REVIEWS Archives - Page 31 of 548

6Sep

By Olivia CoxNo Comments

London

Invasive Species – King’s Head Theatre

Based on the true story of writer and star Maia Novi, Invasive Species opens with a life-altering realisation: Maia wants to be in the movies. But not the low-budget Spanish movies that blare out of the tinny speakers at her local cinema in her homeland of Argentina. Maia wants to be in “big, American movies” like The Amazing Spider-Man — the movie that triggers this epiphany in her youth. Before she knows it, she’s caught hook, line and sinker by The Acting Bug (brought to gloriously creepy life by Harrison Osterfield, playing one of several roles), setting her on a path of unsuccessful stints at acting schools in France and London before finally getting into Yale School of Drama. Disaster strikes weeks before her all-important final year showcase, however: after seeking treatment f...

Soundhouse: Paul Harrison’s Trio Mágico & Guests: Encontros – Traverse Theatre

6Sep

By Jessie MartinNo Comments

Scotland

Soundhouse: Paul Harrison’s Trio Mágico & Guests: Encontros – Traverse Theatre

Launching their latest album, Encontros, Paul Harrison’s Trio Mágico graced the Traverse Theatre once again, bringing with them an evening filled with Brazilian-inspired jazz rhythms and grooves. From original compositions, to rearrangements of renowned Brazilian jazz pieces (many of which were taken from Brazilian jazz player and composer Egberto Gismonti) Paul Harrison’s trio is Mágico by name, and Mágico by nature. The first act hit us with high-energy, highlighting the beauty of Harrison’s chord harmonisation and bassist Mario Caribé’s enthusiastic and lively playing. Drummer Stu Brown keeps the trio rolling along with his relaxed approach - that is until the second act where he completely unleashes the full power of his playing. Brown’s kit is perfectly collated t...

A Toast Fae the Lassies – Pitlochry Festival Theatre

6Sep

By Jessie MartinNo Comments

Scotland

A Toast Fae the Lassies – Pitlochry Festival Theatre

A widow, a mother, and a mistress walk into a bar—sorry, graveyard—to mourn the loss of the recently deceased Robert Burns. On seeing the other women there, the group soon end up reminiscing and sparring with each other over their relationships to the late poet and his proclivities. Generously peppered with well-known Burns’ songs, A Toast Fae The Lassies both celebrates Burns as a poet while reprimanding his behaviour as a man through the eyes of the women in his life. The songs are, of course, the highlight of this play, with musical direction and arrangement by Alyson Orr, who also plays Agnes Broun, Burns’ mother. Orr brings spirit to the stage with her charming arrangements, performed beautifully by herself and the rest of the cast. Chris Coxon accompanies the singing on the guitar...

6Sep

By Paul AckroydNo Comments

London

Home at Seven – Theatre at the Tabard

David Preston, an unassuming man, returns home after an uneventful day at the office, travelling on his normal train from Cannon Street. He is greeted by his distressed wife wanting to know where he has been for the past 24 hours. To his horror, he finds that it is one day later than he thought, and he has no recollection of how he has spent the intervening day. That is the first mystery of this intriguing sounding play by R C Sherriff. The second mystery is that in the time when he had disappeared, a theft and murder have occurred. Was he responsible? The play was written and is set in 1950. Although best known for his well-known and much performed Journey's End, Sherriff wrote a number of other plays and was a successful screenwriter. Home at Seven has rarely been ...

6Sep

By Anna Ní DhúillNo Comments

North West

Mona and Mimi – Unity Theatre

Mona and Mimi by Catherine Leen, premiering at the Unity Theatre on the 3rd and 4th of September, played deservedly to a sold-out audience. Telling the story of the guardians of Pete Best, original drummer of the Beatles, and John Lennon (you’ve probably heard of him) as they but heads over the future of the Beatles, we get a wonderful tale of two strong women debating what they believe to be the best course of action in protecting, and encouraging, their boys. The staging is simple, with a few chairs and a backdrop to signify a seamless set change. The simplicity adds to the DIY feel of the play, which I personally love, and allows the dialogue and story flow naturally between the two actors, Meriel Scholfield, playing the cogent Mimi (that is, Mrs. Smith, Lennon’s aunt), and Fiona...

6Sep

By Brian MaddenNo Comments

North West

Yen – Octagon Theatre

Connor Goodwin’s production of Anna Jordan’s Yen at the Octagon Theatre is raw, tense, and painfully intimate. The play follows brothers Hench (Adam Owers) and Bobbie (Jonny Grogan), left to fend for themselves in a flat in Feltham while their mother drifts in and out of their lives. Their fragile existence is punctuated by pornography, video games, and a caged dog — numbing routines that barely cover their hunger for love and stability. The arrival of their neighbour Jennifer (Lucy Eve Mann) disrupts their chaotic balance. Her presence awakens a tenderness in Hench and a defiance in Bobbie but also exposes just how unprepared the boys are for connection. Vicky Binns, as their mother Maggie, delivers a performance that is both heartbreaking and infuriating — her fleeting warmth undermin...

Canal Street Lonely Hearts Club – Hope Mill Theatre

6Sep

By Scot CunninghamNo Comments

North West

Canal Street Lonely Hearts Club – Hope Mill Theatre

With an inspired creative vision, the updating of a theatre piece can breathe new life into it, bringing entirely new meanings to the story and characters. The gender-swapped Company revival provided a female-centric look at the thirty-five-and-still-single life, questioning societal expectations, while &Juliet allows the queerness of Shakespeare to be a lot more overt. But when Rupert Street Lonely Hearts Club writer Jonathan Harvey‘s motivation for a modern, Northern version of his 90s London-based play doesn’t go beyond ‘f*** it, why not?’, its purpose is thrown into question before the curtain has even lifted. In a Canal Street flat, two brothers (Shaun, straight and Marti, gay) contemplate their love lives as the former’s girlfriend is being unresponsive while on holiday in...

Here & Now The Steps Musical – Opera House

6Sep

By Philip EdwardsNo Comments

North West

Here & Now The Steps Musical – Opera House

Here’s the thing, some people like Marmite, and some don’t. I always add it to my gravy and most people don’t mind. The music of Steps can be equally divisive some people like it, some don’t, but when you add it to a piece of musical theatre, well most people, on the evidence of the Opera House audience love it! But let’s dig a little deeper than the whooping, cheering and joining in that I witnessed on press night. First of all, you hire a critically acclaimed writer such as Shaun Kitchener to pen a story into which you can fit the songs of a 1990’s pop group. That’s not so easy. Many “catalogue” musicals fit the story round the songs. On the evidence of “Here and Now – the Steps musical”, the songs fit around the story and that is one of the strengths of this show. The songs adv...

4Sep

By Zain RussellNo Comments

London

Emerald Storm – Emerald Theatre

Emerald Storm is a dazzling fusion of dance, song, and cabaret that delivers an electrifying evening of entertainment. Combining the raw energy of Riverdance with the rhythmic flair of tap, the production sweeps the audience into a whirlwind of movement and music that is both exhilarating and immersive. From the moment you enter the Emerald Theatre, the atmosphere is carefully curated to set the tone. Guests are welcomed by an inviting bar area where live Irish music fills the space. The band Fiddlin’ About immediately charms the crowd, performing a lively repertoire that ranges from country classics to contemporary pop. The intimate setting, enhanced by plush seating and an upscale cabaret vibe, ensures that the evening feels special even before the show starts. When the show be...

4Sep

By Kira DanielsNo Comments

London

The Genesis – Peacock Theatre

Human beings are fragile creatures. The connections between us are fraught and tenuous, both physically and spiritually. Copenhagen Collective’s The Genesis offers audiences a powerful reminder of this gravitational reality. Photo: Luke Chadwick Beautifully choreographed and directed by Patrick King and Johan King Silverhult, and set to a mesmerizing score by composer Leif Jordansson, this one-hour circus piece is both awe-inspiring and astounding. As sixteen incredible acrobats weave, dart, pulsate, soar, and even sometimes falter, it is impossible to look away—even as tension builds to almost unbearable heights. The light conception by Stefan Goldbaum Tarabini is so entrancing it occasionally draws focus from the performers themselves—a welcome respite in an hour so deliriously ...