Friday, December 19

REVIEWS

Sweet Charity – Theatr Clwyd
North West

Sweet Charity – Theatr Clwyd

A musical delight with an extremely talented cast. Sweet Charity, Cy Coleman and Dorothy Fields’ seminal 60’s musical with book by Neil Simon, isn’t produced as much as it should be, so it was a rare opportunity to see it at Theatr Clywd. The talented company of TIP TOP did a wonderful job and presented an amateur production with a professional feel. Under Steve Davies’ imaginative direction, Rhian Lyon’s dynamic choreography and Tim Jones’ excellent musical direction this was a delightful, entertaining evening. Most will remember the film with Shirley MacLaine – the shy, generous, dance hostess who loses her heart too easily and always ends up with it broken. Shirley brought a quirky vulnerability to the role which was memorable and hard to follow. Here, Rebecca Snowden in the title...
Charlie and the Chocolate Factory – The Alexandra, Birmingham
West Midlands

Charlie and the Chocolate Factory – The Alexandra, Birmingham

This loved family favourite bursts from the stage in a riot of colour and energy. BMOS are a well-established and respected amateur company. The fact that they have been chosen as one of only 11 companies nationwide to lead Les Misérables next year, should give you a clue to the quality of their performances and productions. This is the tale of poor Charlie Bucket, who dreams of chocolate. Will he ever get to see inside Wonka’s factory? If he does, what will he find there? Young Charlie (Theo Traat at this performance) seems rarely to leave the stage. His eternal hope and belief in his dream, and his kindness shine through and create a heartwarming performance. Robbie Love as Wonka is a many faceted character, cunning and a touch sinister but also full of wonder and childlike ...
Miss Julie – Park Theatre
London

Miss Julie – Park Theatre

August Strindberg’s Miss Julie formed part of my GCSE drama syllabus, so I approached yesterday’s performance with a warm, hazy nostalgic feeling. A classic love/lust between the classes scandal, set in the midst of wild and carefree Midsummer celebrations – maybe this production would compensate for the current lack of summer and merriment London currently seems to be experiencing and I’d be able to lose myself in high drama and raw passion for a short while. Kit Hinchcliffe’s traditional set is detailed for the relatively small space, with the action so close that you can see and sometimes even smell everything that’s happening in front of you. Servants (and partners) Jean (Freddie Wild) and Christine (Adeline Waby) are setting about their evening when the Count’s daughter, Miss Julie...
Black is the Color of My Voice – Stratford East
London

Black is the Color of My Voice – Stratford East

"Black is the Color of My Voice" is a captivating one-woman theatre production, both written and performed by the incredible Apphia Campbell. The show is inspired by the real life of Nina Simone and the show takes the audience on an emotional journey of reflection and revelation. Entering the performance, I knew little about Nina Simone's life and was only familiar with her famous hit "I Put a Spell on You." The production centers on Simone conversing with her late father, sharing poignant stories from her life and expressing her profound grief. Through these conversations, the audience gains insight into Simone's transformation from a young piano prodigy to a powerful voice in the Civil Rights Movement. The show effectively highlights Simone's impact as an activist, emphasising ...
The Syndicate – Sheffield Lyceum
Yorkshire & Humber

The Syndicate – Sheffield Lyceum

We all dream of the big lottery win but The Syndicate at the Sheffield Lyceum just falls short of hitting the theatre jackpot. Written by the supremo of creating relatable characters Kay Mellor completed the writing of this just before her death in May 2022. The Syndicate is directed by her well known daughter, Gaynor Faye, who also plays Kay, the Lottery representative. One winner from this production is the set and costume designer Bretta Gerecke. The first Act set is the shop building the characters are employed at and has multiple playing areas that allow for mood and tone. It is full and detailed and effortlessly transforms into the more clinical house interior of Stuart’s swanky new home in Act Two. A definite nod to the loss of comfortable familiarity to a harder less embracing new ...
Twelfth Night – Shakespeare North Playhouse
North West

Twelfth Night – Shakespeare North Playhouse

As we approach the second anniversary of the opening of the Shakespeare North Playhouse, we can begin to assess its impact both within the local area and upon the wider northern theatrical scene. By teaming up with Not Too Tame, an independent theatre company based in Warrington for this version of ‘Twelfth Night’, we can see their intent to use of local voices to retell Shakespearean stories in an accessible way, an endeavour that was only partially successful in this production. Shakespeare’s tale of misunderstanding and cross dressing has undergone a renaissance in its popularity over the last decade, with the opportunity for directors to overtly queer the storyline and allow LGBTQ+ themes to be explored in the writing in an effective and sympathetic way. Whilst Director Jimmy Fairhu...
Long Story Short – King’s Arms, Salford
North West

Long Story Short – King’s Arms, Salford

The issue of crime and punishment has been discussed by writers and thinkers for thousands of years. There is, of course, Dostoevsky’s famous novel but it is a subject whose very nature makes it ideal for drama. Where there is a crime, there is a victim, a perpetrator and the associated emotions of for each of guilt, remorse, sadness and heartbreak. These five short plays by Ward J Harries were all linked by this theme, and each had a differing perspective on the issue. They all came across as work-in-progress pieces, that do need some fine tuning, but the basic ideas behind each play were engaging. There were times when some of the writing veered too much towards melodrama and theatrical artifice. Yet there were some genuinely powerful moments of theatre when a true emotion or conflict...
Chicken – Pyramid Arts Centre
North West

Chicken – Pyramid Arts Centre

Soup Productions proudly presented an intimate and original piece of Warrington Theatre at the versatile Pyramid Arts Centre. Writer and Director Mike Pirks recently caught my attention with his phenomenal script of ‘Smiler’ in February this year. So, I was thrilled to be asked to return and review his latest creation of ‘Chicken’ alongside ‘The Pride Monologues’. Pirks stated that’s his latest works were the most important stories he had ever told and that he was honoured to have been given the chance to put these pieces together. The show runs during Warrington Pride month and has been chosen as a part of the Culture Warrington’s Pride Programme running for two nights only. Jake Liken is the creative producer for communities at Culture Warrington who felt that this creative piece w...
Being Mr Wickham – Jermyn Street Theatre
North West

Being Mr Wickham – Jermyn Street Theatre

What makes a seductive storyteller? Is it the charm that derives from easy confidence or perhaps the anxious titillation induced by performed vulnerability? Being Mr Wickham, one ought to learn one way or another. A character as easy to hate on second reading of Jane Austen’s Pride and Prejudice as he is tempting to root for in one’s first exposure to the novel, if any version of George Wickham knows one thing, it’s how to arouse a reaction in an audience. This play, itself by Adrian Lukis, who played Wickham in the BBC’s iconic Pride and Prejudice at 38 and now reprises the role in a script of his own genius at 67, works hard to flesh out the irredeemable rake and cast him in new light. Neither dastardly villain nor tragic hero, Lukis’ vision of Wickham on the night of his 60th ...
Franz Kafka’s The Hunger Artist – Etcetera Theatre
London

Franz Kafka’s The Hunger Artist – Etcetera Theatre

Franz Kafka’s The Hunger Artist - Etcetera Theatre Mesmeric, painfully expressive, and disturbingly comforting, Jonathan Sidgwick brings Kafka’s final work to life. Caged, centre stage, we find a man who revives himself to tell the tragic tale of the Hunger Artist, a man who devoted his life to his craft, to fasting. We see the hunger artist’s plight at the hands of a disinterested audience, (but also due to his own fixation), as he is forced to downgrade from a solo-travelling act that brought in masses to a sad, sideshow act that viewers see as a hindrance. With outstretched fingers and ever-widening eyes, blooming with the peculiar expression of the tormented hunger artist, you could feel his hunger for express and his appetite for reward, and release. He performed and flaunted th...