REVIEWS Archives - Page 27 of 548

Last Night of the Proms – Hull City Hall

19Sep

By Jackie FoottitNo Comments

Yorkshire & Humber

Last Night of the Proms – Hull City Hall

An alien taking their seat at the Hull City Hall on Thursday evening might possibly have wondered what the tuneless racket was, emanating from the group of musicians on the stage. Of course, we Earthlings knew better; the noisy crew were extremely talented members of the Royal Philharmonic Orchestra warming up their instruments for the Last Night of the Proms. Yet, at the stroke of 7.30pm, when award-winning conductor Nicolò Umberto Foron raised his baton to bring the noisemakers to order, my goodness, the aforementioned racket turned into music so glorious, it gave me goose pimples on my goose pimples. As is the norm at any concert at this grand venue, the stage is set in the shadow of the magnificent organ - all 5,505 pipes of it. Built by the Hull firm of Forster and Andrew...

19Sep

By Mark DavorenNo Comments

North West

Romeo & Juliet – Everyman Theatre

I’m a long-time fan of director Ellie Hurt – all the way back to The B Collective days – and was looking forward eagerly to her return to Liverpool Everyman with her contemporary take on Shakespeare, but I left with a heavy heart after this production which whilst showing glimpses of her talent, felt undermined by other factors which were perhaps beyond her control. With the cast performing minor ensemble roles in the opening brawl scene, primary roles soon come to the fore as Capulet (Joe Alessi) counsels nephew Tybalt (Milo McCarthy) whilst drawing upon the wisdom of Nurse (Ebony Feare) to communicate with daughter Juliet (Alicia Forde), whilst Benvolio (Kelise Gordon-Harrison) and Mercutio (Elliot Broadfoot) seek out their lovesick cousin Romeo (Zoe West), with the Friar (Eithne Brow...

Vardy v Rooney: The Wagatha Christie Trial – The Brindley

19Sep

By Sam JamesNo Comments

North West

Vardy v Rooney: The Wagatha Christie Trial – The Brindley

Vardy V Rooney: The Wagatha Christie Trial is a comedic, dramatic and true to the fact play all about the trial and tribulations of the well known and strange showdown between Coleen Rooney and Rebecca Vardy back in 2022. The story being brought to the stage so quickly demonstrates it's bizarre yet gripping storyline. You are greeted to a basic but effective set (Mike Hall) which clearly sets the scene for what is about to unfold. You are eager to see the witnesses take the stand as each of the characters roles are clearly defined by the staging even before they are introduced. A clever comedic effect added was the detail of having the court room separated by a football pitch to throw you into the match between the two characters. The staging was flipped in the interval to provide the a...

18Sep

By Savitha VenugopalNo Comments

London

Brown Girl Noise – Riverside Studios

Brightly coloured curtains hang behind painted step-stools, Hindi film songs play from the speakers. An apt stage setting for a play about South Asian stereotypes. Four brown girls gather for an audition. In an industry where the character choices for a South Asian actor are between “funny best friend”, “wedding guest” or “Bollywood dancer”, this here is a meaty role – to play Priti Patel. With the auditions delayed, the four find themselves with a lot of time to kill. In the forced proximity of that confined space they go from being rivals to building a sisterhood, brought together by the realities of growing up brown. Written by Kaya Uppal (who also plays one of the young women) and directed by Zarshaa Ismail, the play is a tapestry of experiences. In the waiting room, the women...

18Sep

By Holly SewellNo Comments

London

Romans: A Novel – Almeida Theatre

Three brothers are born to daughterless parents sometime in the eighteenth century. Each is uniquely traumatised by his upbringing: the beatings of boarding school, the horrors of war, the witnessing of his father’s suicide by a gunshot to the roof of the mouth. And yet each must go on with life. Romans: A Novel is a story of three men, spanning 150 years, trying to answer the question of what it means to be a man - in other words, what it means to live. Alice Birch’s study of masculinity is focused, among other things, on the importance of the written word in deciding who gets to have a voice. Its structure is informed by the development of the novel: we begin with Jack Roman narrating his own life alone onstage, wandering into the fog and meeting his long-lost uncle, presumed dead fro...

Calendar Girls – Blackburn Empire Theatre

18Sep

By Emma WildNo Comments

North West

Calendar Girls – Blackburn Empire Theatre

What an absolute privilege and pleasure to return to beautiful, Blackburn Empire Theatre, for Blackburn Drama Club’s first play of the 2025/2026 season, and what a cracker of a show to kick off with! Calendar Girls, based on the true story of eleven members of the Rylstone and District Women’s Institute, who, back in 1998 came up with the somewhat shocking idea of posing nude for a charity calendar. W.I. member, Tricia Stewart, was inspired by her friend’s husband, John Baker, who was diagnosed with non-Hodgkin Lymphoma, and who sadly passed away aged just 54, to create an unconventional calendar to raise funds to buy a new sofa for visitors, at the local hospital where John was receiving treatment. John’s wife, Angela Baker, said they discussed the idea of the nude calendar with John b...

18Sep

By NewsdeskNo Comments

Yorkshire & Humber

Far Gone – The Crucible Playhouse

Roots Mbili Theatre brought their epic, devastating show ‘Far Gone’ to the Crucible Playhouse this week, and demonstrated the excellence that has awarded them multiple 5* reviews and a world tour which they are currently embarked on. The tale is an acute dissection of a young boy’s corrupted innocence, documenting their traumatic and violent journey from young village boy into child soldier as he is kidnapped and groomed by the Lord’s Resistance Army. A harrowing narrative that meditates on morality, war and masculinity, John Rwothomach’s solo play is visceral and potent. His script is unflinching and bold. Equally is his performance. Rwothomach writhes and contorts faces and figures of the human experience, specifically those occupying Uganda during the late 20th century. The co...

18Sep

By Kira DanielsNo Comments

London

Reunion – Kiln Theatre

This is a tough one. A storm-weathered family convenes on “an island off the west coast of Ireland,” and all hell—less so breaks than steadily chips loose. En route from the Galway International Arts Festival, this production of Mark O’Rowe’s Reunion much like its island setting, holds a captive audience. Its dialogue is natural and intriguing, and O’Rowe resists the kitchen sink dramatist’s persistent impulse to make his characters as mean as possible. A perfectly gender-split cast of five and five places surprising emphasis on its female characters’ internality, relegating its men to timorous punchlines at best (in the case of Stephen Brennan’s adorably addlepated Felix) and tremendous encumbrances at worst (in the case of Ian-Lloyd Anderson’s incredibly effectively irritating Aonghus...

The Lightning Thief: The Percy Jackson Musical – Liverpool Empire

18Sep

By Sam JamesNo Comments

North West

The Lightning Thief: The Percy Jackson Musical – Liverpool Empire

The worldwide phenomena Percy Jackson (Joe Tracz) has hit the stage with a loud and rapturous bang. Enter monsters, a heroic adventure, catchy songs and a ferocious cast and you can easily see why this adaptation of the books, films and TV series shouldn't be anything but following in the success of its predecessors of Percy Jackson. Produced and directed by Bill Kenwright, Paul Taylor-Mills and Lizzie Gee) Packed with catchy, upbeat songs which will have you toe tapping along and singing as you leave, the musical score (Rob Rokicki, Will Joy and Jeremy Wootton) and vocals for this production are beautifully orchestrated. The set design (Ryan Dawson Laight) is simple, but a very detailed, effective and dynamic staging. Minimal pieces of movable platforms are utilised to adapt the sta...

The Talented Mr Ripley – Festival Theatre

18Sep

By Nazaret RaneaNo Comments

Scotland

The Talented Mr Ripley – Festival Theatre

I remember first reading Patricia Highsmith’s The Talented Mr Ripley as a teenager and being completely hooked by Tom Ripley’s mix of cunning, insecurity and longing. There was something about him that felt both thrilling and a little unsettling, and I couldn’t stop thinking about the Riviera he inhabited, sun-drenched, glamorous and just a little decadent. Then I watched the 1999 film, and my fascination only grew. So, when I got the chance to see the story brought to life on stage at the Edinburgh Festival Theatre on the opening night, I was really intrigued about what I was about to experience. From the very first moment, the play draws you into Ripley’s world. Ed McVey is rarely off stage and he inhabits Tom with such precision that it is impossible not to be captivated. He moves ef...