REVIEWS Archives - Page 204 of 550

20May

By Anisha PucadyilNo Comments

London

Tender – Rich Mix

Phosphoros Theatre, renowned for its impactful and thought-provoking productions, returns with its fifth play, "Tender." Building on the success of their previous tours through a collaborative research and development process across the UK, "Tender" is a timely, robust, and engaging production. With the new Illegal Migration Act and Rwanda Bill, this piece fills an urgent gap that mass media seems unwilling to report on factually. The play features a diverse cast from Albania, Chad, Eritrea, Ethiopia, and Iraq. Each actor brings unique flavours and perspectives, adding authenticity and depth to the production. Abel, Klevina, Ibrahim, Ismael, and Sara form a terrific and talented team on stage, seamlessly adopting numerous roles. "Tender" humanises the pain and suffering of young ...

20May

By Klervi GavetNo Comments

London

Now I See – Stratford East

In a unique fusion of movement, music and text, “Now, I See” takes audiences on a vibrant, emotional journey through the joys and pains of being black and male in contemporary Britain. Directed, choreographed and written by Lanre Malaolu, this 130-min nugget offers a luscious dive into male consciousness and the culture that shapes childhood adventures and a man’s ability to choose his narrative later in life. Fans of Suzan-Lori Parks’ “Topdog/Underdog” should feel right at home. The story centres on three brothers, and the aftermath of the middle one’s death, Adeyeye, from sickle cell disease. His passing leaves big brother Kieron and youngest brother Dayo grappling with their grief and searching for a way forward. History, big and small, has not been kind to either and the brothers’ c...

20May

By Kira DanielsNo Comments

London

Sniff – Park Theatre

Pissing on stage has never been more popular. From Travis Alabanza’s Overflow to Sam Grabiner’s Boys on the Verge of Tears plays set in bathrooms proliferate. It seems all the best new writing owes its inspiration to some form of cubicle poetry. Poetry this play is. Lewd, brash, and at times nauseating poetry it may be but it is poetry and a very powerful sort at that. With spectacular writing and performances by Gabriel Fogarty-Graveson & Felix Grainger under Ben Purkiss’s deft direction the chemistry between Liam (Fogarty-Graveson) and Alex (Grainger), two men who meet in a pub toilet, genuinely sizzles. Fogarty Graveson is especially undeniable as Liam, a character so intensely charming and menacing that he is somehow impossible not to root for even as he gets up to nothing but b...

20May

By Kira DanielsNo Comments

London

Cold Water – Park Theatre

Cold Water is fantastic writing by Philippa Lawford who also directs this both uproariously and understatedly funny small-scale, world-premiere production. The play is exceptionally well cast, a necessity in a two-character, full length play of any scale. Whereas some two-handers will focus on generating unbearable tension or palpable chemistry, Cold Water is the rare theatrical experience in which connection does not come at the cost of comfort. Both actors are thoroughly convincing in their characters both together and alone on stage. Under wondrously ambient lighting design by Ed Saunders even dim transitions between scenes feel captivating and revelatory. This is a play it is impossible to tear your eyes away from, not because it keeps you on the edge of the seat or fearmongers an e...

20May

By Paddy Darnell-WalshNo Comments

North West

The Syndicate – The Lowry

Can you imagine winning the lottery and becoming a millionaire overnight? Well… you’ve got to be in it to win it! Written by the late, great Kay Mellor, The Syndicate is based on the hit BBC series of the same name. Critically acclaimed, Mellor was renowned for her string of hit television dramas, such as Band of Gold, Fat Friends, Playing the Field and of course The Syndicate. Her sharp, true to life writing of ordinary people, usually set in the North of England, have been much loved by us all over the years. The stage adaptation of The Syndicate follows five supermarket workers (Denise, Bob, Jamie, Stuart and Leanne), each with their own story to tell and, perhaps predictably, all with reasons for needing money. Their jobs are all in threat as the supermarket is set to close and b...

17May

By Anne PritchardNo Comments

North West

Frankie Goes to Bollywood – HOME Mcr

Rifco Theatre Company delivers two and a half hours of delightful entertaining theatre with this enjoyable show; with comedic stereotypical depictions of characters from the Bollywood film industry, beautiful Indian costumes, energetic dance routines, an original musical score and abundant high-speed costume changes this production is a ‘must-see’. The story centres on Frankie (Laila Zaidi), a British Indian girl working in the Milton Keynes branch of a multi-chain cinema, serving popcorn with her cousin, Goldy (Katie Stasi). Frankie’s mother (Helen K Wint) passes away leaving her daughter with memories of her career and her longing to break into Bollywood. Frankie decides to try and fulfil her mother’s ambitions and auditions for a part in a Bollywood film, although never having ...

17May

By Greg HolsteadNo Comments

Scotland

David Bowie and Me – Traverse Theatre

Beg, steal or borrow to see this one, it’s an absolute banger! Now nearing the end of his UK wide tour, the laconic Scots Squad Chief, Jack Docherty, is a man who has found his stride, and his voice. And why not, when you have a script this good to deliver. Funny, heroic, nostalgic, musical, Parrallel Lives always aspires to keep it real and delivers on multiple levels, whipping the audience to belly aching laughter one minute and wiping away real tears the next as Docherty takes us on a whistle stop trip back in time to his 13-year-old self, and his joint first loves, Eleanor Mackie and David Bowie. We are transported back to the 70’s, to a time when Jack’s best friend Mark would sit cross-legged in the school playground, carefully placing pebbles around himself and playing with ...

And Then There Were None – Rainhill Village Hall

17May

By Mark DavorenNo Comments

North West

And Then There Were None – Rainhill Village Hall

Agatha Christie’s most popular novel from 1939 – and apparently the bestselling crime novel of all time – is a quintessentially English affair with almost as many copies of it in circulation as The Bible and in too many languages to count. The perfect vehicle for the array of talent that makes up Rainhill Garrick Society, and with the action all taking place in the living room of a house on an island off the coast of Devon, it had the added benefit of the real sound effects from a stormy windblown night outside to add to the suspense on stage. Two servants, Rogers (Rob Williams) and Mrs Rogers (Ruth Proffitt) and eight strangers – secretary Vera Claythorne (Sophie Brogan); adventurer Philip Lombard (Richard Parker); lady-about-town Antonia Marston (Alison Mawdsley); retired police inspe...

16May

By Katie LeicesterNo Comments

North West

West Side Story – Eccleston Theatre

Pendleton School of Theatre continues with its season of shows with their latest production of West Side Story. Pendleton’s Musical Theatre students have a reputation for excellence and considering their age and experiences in musical theatre they never disappoint, by consistently delivering outstanding productions. Tonight’s West Side Story has raised the bar even higher yet again with a sterling cast of excellent performers! I was lucky enough to have watched ‘Chorus Line’ last year and was pleased to see some familiar faces back on the stage. Ian Bennett Director of the 2023 production returned to his role to deliver this magnificent display of West Side Story. West Side Story is a musical conceived by Jerome Robbins with music by Leonard Bernstein and lyrics by the late Stephen S...

Stop Trying to Look at my D**k! – Canal Cafe

16May

By Alan Stuart MalinNo Comments

London

Stop Trying to Look at my D**k! – Canal Cafe

Challenging yet underdeveloped, Jacob Grunberger's one man show, ‘Stop Trying to Look at my D**k!’ staged at Canal Cafe Theatre aims to offer a bold exploration of masculinity in a modern world, but unfortunately falls far short of the standards expected for professional London theatre. While the play delves very lightly into provocative themes, its execution lacks the refinement and depth required for a polished production. The performance, more reminiscent of theatre student’s end of year showcase than a professional endeavour, suffers from several shortcomings. The use of props is questionable, detracting from the overall impact, the physical theatre and choreography feel rudimentary and lacking in sophistication, and the comedy and script content come across as stunted and disjointe...