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Friday, February 21

REVIEWS

Dear Evan Hansen – Palace Theatre
NEWS, North West

Dear Evan Hansen – Palace Theatre

After debuting a decade ago, audiences are elated to see the hit modern-day musical Dear Evan Hansen finally grace the Manchester stage as part of a UK national tour. With an impressive cast, innovative staging and a host of earworm hits – it was clearly worth the wait. The musical follows Evan (Ryan Kopel) struggling to traverse his high-school days, he is an awkward outsider who struggles to form friendships in his often-cruel teenage years. In his efforts to fit in, Evan gets caught up in a web of lies that sees him finally be the one thing he had always desired – important. Over the runtime the show explores a range of topics from mental health, family roles and friendship all against the backdrop of a generation growing up completely immersed in the world of social media. Set de...
Herak/Bulaktin Quartet Featuring Paul Towndrow – Traverse Theatre
Scotland

Herak/Bulaktin Quartet Featuring Paul Towndrow – Traverse Theatre

I’m not especially familiar with jazz, and if I’d heard this music on the radio, I wouldn’t have got it. It turns out that jazz makes more sense when you experience a live performance, and my ears begin to tune in to its language. It reminds me of the first time I saw Shakespeare performed. The gathering feels cosy, in the informal setting of the Traverse bar. I am struck by the intense concentration of each musician when the others are playing. This is a conversation, where each participant must focus so they can respond to the others’ cues. Listening is everything. The composers, Miro Herak and Daniel Bulaktin, draw on their Slavic heritage as well as classical traditions. The opening number, Herak’s Slavic Dance, is rousing, and is followed by Ellie, a thoughtfully melodic pie...
Three Sisters – Sam Wanamaker Playhouse
London

Three Sisters – Sam Wanamaker Playhouse

The Shakespeare Globe hosts the first Chekhovian play the Three Sisters directed by Caroline Steinbeis, produced and reworked narrative supplied by Rory Mullarkey. This play has been remastered in such way that makes it plausible and translatable to viewing audiences. The story revolves around the emotional lives of the ‘Three Sisters’ and their bother whom following the death of their father found themselves relocated to a town outside of Moscow. A place that lacked variety of life, opportunity and the people lacked self-worth, in their opinion. The sisters Michelle Terry ‘Olga’ was archetypical of a school mistress, although she never wished to be working let alone burdened with the responsibility of role, she found herself in. Irina the youngest sister portrayed by Ruby Thompson adde...
All Blood Runs Red – Leeds Playhouse
Yorkshire & Humber

All Blood Runs Red – Leeds Playhouse

An intimating the dog show is always a meta challenge, so you knew there was a need to pay attention as they rigorously stress tested Jean Luc Godard’s idea that ‘a story should have a beginning, a middle and an end, but not necessarily in that order’. This company has always played with form and narrative structure as Mancunian actor Morgan Bailey tells the mainly forgotten story of adventurer Eugene Bullard, as he interweaves his own experiences in France playing a black GI in his first feature film. To add another layer he tells the story of wanting to pitch a movie of Bullard’s life after he fled the attempted lynching of his father in the deep south in the early twentieth century. Bailey also wrote this piece with the company’s Co-Artistic Director Andrew Quick, who was also fas...
Queen Extravaganza – Manchester o2 Apollo
North West

Queen Extravaganza – Manchester o2 Apollo

50 years ago, the late, great Freddie Mercury and his fellow Queen bandmates put the finishing touches to a bombastic six-minute piece of prog rock, featuring one of the most famous moments of rock falsetto that, despite mixed critical reaction, would go on to top the UK charts not once but twice. Tonight, Queen Extravaganza, the official tribute band with members hand-picked by Roger Taylor and Brian May, roll into Manchester as part of a UK tour to celebrate Bohemian Rhapsody’s Golden Jubilee, alongside a set-list crammed with other greatest hits. To pay homage to a band like Queen is like picking low-hanging fruit, in that you are assured of a fantastic catalogue of music that weaves through hard rock, heavy metal and operatic sensibilities. Queen Extravaganza, to their cre...
International Shorts : On The Edge – The French Institute
Scotland

International Shorts : On The Edge – The French Institute

As part of Manipulate Festival, and screened in the gorgeous interior of The French Institute, this is a series of short animated films mostly set in and around the Arctic and Sub-Arctic regions focusing on the Climate Emergency and the effects on the indigenous peoples and the animals that live there. Education is the key and short films like this are just perfect for delivering bite sized thought-provoking perspectives. Kicking us off is an enjoyable 14 minute documentary from the National Film Board of Canada, Three Thousand, by Asinnajaq. This mixes animation with archival footage to explore the cinematic representation of the Inuit. The format is light-touched but the implication is clear, this is a people whose days are numbered. In The Power Grid (2018) by Clara Boden, a grai...
Outlying Islands – Jermyn Street Theatre
London

Outlying Islands – Jermyn Street Theatre

What is human nature? How similar are our needs to those of the animals around us? Is society a force of refinement, or restriction? These are some of the questions posed by David Greig’s play Outlying Islands. August 1939, a prelude to the Second World War. Arriving on a remote Scottish island to a pagan chapel they will call home for the next month, Robert, (Bruce Langley) and John (Fred Woodley-Evans) are sent from London to undertake ministry-ordered observational research into the island’s seabird inhabitants. But this is not all that will be observed. Chaperoned by island owner Old man Kirk (Kevin McMonagle), accompanied by his young niece Ellen (Whitney Kehinde), the events which unfold offer a complex exploration of human nature. Our desires, when free from the shackles of socie...
The Law of Gravity – Traverse Theatre
Scotland

The Law of Gravity – Traverse Theatre

Spell-binding, sublime performance by the the six-strong strings of the Scottish Ensemble, accompanied by the delicate puppetry skills of a quartet from Blind Summit, made this a night to savour at Traverse 1 tonight. Classical Music can take us places in our mind, it is surely part of the joy of the experience to close our eyes and float…. Is it wise to curate, lead or interpret that trip? Blind Summit, attempted to do that tonight, but was it a help or a hinderance, an unnecessary distraction? The jury will be pretty split on this one. There was no questioning the quality of the music from Philip Glass (Symphony No. 3(1995)) and Arnold Schoenberg (Transfigured Night(1899)) superbly, and effortlessly, led by Johnathan Morton which has the audience transfixed from note one. Iro...
These things aren’t mine (film) – Traverse Theatre
Scotland

These things aren’t mine (film) – Traverse Theatre

Gabbie Cook’s attempt to turn something rotten and corrosive from her childhood into something positive and creative, aided by director Barney White, finds form in this watchable short film at the subterranean Traverse 2 tonight. As part of the Manipulate festival, which has a deserved reputation for bringing the strange and downright absurd together, this abstract film follows the life of former gymnast turned circus artist Cook. High on imagery and low on dialogue it still manages to pack quite a punch, without perhaps finding the knock-out blow. As we now look back and grimace at the ick-inducing objectification of Miss-World or the sexism of Benny Hill or indeed the unchecked racism of Rigsby, we will undoubtedly look back in years to come and grimace at the dehumanising and brutal ...
Shostakovich’s Symphony No. 6 – Liverpool Philharmonic
North West

Shostakovich’s Symphony No. 6 – Liverpool Philharmonic

On a very cold February night, the cozy Liverpool Philharmonic hall proved a glorious respite for more than one sense. The evening’s layout began with Missy Mazzoli’s River Rouge Transfiguration, followed by Brahms’ Violin Concerto in D major, and finished off with Shostakovich’s Symphony in D minor. Lidiya Yankovskaya conducts the Royal Liverpool Philharmonic Orchestra on this occasion. Photo: Karen Almond Mazzoli’s contemporary River Rouge Transfiguration is given an introductory explanation by conductor Lidiya Yankovskaya, warming us up to the shop floor of the Ford factory  in Detroit that the music will soon transport us to. Mazzoli, deemed ‘Brooklyn’s post-Millennial Mozart’ by Time Out Magazine, brings the factory floor to us with an awe and holiness. Indeed, she says tha...