Saturday, December 6

REVIEWS

Dead Dad Show – 53two
North West

Dead Dad Show – 53two

I read an article by the comedian Cariad Lloyd about the death of her father. In particular, she wanted to give advice to people on how to approach someone dealing with grief. Her favourite reaction, she said, came from the comic actor Ken Campbell who asked if her dad was going to come and see the show they were performing and she explained he had died and he replied, “Huh, yeah, they have a habit of doing that, dads.” Humour, as opposed to sentimentality or the stock phrase, was, as always, the best policy. Which is the attitude of this rip-roaring, full-on, no-holds barred of a show which is not averse to the odd profanity, contains nudity, cross-dressing but also has a cool satirical edge. It is brash, cocksure you might say, cheeky, confident and it certainly has plenty of s...
Rumours – Thingwall Community Centre
North West

Rumours – Thingwall Community Centre

Under the capable direction of Paul Arends, Thingwall Players excel in their Anglified delivery of one of Neil Simon’s most farcical of plays where the humour comes thick and fast and the only risk of missing a gag is that you’re still in fits of laughter from the previous one. This 1980’s tale reset to London involves a 10th wedding anniversary party to which the first couple, the Bevans (Charlotte Holguin; Zoran Blackie) arrive only to find the wife and servants missing and the husband doped up on painkillers with a gunshot wound through one of his earlobes. Desperate to avoid any scandal for the wounded man, who happens to be the assistant deputy minister of finance,  the first couple, both lawyers, try to cover up the incident from the second couple, the Cummings (Kate Mulvi...
Amy Webber: No Previous Experience – The King’s Arms
North West

Amy Webber: No Previous Experience – The King’s Arms

Ambitious opera graduate Amy Webber brings a delightful blend of music, role-play, and a hint of job-hunting to the King’s Arms theatre with her stand-up routine. Webber opens with a playful sing-through of her CV, interspersed with anecdotes that keep the audience laughing throughout. Her ad-libbed lyrics and charming fumbles on her mini keyboard are reminiscent of a genre-bending act you’d see at Eurovision, mixing humour and talent seamlessly. With an energetic and quick-witted persona, Webber enacts various occupations, from teacher to therapist, and engages in tongue-in-cheek audience interaction. Among the interesting careers in the audience were an engineer and a skyscraper window cleaner, to whom she offered some frivolous networking pointers. A humorous stint with a volu...
Interview with the Vamp – Soho Theatre
London

Interview with the Vamp – Soho Theatre

A love letter to the lost and found art of vamping, this rambunctious queer song-cycle has it all. We get logos in a well-reasoned critique of the sinister ascendance hyper realistic cakes, ethos in the unimpeachable credentials provided by Dr Adam Perchard’s perfect hair, and just almost surfeiting pathos in ten top notch cabaret songs each braver, funnier, and filthier than the last. Perchard’s uneasy chemistry with composer and pianist Richard Thomas juxtaposes well with their easy command of the eager audience instantly won over by their unique mixture of sheepish charm and operatic bravado all bundled up in a scintillating gold trained over gown that can’t help but sparkle. Composed of a lot of singing and a little talking, Interview with the Vamp comprises about an hour’s w...
Accolade – Richmond Theatre
London

Accolade – Richmond Theatre

It is the late 1940s and the Nobel Prize winning author, Will Trenting (Ayden Callaghan), has just been announced to receive a Knighthood to the delight of his wife as Rona (Honeysuckle Weeks). It turns out that Sir William has been leading a double life, as his alter-ego ‘Bill’ arranges and attends orgies above a pub in Rotherhithe. As his second life starts to crossover into his real life the consequences of his scandalous personal life become increasingly serious. The intent is clearly to create a deliberately paced play, to allow a sense of tension and a feeling of the walls closing in – but instead it feels slow and sluggish throughout. Each act brings a twist, but none feel delivered significantly, if anything they feel rather ho-hum. Many performances border on caricatures so if ...
Beyond Van Gogh: The Immersive Experience – Scottish Events Campus (SEC), Glasgow
Scotland

Beyond Van Gogh: The Immersive Experience – Scottish Events Campus (SEC), Glasgow

Van Gogh, the man, who tried to be an art dealer and failed, tried to be a Pastor, like his father, and failed, and tried to be an artist and failed. And eventually gave up on life at the age of just 37, having sold one painting in his life, shooting himself in the chest with a revolver on 27th July 1890, and dying two days later. What would Vincent make of this remarkable exhibition, 134 years on. I wonder? A 50-minute train trip from Edinburgh, a refuel at the superlative Paesano Pizza (well worth the 20-minute wait), and a pleasant 30-minute walk by the river Clyde, on a surprisingly dry day, for Glasgow, brought me to the Scottish Events Campus, nestled between the pneumatically impressive Ovo Hydro and the iconic SEC Armadillo. Glasgow’s creative hub. Better known for live music...
To Watch A Man Eat – Shakespeare North Playhouse
North West

To Watch A Man Eat – Shakespeare North Playhouse

One of the things I love about reviewing theatre is the wide variety of productions you get to see, and the many evenings spent engaged with the artistic endeavour of others. Rarely is it boring, usually it’s very engaging and occasionally, if you are lucky, something blows you away and you think ‘I am so glad I got to see that’. Last night, as part of the Heading North Fringe Festival at Shakespeare North Playhouse, the latter was my experience. Full Frontal Theatre’s To Watch A Man Eat is a powerful, dynamic, mesmerizingly brutal piece of theatre which explores desire, control and ambition in a sharply funny and intelligently observed narrative. Presented throughout as direct narration to audience we initially meet Micky (George Usher) who recounts the story of serial monogamist Je...
Chris Tavener is Faking Cool – The King’s Arms, Salford
North West

Chris Tavener is Faking Cool – The King’s Arms, Salford

Armed with debonair wit and a trusty guitar, singer-songwriter Chris Tavener - no stranger to a gig - invites us into The King’s Arms to convince another of his audiences that he’s cooler than cool. Threatening to blow his cover, though, are those discordant, intrusive thoughts. It’s immediately made clear just how well Tavener knows his way around a guitar: he plays with instinctive confidence, continuously filling the space with foot-tapping riffs and melodies. His doubting inner voice plays out loud between songs, enabling the audience to hear the anxious musings that contrast Tavener’s tongue-in-cheek lyrics. This largely successful comedic device could be further deployed by using it to string a narrative; as implied by the title, the perceptibly-cool exterior battling with an i...
Bindweed – Arcola Theatre
London

Bindweed – Arcola Theatre

What can you do about domestic abuse? Martha Loader’s whopper of a one act, Bindweed, begs the question. Directed by Jennifer Tang, the play follows Jen (Laura Hanna), a group counsellor for men who have committed acts of domestic abuse. Although the bulk of the play’s plot comes apart in these facilitated sessions with the men she is attempting to rehabilitate, Loader does not confine her heroine exclusively to the therapeutic setting. We see her on a date with disappointing romantic prospect, Peter (Shailan Gohil), having drinks with married friends Nina (Josie Brightwell) and Ed (Simon Darwen) and in check-ins with her supervisor Alistair (Sean Kingsley) each played by an actor who also takes on a role in the world of the sessions themselves. This double casting and its both troublin...
ShakeiTuP: The Improvised Shakespeare Show – The Other Palace
London

ShakeiTuP: The Improvised Shakespeare Show – The Other Palace

How do you review a show which changes every night? Which is what ShakeiTuP: The Improvised Shakespeare Show which is currently playing at the Other Palace Theatre studio claims to do.  The format of the show is that at the beginning of the first half the audience is asked, by acclamation, to choose which of the three genres of Shakespeare's plays; histories, comedies and tragedies they would like to see. On press night we chose histories.  The audience is then then asked to suggest a lead character.  Avoiding obvious suggestions like King Charles, possibly for fear of litigation, an audience member suggested a friend of theirs, an entrepreneur and horticulturalist: so, King Keith it was.  Suggestions were then asked for a location and from various improbable suggest...