REVIEWS Archives - Page 2 of 418

15Nov

By Oliver GigginsNo Comments

Scotland

The Brenda Line – Traverse Theatre

Inspired by the lesser-known history of the Samaritans in the 1970s and ’80s, The Brenda Line is about Karen (Charlotte Grayson) and Anne (Fiona Bruce), a new-start and an old-hand during their first Samaritans nightshift together. Both are there to answer the phone and help callers (voiced here by Colin McCrodie, Eden Barrie, and Ali Watt), with Karen also hoping to get inspiration for a book out of them. However, reality and experience don't always live up with ideals, not least of which through the existence of the Brenda Line, the Samaritans philanthropic sex-line. Grayson and Bruce effectively anchor the show through their performances, with Bruce in particular conveying well the earthy weariness of reality against Grayson's two-dimensional idealism and imagination. Harry Mould...

In the Shadow of Her Majesty – Brockley Jack Studio Theatre

15Nov

By Paul AckroydNo Comments

London

In the Shadow of Her Majesty – Brockley Jack Studio Theatre

In a cramped but comfortable North London council flat four female members of a family are preparing for Christmas. It is December 2020, when social interaction is still impacted by the effect of Covid. Within sight of the house are the overbearing walls of Pentonville prison, where the man of the house is incarcerated. The long-suffering and alcoholic mother Doreen (Alice Selwyn) and her three daughters form a fractious family unit, obsessed by football and EastEnders. The youngest daughter Jorja (Ella Harding) waits impatiently and in some distress for a long-awaited phone call on the landline from her father from inside the prison, while receiving mysterious messages on her own phone. The play, written by Lois Tallulah who also starred as oldest daughter Riley, was billed as "a t...

An American in Paris – Royal Liverpool Philharmonic

15Nov

By Johanna RobertsNo Comments

North West

An American in Paris – Royal Liverpool Philharmonic

Danny Elfman, best known for his scores to a wide range of films and, perhaps most recognizable of all, the theme tune to The Simpsons, has long been an admirer of Scottish virtuous percussionist Colin Currie, whom Steve Riech has described as ‘one of the greatest musicians in the world today’. This evening’s performance of the Percussion Concerto underlined why he is so deserving of such accolades. Percussionists are the goalkeepers of the orchestra world with many minutes of intense concentration while waiting to make an essential contribution to the overall performance. Here, however, the percussion section takes centre stage, with Currie playing an incredible range of instruments, ably supported by the Philharmonic’s percussionists. The cinematic quality of Elfman’s compositions was re...

The Scouse Red Riding Hood – Liverpool’s Royal Court

15Nov

By Anne PritchardNo Comments

North West

The Scouse Red Riding Hood – Liverpool’s Royal Court

The Scouse Red Riding Hood, written by Kevin Fearon and directed by Mark Chatterton, with musical direction from Howard Gray, the creative team that engineered successful previous Royal Court Christmas shows, such as The Scouse Cinderella, The Scouse Snow White and The Scouse Jack & The Beanstalk is the theatre’s re-telling of children’s fairy tale, Little Red Riding Hood with a twist. This adult panto contains an abundance of Liverpool-style innuendo and near-the-knuckle jokes plus a lot of swearing, so not suitable for youngsters. The storyline is funnily sharp-witted and works perfectly providing laughs galore including lots of home-grown Liverpool colloquialisms, Red-versus-Blue footie jokes and the cast naming local Merseyside landmarks. It’s difficult to provide too many...

15Nov

By Alan Stuart MalinNo Comments

London

Club Life – Omnibus Theatre

Fred Deakin’s ‘Club Life’ is more than a show, it’s an intimate love letter to the transformative magic of club culture. Part autobiography, part highly immersive, participatory theatre, and part living history, this production takes audiences on an exhilarating journey through Deakin’s personal and professional evolution, from awkward teenage house party DJ to the mastermind behind some of Edinburgh’s most iconic and infamous club nights. Set against the vibrant backdrops of 1980s and 1990s Edinburgh nightlife, ‘Club Life’ combines heartfelt storytelling with a celebration of the communal power of dance. As narrator, Deakin recounts his early forays into DJing, describing how playing music at parties gave him a sense of belonging. From there, the narrative crescendos into his universit...

15Nov

By Mark DavorenNo Comments

North West

Opera North: Ruddigore – Lowry

Jo Davies’ 2010 production of Gilbert and Sullivan’s fast-paced comic opera is dusted down for a well-deserved airing by Revival Director James Hurley, with the action reset in the 1920’s and the era of silent movies proving the perfect setting for moustachioed villains and cloak-swirling, whilst not missing out on some updated lines to have a dig at prime ministers old and new: now, whose name might rhyme with lettuce… Rose Maybud (Amy Freston) is an innocent village girl who lives her life by a book of etiquette which only serves to hinder any burgeoning relationship with tongue-tied suitor Robin Oakapple (Dominic Sedgwick), much to the disappointment of the village’s professional bridesmaids (Chorus of Opera North led by Gillene Butterfield). Robin ropes in his foster brother,...

The Tailor of Inverness – Traverse Theatre

15Nov

By Greg HolsteadNo Comments

Scotland

The Tailor of Inverness – Traverse Theatre

The Tailor of Inverness is not so much about the capital of the North or about the profession of tailoring, rather it is about identity, about truth (or lack of it) and about home. Actor/writer Matthew Zajac plays his own father and then himself as well as multiple other characters in between, in an absolute tour de force, a performancenot to be missed. History is written by the winners, as they say, and for the Tailor, winning was always going to be measured by simply being alive at the end of the Second World War, by whatever means possible. A history lesson, a geography lesson, a survival lesson. A story told how the titular tailor would like to have you believe it, followed by the truth, told by the son who eventually draws all the threads together, however unpalatable. The...

Distant Memories of the Near Future – Arcola Theatre

14Nov

By Dave SmithNo Comments

London

Distant Memories of the Near Future – Arcola Theatre

In the near future, love is just another commodity driven by an app called Q-pid. In fact, it’s a bit more than love, everything is commoditised. There are advertisements that it is legally mandated you listen and pay attention to, you are encouraged to report anyone you know who mutes the ad. In this future, AI dictates so much of life that those it cannot match with a partner are labelled as “undesirables”. In such a society, is there any space left for real human connection? Within this world, a lone narrator shares stories of love and connection. David Head, writer and performer, has an immediate rapport with the audience, he comes across as a natural born storyteller with a big heart, a warm smile and such a sense of humour with his wit and sarcasm sparkling across the stage. Dista...

14Nov

By Savitha VenugopalNo Comments

London

Blue Stockings – New Wimbledon Theatre

Behold, a young lady pursuing education, clamouring for the right to graduate, wanting to perform scientific experiments and debate on philosophy! Is there anything more unnatural than a ‘blue stocking’ woman who insists on going against her role in nature, which is to reproduce and care for the young? Concepts that draw snickers from the audience now, but concepts that were well believed and propagated in the 19th century. Written by Jessica Swale and directed by Natalie Romero, Blue Stockings is set in Cambridge of the 1890s. A group of women – young and old, students and teachers – are fighting for their right to earn a degree and to be educated on the same footing as the men. The female students match their male counterparts grade for grade and yet find that they are sidelined, even...

14Nov

By Nazaret RaneaNo Comments

Scotland

Albert Herring – Festival Theatre

On Wednesday night, Scottish Opera brought Benjamin Britten’s Albert Herring to the Festival Theatre in Edinburgh, offering an evening of comic charm and lively satire. Directed by Daisy Evans, this fresh production reimagines Britten’s comic opera in the 1990s English countryside, a setting that adds humour and nostalgia to the story. Originally inspired by a Maupassant tale, Albert Herring revolves around its shy, naive protagonist, Albert, who’s crowned the town’s “May King” after no “morally suitable” young woman is found. The plot follows Albert’s transformation as he wrestles with the town’s rigid expectations and his yearning for personal freedom. Glen Cunningham’s portrayal of Albert captures both innocence and a quiet depth, making his character’s journey both touching and humo...