashire serving policewoman who tells her story through an unfiltered lens. A raw hard-hitting portrayal of life as a respected functioning police officer protecting the public to a time in slow motion when she couldn’t even protect herself from her dark thoughts and suicidal ideations. The scenes are a hybrid between video footage to on stage performance which is becoming popular in small stage productions and is highly effective. At times it felt a little uncoordinated as the scene changes came quickly but this didn’t distract too much from the essence of the meani...

26Sep

By Alice RoseNo Comments

London

Love Quirks – The Other Palace

Four friends living in London brought together by unfortunate events: their love life sucks. Ryan (Lewis Bear Brown), Stephanie (Clodagh Greene), Chris (Tom Newland) and Lili (Ayesha Patel) have struggled to keep their love life on the upward trajectory. Stephanie announcing her divorce, Chris being cheated on by his fiancé, Ryan struggling to find a man he truly likes and Lili never quite getting over Ryan- the only man she’s ever loved. We are slightly rooting for Stephanie and Chris as it’s revealed they have a past and potentially through their heart break, they can find comfort in each other. However, the story does feel quite dated and limiting for the actors as every time we explore a complexity to heartbreak the script stays very 2 dimensional. Lili is a masters student who i...

26Sep

By Dylan MooneyNo Comments

Scotland

Man’s Best Friend – Traverse Theatre

The acclaimed Douglas Maxwell’s new play, Man’s Best Friend, opened at the Traverse Theatre having previously played at the Tron in Glasgow. Directed by the Tron’s Artistic Director, Jemima Levick, and starring Jordan Young, a rising star in Edinburgh’s famous panto, this play is both laugh-out-loud hilarious and also beautifully emotive. Ronnie (Young) is a dog walker tasked with walking his neighbor’s beloved pooches. However, when the belt holding their leads breaks, the dogs are left running free into the woodlands of the local park. Alone, Ronnie is left with his thoughts as he navigates through the trees, searching for the runaway canines. And his mind begins to wander, perhaps it's answers and understanding he’s looking for also. From the outset, Young crafts a natural and...

26Sep

By Louise KershawNo Comments

North West

JB Shorts 27 – 53two

Although the first JB Shorts was produced in March 2009 as a one off ‘festival’ of short plays it has grown each year and is now a much anticipated bi annual event presenting 6 short plays over one evening and last night presented its 27th iteration of the format. Track and Field by Sarah Macdonald Hughes Directed by Martin Gibbons When two women meet at a local athletics club attended by their children, a friendship develops between them as their cheer on their offspring from the sidelines. Performed beautifully by Sarah Macdonald Hughes and Rosina Carbone this hilarious observation of friendship between women was an excellent opener to the evening’s entertainment. Its darkly comic content performed with great rapport between the two actors observed the mundanity o...

26Sep

By Carole BaldockNo Comments

North West

Syncopated – Liverpool Playhouse

The meaning of syncopated is explained at the end, tho perhaps more sensible if used to introduce the play, the simplest definition being ‘a variety of rhythms’. There is also a question of balance: between a present day brief encounter and the story of the Southern Syncopated Orchestra, who brought jazz from America to the UK back in 1919. And it is a fascinating story; they enjoyed remarkable success, playing all over the country, including Buckingham Palace. But… Boy meets girl, boy annoys the hell out of girl (he’s a Londoner apart from anything else… boy asks for her help to compose a musical. Unfortunately, rather a contrived framing, not helped by being delivered in epistolatory style: after Frank from the Orchestra meets Liver Bird Penny, he sends her letters describing events - bu...

26Sep

By Tracey BellNo Comments

Yorkshire & Humber

Consumed – Sheffield Playhouse

The aptly named play Consumed, written by Karis Kelly won the Women’s Prize for Playwriting in 2022, is a dark, deliciously humorous yet disturbing drama, set around the kitchen table in Northern Ireland. It is Eileen’s 90th birthday party and her daughter Gilly, granddaughter Jenny and great granddaughter Muireann gather for the first time in three years to celebrate. However, the cracks; long since painfully covered; appear in this intentionally slow burning and powerful script. Expertly written, the intergenerational differences of Northern Irish women is laid bare - with all its historical ‘Troubles’, trauma and repressed family tension. With ‘food’, perception and more than one skeleton in the cupboard, this four performer play has first rate performances that are unnerving from the o...

25Sep

By Stewart Who?No Comments

London

The Harder They Come – Stratford East

The Harder They Come, currently showing at Stratford East is an updated remix of the stage musical, last performed almost 20 years ago at the same venue. That pioneering production was an adaption of Perry Henzell’s 1972 cult film of the same name, co-written by Trevor Rhone. Henzell is regarded as the ‘Father of Jamaican film’. For his debut, the director cast the singer Jimmy Cliff in the lead role. This not only made Cliff a household name but arguably introduced Jamaican culture and reggae to a global audience. My first experience of the Harder They Come was at a late-night screening of the film at the notorious Scala cinema in King’s Cross. It was the late ‘80s and following Bob Marley’s death and the UK’s embrace of Ska via bands such as The Specials, Madness, and The Selecter, Ja...

25Sep

By Wendy McEwanNo Comments

Scotland

FEIS – Traverse Theatre

FEIS is a story of ambition, intergenerational discord and Irish dancing, with a side order of chaos. Deirdre (Louise Haggerty) is seriously over-invested in her daughter Aiofe’s (Leah Balmforth) dance career. Grandmother Maura (Julie Coombe) is delectably unhinged. Deirdre secretly makes ends meet by creating online Irish dance-themed adult entertainment. Family secrets come to light as Aiofe seeks to understand who she is. Anna McGrath’s mercurial script energetically captures the love and battles between three generations of women. Director Laila McGrath keeps the pace just right, giving the actresses space to really go for it with the larger-than-life characters. The belly laughs come from the heart of the story, as the characters raise the stakes to outdo each other. Haggerty an...