Sunday, December 7

REVIEWS

Chisato Minamimura: Mark of a Woman – The Lowry
North West

Chisato Minamimura: Mark of a Woman – The Lowry

At the start of the performance Chisato Minamimura introduces herself as a deaf Japanese woman.  She is also a beautiful contemporary dancer and mime artist.   Using dance, mime and sign language (with a pre-recorded audio) she explores and celebrates the history of women and tattooing.  The show also uses something called woojer straps, a vibrating belt designed to offer an additional sensory experience.  While the reviewer did not partake, her companion did and has offered their thoughts. During the performance Minamimura looks at various historic and often personal accounts of female tattooing.  Starting with the Japanese practice of hajichi, a hand tattooing done by the Ryukyuan women on Okinawa island.  Initially done as a rite of passage into adu...
Troilus And Cressida – The Globe Theatre  
London

Troilus And Cressida – The Globe Theatre  

Troilus and Cressida is a lesser-known play by Shakespeare influenced by Grecian context and features characters from Greek Mythology. It centres and draws on the Trojan war.” Inside the walls of Troy Prince Troilus, Kasper Hilton-Hille tells Pandarus he loves Cressida her niece”. In a sequence of match making events by Pandarus the deed was done made simple by the fact, that Cressida confessed she had secretly betrothed herself to Troilus. In act of bad luck Cressida’s father, Calchas a defector to the Greek camp has offered her to the Greeks in a twist that changes everything for the young lovers. The heart of the story is centred around the two camps; the Greek and Trojan soldiers lying idle in their ways and flouncing their combat battle talk to wage war with each other. The Trojan ...
HER – Traverse Theatre
Scotland

HER – Traverse Theatre

What would you do if you knew explicit photos of a young schoolgirl were being leaked? Would you do anything? Have you done anything? We’ve all witnessed situations like this before—it’s an all-too-common scenario, so common in fact that most people wouldn’t bat an eye. HER, produced by Strange Town and written by Jennifer Adam, confronts the audience directly, urging us to stand up and take action. The play insists that there is no such thing as an innocent bystander. Fast-paced and quick-witted, we are swept into the heart of the school by our two schoolkid narrators, B1 and B2, played by Zara-Louise Kennedy and Alex Tait. The pair move deftly through a multitude of characters, from teenage bams to ostentatious patrons of the fancy restaurant where HER (Eleanor McMahon) works. While t...
War Horse – Festival Theatre
Scotland

War Horse – Festival Theatre

Based on the 1982 novel by Michael Morpurgo which was later adapted into a film by Steven Spielberg in 2011, the show was adapted for the stage back in 2007, on which it has been more or less ever since (factoring in for Covid). The eponymous War Horse is Joey, young farmer Albert’s beloved equine companion, who gets sold to the Cavalry and shipped to France in 1914 during mobilisation. Soon he and Albert who, despite being too young, followed him into war a few months, are caught up in enemy fire in No Man’s Land. Despite having followed Joey explicitly to find him, there seems little hope of reuniting, or even surviving the War that was meant to be over by Christmas. Featuring life-sized horses by South Africa’s Handspring Puppet Company and projection on a tear-like screen by Nico...
Blessings – Riverside Studios
London

Blessings – Riverside Studios

The Deacons are a respectable middle-class Catholic family living in an English town, doing their best to raise a family and earn a living. But this is 1969. There is a social transformation going on in England. The permissive society is well on its way, women's voices are becoming increasingly strident, skirts are getting shorter, and pop music is embracing the youth movement. In the wider world: the Americans are getting close to putting a man on the moon and closer to home, the troubles in Northern Ireland are a continual concern. Sarah Shelton's new play, which premieres at the Riverside Studios, shows how the various members of the Deacon family struggle to come to terms with these new external realities and the pressure it places on family harmony.  Beneath it all, there are som...
The Bodyguard – Winter Gardens, Blackpool
North West

The Bodyguard – Winter Gardens, Blackpool

An enjoyable evening at Winter Gardens, Blackpool. A very talented cast led by Sidonie Smith (Chicago, Sister Act) as the central character, vocal superstar Rachel Marron. Alongside her bodyguard, Frank Farmer, the role made famous in the movie version by Kevin Costner, this evening played by Olivier award nominated Adam Garcia (Wicked, Coyote Ugly) a man with a wealth of industry experience If anything slightly disappointing that we didn’t get to enjoy his amazing vocal, or highly skilled tap dancing. The musical based on the very popular movie starring Whitney Houston, back in the Early 90s, featuring an outstanding Musical score of power ballads and crowd pleasers. The story closely follows that of the movie, but in parts is lacking in certain elements of the storyline, I don’t...
A Waltz on the Edge: RLPO’s Dance Through Darkness and Disquiet – Philharmonic Hall Liverpool
North West

A Waltz on the Edge: RLPO’s Dance Through Darkness and Disquiet – Philharmonic Hall Liverpool

On a wet and blustery autumnal evening, the Royal Liverpool Philharmonic Orchestra, under the baton of Alpesh Chauhan, delivered a programme rich in colour, rhythm and emotional depth. Yet despite the brilliance of individual works and performances, the evening’s structure felt somewhat episodic — a sequence of vivid tableaux rather than a unified narrative. One couldn’t help but wish for a meaty Romantic symphony to provide a longer-form canvas for Chauhan’s storytelling instincts. Chauhan himself was a compelling presence on the podium — energetic, light-footed, and physically expressive. In La Valse, he launched himself from the handrail with a heel-toe-leap flourish that mirrored the music’s swirling intensity. His command of rhythm and texture was evident throughout, and his rappor...
Britannia Waves The Rules – Hope Street Theatre
North West

Britannia Waves The Rules – Hope Street Theatre

Gareth Farr’s 2011 Bruntwood Prize winning play is a brutal and gritty account of a young man’s journey from the cold, wet beaches of Blackpool to the dry, burning deserts of Afghanistan and it takes no prisoners along the way. It’s a tough but important story to listen to and a sad reflection on society that its message still resonates so strongly some fifteen years on. It's grim up north and nowhere more so than Blackpool which only has rose-tinted memories of bygone days to fall back on for its older residents, whereas for young Carl Jackson (Jim Kelly) it is a place to run away from, whether that be from family members or mock-Mancs. It really has nothing to offer – even the girl next door doesn’t want to know. Only the army offers a way out and a trip around the world after ...
The Importance of Being Earnest – Noel Coward Theatre
London

The Importance of Being Earnest – Noel Coward Theatre

When you see a cast list inclusive of Stephen Fry and the players of The Importance of Being Earnest, you know you are in safe hands. This production brings joy, silliness and exquisite delivery of an old classic. The witty puns and charm don’t disappoint, and the extravagance of the set and costumes throws you into high society elegance. This Oscar Wilde play first performed in 1895, is the last of his drawing room plays. It centres around two young men about town who in their mission to avoid their life of obligation and responsibility both take on the persona of ‘Earnest’, to gain the affections of two eligible young women. “Living a double live has its drawbacks” and amongst the mayhem this revised rendition brings sparkle and nonsense to the stage like you have never seen before. ...
Tosca – Royal Ballet and Opera
London

Tosca – Royal Ballet and Opera

Director Oliver Mears triumphs with this modern-day interpretation of Puccini’s full-blooded three-act drama of politics and power with its many allusions to global current affairs to the fore. In a war-torn Rome, Floria Tosca (Anna Netreba) and Mario Cavaradossi (Freddie De Tommaso) live for each other and for their art. But when Cavaradossi helps an escaped prisoner, Cesare Angelotti (Ossian Huskinson), the lovers make a deadly enemy in the form of Baron Scarpia (Gerald Finley), Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced into making a horrific bargain: sleeping with the man she hates to save the man she loves. Can she find a way out? Mears’ focus is very much on the darker elements at the heart of the piece, in particular the contrast in class b...