Sunday, May 19

REVIEWS

Stranger Sings! – Floral Pavilion
North West

Stranger Sings! – Floral Pavilion

Fans of the Netflix sensation Stranger Things will love this tongue in cheek parody of the hit show. Mainly focusing on Season 1 as the source material we get an ensemble cast all of which playing different well-loved characters. It begins with an instantly recognisable set by Justin Williams, consisting of fairy lights and 80's decor in what doubles up as Mike's and Joyce's house. The boys are playing dungeons and dragons and being set in Hawkins, a town where nothing happens, was perfectly normal to cycle back home without supervision. Ahh what a decade. If you've seen the show you will know that Will ends up missing, but is really in the upside realm, a creepy alternative reality. If you haven't watched Stranger Things yet then I would say watch it first, as this is a parody musical...
Pretty Woman – Palace Theatre Manchester
North West

Pretty Woman – Palace Theatre Manchester

The Palace Theatre Manchester opened its doors to ‘Pretty Woman the Musical’ as a part of its UK tour, derived from the book by Garry Marshall and J.F. Lawton with Music and Lyrics from Bryan Adams and Jim Vallance. The 1990 romantic comedy was a huge success on screen starring Richard Gere and Julia Roberts and was directed by Garry Marshall which received several awards during its time, so I was intrigued to see how it would transfer onto a musical theatre stage. The storyline is based on a billionaire corporate raider businessman Edward Lewis (Ben Darcy) who finds himself in Hollywood whilst working on his latest deal, when lost in the city he meets Vivian Ward (Paige Fenlon) a street worker, the confident prostitute manages to win his attention with her cheeky charm and her know...
Lettice & Lovage – Little Theatre Birkenhead
North West

Lettice & Lovage – Little Theatre Birkenhead

Director Mike Sanders has Peter Shaffer’s super witty script to work with but whether a mix of first night nerves and learning curves, this production from the Carlton Players doesn’t really take full advantage of its snappy pacing and eye rolling bon mots. Lettice Duffet (Katy Downes), an expert on Elizabethan cuisine and medieval weaponry, is an indefatigable but daffy enthusiast of history and the theatre which she combines in her role as a tour guide at Fustian House, one of the least stately of London’s stately homes. As she theatrically embellishes its historical past, much to a mix of surprise, consternation, and pleasure from visiting tourists (Phyllis Brighouse; Lynda Critchley; Richard Isles; Rebcca Williams; Lucy Ashdown; Sallyanne Nelson; Gareth Crawshaw), she ultimately co...
An Officer and a Gentlemen – Alexandra Birmingham
West Midlands

An Officer and a Gentlemen – Alexandra Birmingham

Like “Dirty Dancing” before it, yet another of the screen to stage transmutations which seem to proliferate currently, “An Officer and a Gentlemen” has a single, vibrant choreographic image around which all else might be considered mere dressing. He lifts her up (presumably where she belongs) and carries her from the factory surrounded by applauding workers and colleagues. So ingrained is that image in my mind I can recall it without any research 42 years after its release! Such is the power of screen, but what of stage? In the highest grossing movies of 1982 only ET and Tootsie* elbowed “An Officer and a Gentleman” into third place just above Rocky III - which, I’m sure, would make an excellent ballet - proving itself a huge success for Richard Gere, Debra Winger and the very shouty L...
The Vicar of Dibley – Altrincham Garrick Playhouse
North West

The Vicar of Dibley – Altrincham Garrick Playhouse

Altrincham Garrick Playhouse’s The Vicar of Dibley transported audiences back to the quirky charm of the beloved TV series, delivering an evening of uproarious laughter and heartwarming moments. Directed by Pete Brassington, the production showcased the talents of a remarkable cast of amateur performers who breathed new life into the iconic characters. Meg Brassington shone as the irrepressible Geraldine Granger, infusing the role with wit, warmth, and a touch of sass. Opposite her, Hugh Everett embodied the pompous yet endearing David Horton, while Dan Ellis captured the bumbling charm of Hugo Horton. Helen Swain charmed as the sweet-natured but somewhat dim-witted Alice Tinker, eliciting plenty of laughs with her comedic timing. Christine Perry brought Letitia Cropley to life ...
The Merchant of Venice 1936 – The Criterion Theatre
London

The Merchant of Venice 1936 – The Criterion Theatre

Relocated from the traditional Venice of the 16th century, to 1930’s East End of London, this thoroughly re-worked and re-freshed version of The Merchant of Venice, uses a different period in history to tell its story.  The outline of the story remains unchanged.  Antonio (Raymond Coulthard) hopes to assist his friend Bassiano (Gavin Fowler) who wishes to court the wealthy Portia (Hannah Morrish); by obtaining a loan from Shylock (Tracey-Ann Oberman).  Antonio suffers financial setbacks, and cannot repay the loan, unfortunately, the penalties for this are not financial, Shylock wants her pound of flesh.  And yes, you noticed that Shylock is a woman!  Oberman imagined a Jewish matriarch, inspired by her grandmother who fled an antisemitic country to arrive in Lo...
Musclebound – Camden People’s Theatre
London

Musclebound – Camden People’s Theatre

Very niche and very funny! Rosy Carrick ruminates about the eroticised torture of bodybuilders in mainstream films of the 1980s and her personal sexual exploration through the years. Having co-hosted the poetry stages at Latitude and Glastonbury festivals for the last decade, Rosy has the gift of gab and will have your attention immediately after 'coming' into the room. It is not often that we have one-woman comedy take centre stage shamelessly about their first explorations around sex as a child, a teen, an adult, a mother of a teen, or an older woman pursuing exactly what she fancies. This new show is asking a lot of questions about the politics of female pleasure and untangling the creepers of shame, power, and torture around ideas of sexual exploration. Rosy has created a br...
King Lear – Almedia Theatre
London

King Lear – Almedia Theatre

Tour de force contextualising King Lear in the here and now.  Yaël Farber's directed recreations of Shakespeare have become synonymous with memorable action from the actors and actresses, moody lights and deep witnessing of self and others.  The earthy elements of the wind, rain and soil are brought alive on stage with outstanding craftsmanship. Max Perryment's music is brought centre stage by the talented actors and actresses who break into songs and by the infinite variety of instruments on stage and in the background. The violinist often contoured in inverted postures, usually a background in position but centre stage by adding additional flavourful notes.  Set designer Merle Hensel's delicate shimmering cascading fine chains curtain provides an aesthetic backgroun...
Spot’s Birthday Party – Theatre Severn
West Midlands

Spot’s Birthday Party – Theatre Severn

It’s hard to believe Eric Hill’s joyous creation has been bouncing joyfully through children’s literature for over forty years. I’m not sure what that is in doggy years, but Spot’s appearance in Shrewsbury this afternoon showed no sign of old age or flagging. “Where’s Spot?” quietly appeared on our book shop shelves in 1980 and slowly went talkies all over the country and onto bedroom bookshelves all over the world. Spot, the worldwide phenomenon, has barked in over sixty languages and has appeared on television, video, DVD, CD and now, in what appears its natural habitat, on stage. Surrounded by a giggling, gurgling, pointing, chatting audience with an average age of about 6, this critic took his seat wondering what wonders would unfold in the doggy world of which he knew so little. W...
A Family Business – Omnibus Theatre
London

A Family Business – Omnibus Theatre

A show about how not to blow up the planet, a show about friendship, a show about diplomacy, and a show about what we all owe to each other as individuals and as nations, A Family Business is a genuinely thrilling and intensely educational experience. Written, performed, and introduced by the affable and erudite Chris Thorpe, watching this play feels like making a new friend. Clearly something Thorpe takes quite seriously, friendship is the foundation of this work, and his efforts to befriend experts and ignorant audiences alike are well worth their while. With a severe urgency befitting the play’s subject matter, director Claire O’Reilly weaves audiences confidently through Thorpe’s dense syllabus with more than a little hand holding. Photo: Andreas J. Etter With much the same e...