REVIEWS Archives - Page 198 of 548

The Comedy of Errors – Eastbury Manor House

31May

By Kira DanielsNo Comments

London

The Comedy of Errors – Eastbury Manor House

Double twins and twin doubles! This quartet of Three Inch Fools bring it all to the stage in their rambunctious rendition of “Shakespeare’s shortest comedy” trimmed of all its fat and implanted with several eye catching new musical interludes. Billed as “a musical take on Shakespeare” the Fools’ performance methodology is a tried-and-true formula. There are trap doors, nametagged doublets, ad libs, and prat falls -gimmicks galore. The play is both pure frivolity and ruthless efficiency as the company works overtime to squeeze every gag and galivant into the hours before darkness claims their almost obnoxiously charming outdoor playing space. Detailing (and on many occasions instead summarizing) the exploits of long-lost and reluctantly-reunited identical twins Antipholus and Anti...

Country Roads: One Night of Country Classics – Festival Theatre

31May

By Wendy McEwanNo Comments

Scotland

Country Roads: One Night of Country Classics – Festival Theatre

“I’m Johnny Cash” says a performer, and we believe him, with his soothing, authoritative voice and stage presence. The line-up also includes dead ringers for Patsy Kline, Kenny Rogers, and the one-and-only Dolly Parton. They aren’t the real superstars, of course, but they put on a hell of a show. Songs include “Ring of Fire” (apparently inspired by a Wetherspoons curry), “Rhinestone Cowboy” and “Jolene”, as well as the title song. The performers want us to join in, and gradually, the audience gains confidence and starts singing along. The front-of-house staff were bemused by the number of audience members who went up to the front of the stage, and they spent the second half of the show trying to get people to get people to go back to their seats. There was a party atmosphere in the pack...

La Dernière Bande (Krapp’s Last Tape) – Stanley Theatre, University of Liverpool

31May

By Mark DavorenNo Comments

North West

La Dernière Bande (Krapp’s Last Tape) – Stanley Theatre, University of Liverpool

On his sixty-ninth birthday, Krapp (Denis Lavant), as has become his custom, hauls out his old tape recorder to review one of the earlier years, and make a new recording commenting on the events of the previous twelve months. Whilst his younger self speaks to reveal an idealistic fool, will the passage of time reveal the kind of fool he has become? This is the UK debut of director Jacques Osinski’s production – which opened the Avignon Festival in 2019 – that, performed in French with English surtitles, exposes the bleakness of recorded life. Indeed, almost seventy years since it was written, this one-act play remains as relevant – perhaps more so – in 2024, when we can so easily identify with its themes of isolation, reflection, and loneliness following our experiences during the recen...

31May

By Mark DavorenNo Comments

North West

Sentient – Everyman Theatre

The world premiere of Sentient, a Beckett: Unbound 2024 Festival commission from choreographer Liz Roche, in collaboration with performer/composers Nathalie Forget and Nick Roth, is a major full-length work for six dancers (Sarah Cerneaux, Emily Terndrup, Mufutau Yusuf, Conor Thomas Doherty, Grace Cuny, Inez Berdychowska), saxophone and ondes Martenot, an early electronic musical instrument. As a response to an innocuous seeming passage in Samuel Beckett’s Molly where the author explores his wonder at the behaviour of bees – Beckett’s fascination came from German-Austrian ethologist Karl von Frisch’s Nobel-prize winning description of the precise way in which bees communicate information through their orientation, height, and movement – the piece is designed to offer a new interpr...

31May

By Greg HolsteadNo Comments

Scotland

Sunset Song – Royal Lyceum Theatre

Dundee Rep in a major co-production with the Royal Lyceum Theatre bring a contemporary reworking of a piece of classic Scottish fiction for the next ten days, marking the end of an East coast tour through Dundee, Aberdeen and Inverness. It is not surprising that the tour has stayed in sight of the North Sea given that almost the entire dialogue is performed in the Doric language native to the North East coast of Scotland. A script that would have had my sadly departed Mother-In-Law, Isobel, chortling away and no doubt reminiscing on her Invergorden crofting roots. Much of the setting of Lewis Grassic Gibbon’s Sunset Song would have been familiar to Isobel; the chains that bind you to the land, to family and hardship. The tears, the toil, the unending bleakness and the stoic endurance...

31May

By Jackie FoottitNo Comments

Yorkshire & Humber

Mind Mangler – Hull New Theatre

My reviewer mind started to be slightly mangled as I was handed my press pack in Hull New Theatre’s foyer on Thursday night, and told there would be no programme available for Mind Mangler: Member of the Tragic Circle. No programme meant I had to really pull up my reviewer socks and, gulp, concentrate for the duration of the show. After the initial shock wore off, I took my seat in row N of the stalls, after being handed a pencil and a folded card upon which we were asked to write our full name and a secret about ourselves. Now, my regular reader will know I have an intense aversion to audience participation. So I tucked the blank card away from the prying eyes of the tall young man collecting completed cards from those eager theatregoers not as averse to the spotlight. However...

30May

By Olivia CoxNo Comments

London

Strategic Love Play – Soho Theatre

Two singletons walk into a bar, ready for (at least) a polite two drinks’ worth of getting-to-know-you chatter with a person they’ve never met outside the confines of their phone screen. What could go wrong? The dating app-induced first date is a scene many of us are all too familiar with, and it sets up the premise of Miriam Battye’s Strategic Love Play, currently playing at Soho Theatre until 15th June. We join the two characters — simply referred to as Woman (Letty Thomas) and Man (Archie Backhouse) — at their first meeting, and it’s abundantly clear from the get-go that they’re not on the same wavelength. While Man seems content exchanging bumbling pleasantries that avoid any risk of a genuinely enlightening conversation, Woman is bitingly honest and desperate to dig deeper....

30May

By Brian MaddenNo Comments

North West

Judy & Liza – Hope Mill Theatre

What an absolute joy and honour it was to attend "Judy & Liza" at the Hope Mill Theatre. And what a show! "Judy & Liza" is like the concert many have dreamt of but never had the chance to see. This vaudeville-style production revisits the brief but iconic history of Frances 'Baby' Gumm and her daughter, Liza May Minnelli, marking 60 years since they last performed together at the London Palladium. The show is so well-crafted and thoughtfully executed that you could almost forget you were watching actors and not the legends themselves. Helen Sheals as Judy and Emma Dears as Liza were the perfect pair, making the audience feel welcomed and at ease. Neither outshone the other; each had ample time to shine individually and together in numerous duets. Their performances were fille...

30May

By Zain RussellNo Comments

London

Fabulous Creatures – Arcola Theatre

“We used to kill, but now we cabaret!” “Fabulous Creatures,” written by Quentin Beroud and Emily Louizou, showcases creatures of Greek mythology in a captivating and unique setting. The story begins in a cabaret club where the monstresses welcome and seduce the audience members with their enchanting songs. The trio at the heart of the show includes Scylla, Charybdis, and a Siren. The narrative interweaves various Greek myths, mentioning a range of other creatures and Gods. The music, enticing from the start, features a variety of styles from ballads to disco pop and even rap, effectively moving the story along. Jazz Jenkins, who plays the Siren, particularly stands out with a stunning singing voice. The performance is set in one act and progresses quickly, transitioning from the caba...

Uncanny – I Know What I Saw – Festival Theatre Edinburgh

30May

By H.S. BakerNo Comments

Scotland

Uncanny – I Know What I Saw – Festival Theatre Edinburgh

How have I not heard of Danny Robins? He clearly has a huge following judging from the whoops and hollers from the near capacity audience when he made his appearance at the start of the show. Opening with spooky music (uncredited), fog effect and a back projection screen showing a skinny bloke walking through a forest, said bloke’s appearance on stage resulted in an eruption of ecstatic applause, cheers and whistles, prompting my companion to ask, “Who’s that?” The only reply forthcoming from me was, “No idea!” It turns out that Danny Robins is an erstwhile comedian and comedy writer, now a journalist and podcaster. His investigations into the paranormal have led to several radio series and podcasts on the subject, including “The Battersea Poltergeist” and “Uncan...