REVIEWS Archives - Page 188 of 545

Sunshine on Leith – Rainhill Village Hall

21Jun

By Mark DavorenNo Comments

North West

Sunshine on Leith – Rainhill Village Hall

If the question was, do you want to make this work, then director Claire Heaton, a late step-in to get this production on the stage, has delivered a resounding yes with this enjoyable, foot-tapping, and emotional extravaganza featuring songs from The Proclaimers and celebrating all things Scottish – well, England did only manage a draw tonight in the Euros! Recently discharged from the army, Davy (Bryan Dargie) and Alistair (Simon Burgess) return to their families and homes in Edinburgh. Alistair is going out with Davy’s sister, Liz (Charlotte Payne), a nurse, and on the first night back, she sets her brother up on a blind date with one of her colleagues, Yvonne (Dawn Louise). Against this backdrop of youthful love, Davy and Liz’s parents, Rab (Paul Henshaw) and Jean (Julie Gould) are a...

Midsummer Night’s Scream – Shakespeare North Playhouse

20Jun

By Jan MellorNo Comments

North West

Midsummer Night’s Scream – Shakespeare North Playhouse

Well, what a wonderful pastime – to sit in an intimate circle, on a balmy summer evening (long awaited summer evening, I might add) in the garden theatre space - dedicated to the marvellous Sir Ken Dodd, listening to two incredible orators read spellbinding clips from three stories, all which had a spooky theme running through them - that kept every punter mesmerised. I must admit I was not aware circle, scripts to see, I adore the Shakespeare North Theatre in Prescott, as in addition to the classic Shakespearian comedies or tragedies, there is always the opportunity to see raw, new theatre, astonishing talent and varied layers of artistry and tonight was no exception, as the two readers – John Maguire and David Griffiths - stood within our circle, scripts in hand, reading through the...

An Officer and a Gentleman – Sheffield Lyceum

20Jun

By Tracey BellNo Comments

Yorkshire & Humber

An Officer and a Gentleman – Sheffield Lyceum

In the same genre as recent musical adaptations such as 'Dirty Dancing' and 'The Bodyguard', using an extensive and repurposed catalogue of music from the period, this jukebox of the beloved 80's film classic - 'An Officer and a Gentleman' is touring the UK in 2024. Fifteen years in the original making, written by Douglas Day Stewart and later adapted for stage alongside Sharleen Cooper Cohen, this new interpretation follows the 2018 version and is again directed by Nikolai Foster. The raw and raunchy story is set in Florida 1982. It tells the story of both autobiographical naval officer recruits and a group of female factory workers at a time when Ronald Reagan sowed the seeds of a new America. These characters collectively, regardless of class and gender, all have their demons and bindin...

The Importance of Being Earnest – Royal Exchange

20Jun

By NewsdeskNo Comments

North West

The Importance of Being Earnest – Royal Exchange

When a play is so ubiquitous that most people with even a passing interest in the Arts have seen a theatrical production or filmed version of it, anyone thinking of purchasing a ticket should always ask themselves the question ‘Why bother?’ Fortunately, the Summer offering from the Royal Exchange provides the answer, giving a fresh, funny and resolutely modern take on this classic which should serve to please both new audiences and Wildean purists equally. Director Josh Roche and Designer Eleanor Bull initially present us with a stunning visual treat, the set taking its inspiration from the floral displays in a plethora of shops and coffee houses that infest our modern world. Suspended from the ceiling an enormous imitation flower display acts to illustrate the fake nature of the world ...

20Jun

By Miranda GreenNo Comments

North West

Lovestruck – Everyman Theatre

Hammy and hilarious, Paperwork Theatre’s Lovestruck describes itself as a “multi-location theatrical adventure” but is, at heart, a romping, interactive treasure hunt, accompanied by a roving cast. The experience begins before you arrive at the Everyman bar; participants are invited to create their profile for the allegedly wildly successful dating app, Lovestruck, to browse the testimonials of its love-hungry clientele. But exploring the website, the slightly deranged tones of the clients, the suggestion of a “resistance”, it’s clear that beneath the surface there is something dark and unpalatable lurking. It should be obvious from here that the audience are turned participant, made victim and detective at once, and that this production is in large part game with added spectacle. So...

20Jun

By Kira DanielsNo Comments

London

Kiss Me, Kate – Barbican

What rhymes with Coriolanus? Kiss Me, Kate is one of Cole Porter’s musical and lyrical triumphs with each melody seeming catchier than the last and every turn of phrase pushing the envelope further. Although its source material, Shakespeare’s Taming of the Shrew is hardly considered radical, Porter’s daring sense of humour and lecherous joy in lewd lyricism give this show an undeniable boldness. Its characters are imperfect. Not only are their love lives tempestuous, but every aspect of their personal lives is magnificently messy. Director Bartlett Sher in this production attempts some half-hearted tidying of the grand imbroglio that is this play within a musical within a musical but achieves much the same effect as using a dab of Purell to clean up mud-caked hands. Adrian Dunbar is ...

19Jun

By Wendy McEwanNo Comments

Scotland

Ballet Black: Heroes – Festival Theatre

The theatre is packed, and full of anticipation. These artists have something new to say. I have enjoyed many ballet performances in my time, but I have never seen anything like this. Nevertheless, this double bill from Ballet Black is rooted in tradition. It is also technically excellent. This feels brand new, always ballet but with influences from other dance styles, and a dynamic soundtrack that recognises the modern and the classical. Throughout the double bill, the intention of the performers is expressed with a powerful intensity. I am always inspired by the ability of dance, and dancers, to cut through the busyness of words, and get to the guts of a story. If At First, choreographed by Sophie Laplane, is a meditation on power, which is represented by a crown. Initially one dan...

Frankie Goes To Bollywood – Bradford Alhambra

19Jun

By Paul ClarkeNo Comments

Yorkshire & Humber

Frankie Goes To Bollywood – Bradford Alhambra

One of the joys of theatre is it can transport to worlds that you have no experience of in real life, and Frankie Goes To Bollywood takes us into heart of a flamboyant billion dollar movie industry that puts millions of bums on seats in India and entertains diaspora South-Asians around the world including the UK. Every year Bollywood filmmakers based in Mumbai churn out hundreds of films taking people away from their daily grind to a glitzy world where they can forget their troubles for a few hours. That was the inspiration for the book by RIFCO Theatre Company’s Artistic director Pravesh Kumar - who has worked in Bollywood - that he says is an ode to those movies, but also a call to action for an industry still rife with sexism. Like so many Bollywood movies it is a fantasy where na...

Michaela’s Fluent Aphasia – Bush Theatre

18Jun

By Kira DanielsNo Comments

London

Michaela’s Fluent Aphasia – Bush Theatre

This play’s tongue twister title is aptly representative of the confusion its performance elicits in audiences. The direction is uninspired and although not entirely difficult to follow, neither is it enticing enough to engender much investment in the play’s plot or characters. The non-linear nature of Christina Carrafiell’s script most severely hampers this process and results in plot twists that feel like a dog chasing its own tail rather than a cohesive narrative unfurling. Individual scenes are punctuated with sharp, immediate, and absolute blackouts but despite the story featuring multiple shifts in time and place the elements of set and costume remain completely static. The play’s cast of four is forced then to flutter around the playing field without any grounding context ...

Pull My Goldfinger – Hen and Chickens Theatre

18Jun

By Kira DanielsNo Comments

London

Pull My Goldfinger – Hen and Chickens Theatre

Shaken, not stirred, both intoxicating and disgusting, the worst of James Bond is what we love most. Fearless and feckless, this secret agent is on a mission to make a mess. From the deranged mind and nimble body of writer/actor, Carlos Sandin, Pull My Goldfinger is a seductive wingding of a play and a delight to behold and be held by. This absurd and interactive one-man clown show is chock full of buffoonery. Performed with aplomb, surprising sound effects, bare bravado, and unmitigated waggery, this hour’s entertainment is sure to amuse and arouse. Woodwind enthusiasts will be either delighted or horrified to see the tremendous use Sandin manages to put his clarinet to. In fact, there is very little in the playing space that Sandin doesn’t manage to pervert in some delightful a...