REVIEWS Archives - Page 166 of 339

Saturday Night Fever – Edinburgh Playhouse

2Nov

By Louise BalaguerNo Comments

Scotland

Saturday Night Fever – Edinburgh Playhouse

Adapted from the acclaimed 1977 film of the same title, ‘Saturday Night Fever’ is a show that, regardless of whether you are familiar with the original film or not, will hit you with an urge to dance as soon as you hear the Bee Gees soundtrack, an absolute delight for the ears all the way through. Greeting its audience with a very satisfying opening, sounds of electric guitars echoing loudly as the music smoothly morphs into ‘Stayin’ Alive’, our three Bee Gees singers (Aj Jenks, Drew Ferry and Oliver Thompson, nailing every single one of the songs) are ready to go, a full cast on stage dancing energetically to the classic hit, disco balls turning the theatre into a giant discothèque. Our hero in this colourful Bee Gees infused landscape is Tony Manero, interpreted by Jack Wilcox, a ...

2Nov

By Paul WilcoxNo Comments

North West

Disney’s The Lion King – Palace Theatre

There was a palpable sense of excitement in Manchester last night as the crowds made their way down Oxford Road to watch 'The Lion King' start its mammoth run at the venerable old Palace Theatre. Some in the audience have been waiting over two years, the original booking falling victim to the pandemic back in 2020, indeed such was the demand for tickets (over 200,000 sold for the initial weeks of performance), that the run has been further extended to the middle of March next year. I saw this production on its last visit to Manchester in 2012 and will admit to being slightly underwhelmed on that occasion, so I was interested to see if this time round it would live up to the hype. Should you be spending your hard earned money in the company of Simba and Pumba in the Pride Lands, rather ...

1Nov

By Jackie FoottitNo Comments

Yorkshire & Humber

The Commitments – Hull New Theatre

I spent Hallowe’en in Dublin, Ireland - not literally, I was at the Hull New Theatre on Monday evening watching The Commitments, a story set in the Emerald Isle. The production, part of a nine-month UK and Ireland tour, had me hooked from the opening scene of a disparate bunch of pub regulars, in the run-up to Christmas. Based on the 1991 film of the same name, it tells of local working-class music-lover Jimmy (James Killeen) who persuades a number of his compatriots to form a band with him. Amazed to be asked, they all agree; three girl singers and a very experienced trumpeter, Joey the Lips (Stuart Reid), also sign up. Deco (Ian McIntosh) is equally amazed to be asked to be the lead singer, only having sung in public on a drunken night out, which he had no recollection of. W...

1Nov

By Paul WilcoxNo Comments

North West

The Shawshank Redemption – The Lowry

The 1994 screen version of 'The Shawshank Redemption' consistently tops the IMDB rankings as their most popular movie of all time, but this tale of Andy Dufresne, a banker wrongly convicted of killing his wife was a slow burner on its initial release, only achieving the preeminence it now enjoys in cinematic history over the ensuing thirty years. A similar glacial timeframe forms the backdrop to the story, being set over a two decades in the hellish surroundings of Shawshank prison in Maine and following Dufresne through his suffering and eventual vindication; a story of hope and a triumph of positivity under the most trying of circumstances. The film, based on the 1982 novella by Stephen King has become so pervasive in modern culture, that there will have been few attending the cavern...

Jasmin Vardimon Company: ALiCE – Sadlers Wells

31Oct

By Anisha PucadyilNo Comments

London

Jasmin Vardimon Company: ALiCE – Sadlers Wells

Jasmin Vardimon Company's modern retelling of 'Alice' is arresting, illuminating and inspiring. As you settle into the auditorium, there is a clock turning, and you notice the countdown to the start of the performance. Then it dawns on you to observe closely that it's a group of super flexible dancers telling the time with their bodies. With this stopping of time, as we wait for the time the show begins, we are grasped by the captivating 3rd Movement of Vivaldi's Summer. A rendition that evokes goosebumps. That is Jasmin Vardimon's choreography for you, beauty in the details, on-point music, arresting images and thought-provoking choreography. 'Allice in Wonderland, a classic, has been an inspiration for so many movies, theatre, sketches and dance ballets. This production literal...

31Oct

By Lou SteggalsNo Comments

North West

Doing Whodunnit – Hope Street Theatre

The souvenir programme should have been the first clue of how tonight’s proceedings were going to go. Stretched headshot pictures and typos hint at the lack of finesse that has undone what could have been an excellent concept for a parody of the classic ‘Whodunnit’. Developed from what was a very well-received online piece during lockdown, tonight’s show from the Northern Comedy Theatre is based around the premise of a world-weary acting troupe whose schtick of putting on murder mysteries for corporate teams and parties is starting to test everyone’s patience, especially when 28 of the expected 30 punters from a local conservatory installation firm have failed to show for the latest outing. Soon a genuine murder occurs and anyone and everyone is a suspect. Unfortunately, the transit...

29Oct

By Ella CatherallNo Comments

REVIEWS

Scene Unseen – Online

‘Scene Unseen’ is a new song cycle written by Jessica Walker and Joseph Atkins exploring the former’s life story and her journey towards self-acceptance. It is presented entirely online, having been filmed in a single room, with footage of Walker performing being interspersed with some really beautiful animations. Undeniable is that Jessica Walker is an incredible performer, particularly with regards to her vocal ability and ability to engage an audience, even if they’re only present through a screen. Despite the fact I was taking notes throughout, and my phone kept pinging with notifications, I never felt distant from the story. Another massive achievement of this production is that even though it appeared to have only been filmed in a single room, it was always interesting to look...

28Oct

By Zoё MeeresNo Comments

London

Daddy Issues – Seven Dials Playhouse

I really, really wanted to love Daddy Issues. I envisaged finding it funny, but challenging, and thought provoking; it sounded right up my street and at 75 minutes with no interval, it felt like a perfect Thursday evening activity to accompany a late dinner with a friend. And don’t get me wrong, there was much that I did enjoy. The height of this was Bebe Cave’s performance as Imi, our protagonist, who held the audience spellbound for the whole of this one-woman show. She is, frankly, flawless – with her portrayal taking us on an emotional journey that borders on exhausting. Friendly and full of self-deprecating humour one minute and genuinely unsettling the next, Cave is bubbling over with talent and is undoubtably the best thing about this production. Also deserving of a mention i...

28Oct

By Mark DavorenNo Comments

North West

Friday the 13th – Rainhill Village Hall

Having set up Individuality Youth some eighteen months ago, producer Samantha Moores turns her attention to an older audience with this tragi-comedy from renowned French playwright Jean-Pierre Martinez, translated by Anne-Christine Gasc, and directed by Michèle Martin. John (Phil Halfpenny) and Christine (Moores) have invited two of their friends for dinner in their Liverpool home. Natalie (Lisa Mogan) arrives without her husband, distraught, having just heard that the plane bringing him home crashed at sea. With the potential widow they wait with bated breath for news confirming whether her husband is among the survivors, before discovering that they are the winners of that evening’s super jackpot lottery draw. From then on, the operative words are “controlling emotions”. And that is ...

A Dead Body in Taos – Wilton’s Music Hall

28Oct

By Riana HowarthNo Comments

London

A Dead Body in Taos – Wilton’s Music Hall

Sam is informed that her mother’s dead body has been found in the desolate region of Taos. She handles the news surprisingly well, but grief turns into anguish as she receives a letter from her mother’s pocket: Do not grieve me, I am not here. It transpires that her mother, Kath has been investing in new technology which allows her consciousness to function after death. As Sam discovers her mother’s past and interacts with her bodiless form, she comes to terms with their relationship and unresolved conflict. Eve Ponsonby is electric as Kath as she is resurrected in snapshots of her life. Brewing with rage and propelled by an interminable search for meaning or truth, Kath jumps between different ideologies. Ponsonby expertly captures her stubborn, unbound spirit governed by a deep inner...