REVIEWS Archives - Page 239 of 551

Varna International Ballet: Swan Lake – Hull New Theatre

31Jan

By Jackie FoottitNo Comments

Yorkshire & Humber

Varna International Ballet: Swan Lake – Hull New Theatre

Whenever the ballet is in town, vacant seats are usually few and far between at Hull New Theatre, and so it was on Monday night when Varna International Ballet brought its production of Swan Lake to delight theatregoers. This Bulgarian company will also perform The Nutcracker and Sleeping Beauty during their stay in the city. As the curtain rose, we were treated to a video backdrop depicting the turning pages of a huge photo album, showing the life of Odette, offspring of a good fairy - a swan - and a noble knight. Odette’s parents die by an evil sorcerer’s spell, so she flees to a mountain lake to join other fairy swans. Alone on the stage sits Prince Siegfried (Vittorio Scolè), engrossed in a book of Odette’s story. The Prince is about to come of age and his mother, the So...

31Jan

By Phoebe Olivia Sian HobsonNo Comments

Yorkshire & Humber

Calendar Girls – Bradford Alhambra

‘The flowers of Yorkshire are your women of Yorkshire’, from the initial spotlight to the closing curtain the women on that stage empowered each and every lady in that theatre. The show is a true testament and representation of womanhood in both its beauty and difficulty. Seven inspiring women took to the stage to demonstrate the beloved 2003 original narrative from female favourite ‘Calendar Girls’ that starred Julie Walters and Helen Mirren. A true traditional Yorkshire tale that concours relatable life hurdles with a devotion to honesty, what you see is what you get and there’s no hiding the truth. While the show is both entertaining and fascinating it’s also down to earth, much like the friendships and relationships on stage, the show covers the audience in a blanket of comfort and whi...

29Jan

By Wendy McEwanNo Comments

Scotland

Protest – Traverse Theatre

“This is a girl”. Three primary seven girls seek to address injustice in their everyday lives. Inspired by previous generations of women, they begin to find their voices. As soon as I saw the set, I just wanted to play on it. Amy Jane Cook’s design invites spontaneous, joyful movement. There is a winding path for the girls to run around, curved frames to climb and swing on, and platforms to rest, spin and jump on. The actresses are adults, but their performances are so convincing that it is easy to forget this. Movement director Nadia Iftkar has done an amazing job, and the girls move playfully, running with arms outstretched one minute, sitting cross legged and fidgeting the next. They beautifully capture the delight in movement that characterises childhood. The costumes, a...

29Jan

By Mark DavorenNo Comments

REVIEWS

Carmen – The Metropolitan Opera

Carrie Cracknell’s contemporary take aims at reinvigorating this classic with its resetting to present-day America but sadly is mostly firing blanks in its representation of a world that I’m not sure most Americans would even recognise. In an unnamed town somewhere along the border with Mexico, naïve army corporal Don José (Piotr Beczała) falls head over heads in love with Carmen (Aigul Akhmetshina), a seductive and free-spirited girl working at the ammunitions factory that he and his men are guarding. Infatuated, Don José abandons his childhood sweetheart, girl-next-door Micaela (Angel Blue) and neglects his military duties only to lose the fickle Carmen to the glamorous rodeo rider, Escamillo (Kyle Ketelsen). So far so good but given that much of the allure of the original is its s...

29Jan

By Kira DanielsNo Comments

London

Northanger Abbey – Orange Tree Theatre

Northanger Abbey? I hardly know ‘er! Zoe Cooper’s transformative adaptation of Austen’s offbeat gothic satire reinvents the much-neglected classic, leaning into its absurd humor, and imbuing it with a novel gravitas. Eschewing the modernizing impulse that so often muddies queer retellings of canonical works, this adaptation remains firmly rooted in the time and place of its origin and weaves a compelling original story out of each of the book’s special strands. This play packs a punch but doesn’t quite hit the spot. Designer Hannah Sibai’s work makes a most pleasing first impression. The cozy in-the-round Orange Tree Theatre is decked out in all hot pink and bedazzled with no less than seven chandeliers. A light aroma of fog pervades the space, hinting at the gothic vibes to come in the...

29Jan

By Anisha PucadyilNo Comments

London

Heart – Brixton House

‘Heart’ is a Coming-of-age love note to the ones who are still holding on to hate and to the ones who have still not been able to take that leap of faith. It has a beating pulse of the many trials and tribulations one goes through to be able to accept oneself in all our queer glory. The debut show of Jade Anouka’ platforms her personal experience and gives it all her heart and soul. Her rhyming poetry and performance are accompanied by live music and sound design by musician and four-time UK Beatbox champion Grace Savage. It's beautiful to see Grace intently watch Jade, knowing that they must have gone over this a million times, accompanying her movement with bass, her emotion with grounded beats. It's delightful to witness the synergy they share and would love Jade to be more physic...

David Suchet Poirot and More, A Retrospective – Festival Theatre

29Jan

By Oliver GigginsNo Comments

Scotland

David Suchet Poirot and More, A Retrospective – Festival Theatre

At one point in this show David Suchet tells the audience the moment he knew he had to be an actor. He describes seeing the stage be prepared from the audience and having the epiphany that this was storytelling, that this was magic. If there was ever any doubt that David Suchet was a born storyteller, and there wasn't, then this show proves it wrong. He has that magic. Suchet has spent 25 years (or at least part of every one of them) playing Agatha Christie’s Belgian detective Hercule Poirot. His interpretation is widely judged to be the definitive version of the character, not only in its characterisation but also its scope, as the series covered all (or almost all, if we're being pedantic) of the Poirot novels and short stories and is said to always be on TV somewhere in the world eve...

29Jan

By Peter RuddickNo Comments

North West

Enough – King’s Arms, Salford

When Enough was first performed at the Greater Manchester Fringe last summer it was depressingly prescient. A play about misogyny, corruption and racism in the police less than six months after a review into the culture and standards of behaviour at the Met was published. As part of a Best of Fringe season, Enough is one of a handful of last year’s highlights being revived at the King’s Arms in Salford. The play won a Best Drama award in the summer, and it is not hard to see why. The subject matter may be, marginally, less topical but is no less important. In fact, the ‘enough is enough’ message is, arguably, even more powerful now. The attention of the headlines circus may have moved on but the issues this play raises have not been resolved. As is often the case, it is down to po...

26Jan

By Kira DanielsNo Comments

London

Last Rites – Shoreditch Town Hall

Devised and performed by Ramesh Meyyappan, this 65-minute work covers a broad swath of one family’s history. Beginning with one man’s arrival in India, accompanied by his young son, on a journey to lay his estranged father to rest, Meyyappan, the solitary performer, alone on stage throughout the show but for the most minimal of props, embodies all three generations. His performance is physically impressive and well directed by co-creator George Mann. An early comedic interlude depicting a series of cooking mishaps especially allows Meyyappan’s gifts to shine. Although rife with comedic moments the overall tone of the show is sobering, and it takes its subject matter seriously. As Meyyappan performs rituals over the body that is in turns both his own and his imagination’s, audiences are ...

26Jan

By Jackie FoottitNo Comments

Yorkshire & Humber

The Wizard of Oz – Hull New Theatre

Hull New Theatre was packed to the rafters on Thursday night for what turned out to be a magical extravaganza of colour, energy and theatrical perfection. As soon as the curtain rose on The Wizard of Oz musical, it was clear we were in for something special. The imaginative stage setting revealed a huge video backdrop which cleverly reeled us into the story - the opening sequence of a tornado just blew us away (pun intended). And this videography played a huge part in the rest of the proceedings, meaning distracting scene-shifting was kept to a minimum throughout. There can’t be a person on the planet who doesn’t know the age-old story of young Dorothy and her dog, Toto. In last night’s production, Dorothy was played by the very talented Aviva Tulles, while Toto was brought to ...