REVIEWS Archives - Page 220 of 548

23Mar

By Olivia CoxNo Comments

London

Red Pitch – Soho Place

For Tyrell Williams’s Red Pitch, making its West End debut at Soho Place after two sold-out runs at the Bush Theatre, it’s not a case of ‘third time’s the charm’, but rather ‘third time’s an even bigger charm’. A story about the friendship between London-based, football-obsessed teenagers Bilal (Kedar Williams-Stirling), Joey (Emeka Sesay), and Omz (Francis Lovehall), Tyrell Williams was inspired to write Red Pitch after passing by his childhood football pitch to find it had been demolished and replaced with unoccupied housing. All the action is set at the titular ‘red pitch’, where the three friends play football together and dream of professional superstardom. But the pitch plays a much bigger role for the trio than simply providing a space to indulge in their favourite hobby. T...

23Mar

By Kira DanielsNo Comments

London

Mary’s Daughters – The Space Theatre

Why do we tell ghost stories? To titillate? To frighten? To inspire? To warn? To grieve? To honour? Mary’s Daughters, written by Kaya Bucholc and Will Wallace and directed for The Space Theatre by Kay Brattan, attempts all of these feats. A haunting triplet performance by Megan Carter as Mary Wollstonecraft, Rachael Reshma as Mary Shelley, and Kaya Bucholc as Shelley’s forgotten half-sister and Wollstonecraft’s “unfortunate girl,” Fanny Imlay, sets out to right the wrongs of history and restore a legacy to three women who despite their brilliance did not get the option to control their own historical narratives. Many of the salacious details of the three women’s lives long known in fun fact format and prized as illuminating context by scholars of their works are here fleshed out, rep...

22Mar

By Mark DavorenNo Comments

North West

Opera North: Cosi fan tutte – The Lowry

As the programme notes, Mozart is one of those rare creative beings who comes to disturb the sleep of the world., and certainly mischief and misunderstandings are everywhere in this revived adaptation in English of Mozart’s famous two-act comic opera, and on the whole this good-humoured production from Director Tim Albery does not disappoint. The story begins with an old cynic and philosopher, Don Alfonso (Quirijn de Lang), betting two young soldiers, Ferrando (Anthony Gregory) and Guglielmo (Henry Neill), that their respective fiancées, sisters Dorabella (Heather Lowe) and Fiordiligi (Alexandra Lowe) will not stay faithful if put to the test. The two young men accept the bet and pretend to depart for the front line whilst secretly returning in disguise and under the direction of Don Al...

Mind Mangler: Member of the Tragic Circle – Apollo Theatre

22Mar

By Carole GordonNo Comments

London

Mind Mangler: Member of the Tragic Circle – Apollo Theatre

Mind Mangler, Keith (performed by Henry Lewis), is a mentalist, a human lie-detector, an expert at prophesy, a man who can read your mind. As this show comes from the crazy team at Mischief Productions who also devised the hugely successful The Play That Goes Wrong and Peter Pan Goes Wrong, it's not long before the Mind Mangler's tricks spiral into chaos. Lewis is an imposing figure with a sonorous voice that is perfect for this role. He exudes misplaced self-confidence in his abilities, while recognising that his past is not without its flaws. A lot of flaws. This is a performer with huge aspirations to play Las Vegas but who fate will undoubtedly and inevitably kick to the end of the pier. There's a lot of audience participation, from revealing personal secrets to mixing up Rubik cube...

22Mar

By Jennifer LaishleyNo Comments

London

Faith Healer – Lyric Hammersmith

This season the Lyric in Hammersmith are showcasing some of the best classic pieces of British and Irish Theatre for modern audiences. Faith Healer was written by Brian Friel in the 1970s and will appeal mostly to audience’s who lived through or understand the political context of the time. Rachel O’Riordan’s direction is imaginative and powerful use of spacing helps to lift moments in this play. However, the stream of consciousness nature of the monologues in the play could lose some audience members. The key flaw here being that this is a play from another Era and audiences today will only give an awkward chuckle to moments that would have initially intended to fill a room with hysteria. Nonetheless, as Rachel O’Riordan describes ‘some of the best British and Irish talent around’ have be...

21Mar

By Emma WildNo Comments

North West

Jekyll and Hyde – Hyde Festival Theatre

Hyde Festival Theatre proved to be the ideal location for Hyde Musical Society’s production of Jekyll and Hyde the Musical. Not only are there the obvious parallels with the name of the theatre but this historic building, which dates back to the early 1900’s, is the perfect setting for this atmospheric story which begins in 1888. With gas fixtures still in place from the original gas lighting and a beautiful ornate original balcony, I cannot praise this gem of a theatre enough. On arrival, the outside was appropriately illuminated red and white, this attention to detail extended throughout the theatre and to the upstairs bar which was beautifully decorated with creative centrepieces matched to the show. Tom Williams (in his first leading role with the Society) presented the audience wit...

21Mar

By Luke StephensonNo Comments

North West

Come Together – Liverpool’s Royal Court

Liverpool came together last night at the Royal Court Theatre to hear the Lennon and McCartney songbook. Written by Tom Connor and Mark Newnham who were playing The Beatles frontman, they came on to the stage and immediately included the audience with their relaxed approach and engaged with us as if we were all friends on the famous rooftop having a chat about how the lads came up with the songs that are famous among the Liverpool streets and the world. The lads gave us an insight into how Epstein was an influence on their career as well as how the songs almost sounded before Epstein tweaked it for example, ‘love me do’ Lennon was meant to sing the titled line. However, John couldn’t play the harmonica and sing it at the same time so gave the line to Paul and the rest is as they say his...

Opera North: Cavalleria rusticana / Aleko –The Lowry

21Mar

By Mark DavorenNo Comments

North West

Opera North: Cavalleria rusticana / Aleko –The Lowry

Mascagni’s Cavalleria rusticana is usually paired with Leoncavallo’s Pagliacci but director Karolina Sofulak has made an inspired choice to pair it with Rachmaninov’s rarely heard Aleko with some subtle and intricate linking of the two pieces which by and large comes off. In Cavalleria rusticana, it transpires that Turiddù (Andrés Presno) and Lola (Helen Évora) were once lovers, but when he left to join the army, Lola married another man, Alfio (Robert Hayward). Although Turridù finds consolation in the arms of Santuzza (Giselle Allen), his obsessive passion for Lola still burns fiercely as he supports his mother Lucia (Anne-Marie Owens), setting the stage for a tale of faithlessness, jealousy and violence, set in a rural community where the church maintains an iron grip on the souls of...

21Mar

By Paul ClarkeNo Comments

Yorkshire & Humber

The Wizard of Oz – Bradford Alhambra

We’re off to Bradford to see the wonderful Wizard of Oz in an updated stage version of the classic Judy Garland movie that has become a must see every Christmas for generations of families everywhere. Unless you have spent your life in a closed religious order then there is no point in detailing the plot as a young girl in depression era Kansas enters a strange new world, and with the help of some new mates fends off a wicked witch to find her way home. This lively technicolour revival comes straight from a sell-out run at the London Palladium, and the good news for all friends of Dorothy is the classic movie tunes are still here, with typically solid extra songs by the venereal duo of Andrew Lloyd Webber and Tim Rice in the second act. Whilst staying true to the movie’s message t...

A Taste of Honey – Royal Exchange Theatre

21Mar

By Paul WilcoxNo Comments

North West

A Taste of Honey – Royal Exchange Theatre

In 1958, a 19-year-old Salford girl called Shelagh Delaney went to watch 'Variation on a Theme' by Terence Rattigan at Manchester’s Opera House. Incensed at the portrayal of homosexual relationships in the play, she came out of the theatre thinking she could do something far better, inside two weeks she had written 'A Taste of Honey'. This raw and powerful story of poverty, race and sexuality quickly became a crucial part of the 'British New Wave’ and later supplied Morrissey with half the lyrics on the debut Smiths album. The beating heart of this play is the relationship between Helen (Jill Halfpenny) and her teenage daughter Jo (Rowan Robinson), they are first seen arriving in squalid lodgings in a Salford backstreet with little money and even less hope. Helen is described by Dela...