REVIEWS Archives - Page 14 of 454

The Makropulos Affair – Festival Theatre

2Mar

By Kathleen MansfieldNo Comments

Scotland

The Makropulos Affair – Festival Theatre

As ever, Scottish Opera delivers sumptuous sets, great lighting, singers who can act, and a wonderful orchestra that never disappoints, but this English rendition of The Makropulos Affair, by Leoš Janàček jarred my senses with its modern-day, casual lexicon. Words, such as F*ck somehow don’t marry comfortably with the impassioned, heightened music and traditional, elegant, and beautiful costumes. It was, no doubt, a deliberate choice. Creating a grating cacophonous lexicon - the use of brutal Viking words rather than those of Latin derivatives gives the opera an earthy groundedness - and caused me a headache. I wanted to lose my sense of reality for an hour or two. I was denied the option. Single syllables and short sentences (translation by David Pountney) reflect the sheer en...

2Mar

By Paul ClarkeNo Comments

Yorkshire & Humber

The House Party – Leeds Playhouse

Miss Julie is one of the great totems of naturalistic writing and that gives Laura Lomas full licence to update August Stringberg’s text from a Swedish mansion to an upscale London apartment as a raucous house party goes off the rails Lomas also makes the main protagonists mismatched eighteen-year-olds as hidden passions and enmities between the trio are slowly exposed over an intense 90 minutes told straight through. Despite the update Lomas does keep to the key principles of naturalism by making the whole scenarios realistic, the characters are most definitely flesh and blood with all the flaws that brings, and they are informed by their heredity and environment. Our Julie is an entitled, but damaged, posh kid who is throwing a boozy eighteen birthday party to spite her absent rich...

Handbagged – Wolverhampton Grand Theatre

28Feb

By Peter KinnockNo Comments

West Midlands

Handbagged – Wolverhampton Grand Theatre

I overhear the couple behind me, probably in their twenties. One says, “Did you get the references?” the other replies, “I’ve seen ‘The Crown’ so I get the gist…” I suddenly feel very old and the details of Moira Buffini’s play, which were once at the political forefront for all of us over fifty, seem strangely distant and tepid. The Miner’s Strike and Section 28, once viscerally crucial, are thrown into quaint relief by the Trumpian carnival currently erupting across the water. What was once breaking news is now the fading past. Those of us who got the references - and the play is stuffed with them; Heseltine’s hair, Howe’s dullness - are happily served but what of the pair behind me? “Handbagged” appeared in its full form in 2014 within living memory of the events portrayed and only j...

28Feb

By Paul AckroydNo Comments

London

The Score – Theatre Royal Haymarket

Oliver Cotton's new play, The Score, is based on the visit of Johann Sebastian Bach to Frederick the Great at his palace in Potsdam in 1747. During that visit Frederick challenged Bach to improvise a fugue based upon a tune he had written. That led to the creation of Bach’s famous anthology 'The Musical Offering'. Cotton has used his script to explore religious and philosophical themes based upon the supposed conflict between the devout peace-loving musician and the militaristic atheistic political leader. The play is both engaging and humorous and raises important issues. Brian Cox as Bach is the dominant character throughout the play. Cox's gravitas and underlying sympathy make him a great choice to play this role, which he does superbly. He is also supported by an excellent cast. Jam...

28Feb

By Klervi GavetNo Comments

London

Pandora – Coronet Theatre

Under the masterful direction of Riccardo Pippa, PANDORA marks the second coming of the Italian physical theatre company Teatro Dei Gordi at the Coronet, and it’s nothing short of a gem. Set in a public toilet at what’s likely the most transient, eclectic train station in town, the stage transforms into a delightful playground for a colourful parade of modern "stock characters," sharing surprisingly intimate moments. From a clumsy germaphobe facing a grandpa with childlike incontinence, to a failed cook and a struggling office manager finding solace in a quick smoke, ballroom dancers battling stage fright, and my personal favourite, an appalling street performer whose memory and confidence are restored by a caring commuter, each character bursts with quirks and backstories. The shee...

27Feb

By Carole BaldockNo Comments

North West

Rita, Sue & Bob too! – Floral Pavilion

Yes of course, this play comes with a trigger warning, pointing out that it’s the original 1981 script. No surprises there - except that it is still as shocking today as it was over 40 years ago, although the emphasis is more on the bawdy humour than the disturbing issues it addresses. Even more shocking, for all the audience gasped at the arrant sexism, things haven’t changed that much. Improved seems far too much to hope for. You still get dodgy blokes cruising around secondary schools in their flashy cars, tho Bob’s looks like a second hand Trabant, and bright orange to boot. You still get stubborn, self-obsessed, giggly teenage girls interested in little else but sex: there’s nowt else to do here, as one student proclaimed years ago. Blame their parents? The usual suspects are here as ...

27Feb

By Paddy Darnell-WalshNo Comments

North West

Bat Out of Hell – Palace Theatre

Bat Out of Hell is back in Manchester… and it’s back with a bang! The rip-roaring, high-octane Meat Loaf musical returns to its roots, the home of the show’s premiere, for a limited run. Showcasing the iconic anthems from Meat Loaf’s thumping debut album, with music and lyrics by the wonderful Jim Steinman, this production is a real crowd pleaser from start to finish. Set in the post-apocalyptic, fictional city of Osidian, Bat Out of Hell is loosely based on Peter Pan, following Strat, leader of ‘The Lost’, a group of misfits frozen in time as 18-year-olds. Strat has fallen in love with Raven, daughter of Falco, Osidian’s tyrannical ruler. With a Romeo and Juliet-esque narrative, crossed with an epic rock concert, the show is brilliantly bonkers and unapologetically over the top. Gle...

Now That’s What I Call A Musical – Edinburgh Playhouse

27Feb

By Greg HolsteadNo Comments

Scotland

Now That’s What I Call A Musical – Edinburgh Playhouse

It’s big, bold and cheesier than a Swiss Fondue, but if you can put up with the variably dodgy Brummie accents there is a lot to enjoy in this jukebox musical based on the best musical decade there ever was – the eighties of course! The story, set in Birmingham, follows two school chums Gemma and April and their friends and family between the year 1989 and a class reunion in 2009, and music is the elixir that never grows old – as powerful and evocative twenty years on as it was when they first heard it. It is certainly an interesting and well thought out concept for a musical and on the whole, it works, helped in no small part by a brilliant set which flips very cleverly from bar to lounge to park to video shop (remember those!). The clever and at times very funny script also skips alon...

Cruel Intentions: The 90s Musical – New Wimbledon Theatre

27Feb

By Zain RussellNo Comments

London

Cruel Intentions: The 90s Musical – New Wimbledon Theatre

Cruel Intentions: The 90s Musical is a bold and exhilarating reimagining of the cult classic 1999 movie Cruel Intentions. Blending drama, comedy, and nostalgia, this production takes audiences on a thrilling ride through seduction, deception, and power plays, all set to an electrifying soundtrack of beloved 90s hits. Staying true to the original storyline, the show follows the cunning and manipulative duo of Sebastian Valmont (played by Will Callan) and Kathryn Merteuil (played by Lucy Carter) as they scheme their way through high school, using their charm, wit, and ruthlessness to control and destroy those around them. One of the standout aspects of this production is its use of music. Packed with some of the most iconic songs of the decade, the show transports the audience back in ...

Matthew Bourne’s Swan Lake – Liverpool Empire

26Feb

By Grace AnnabelNo Comments

North West

Matthew Bourne’s Swan Lake – Liverpool Empire

Matthew Bourne’s New Adventures company returns to revive the timeless classic ‘Swan Lake’ on the 30th Anniversary Tour. Bourne names the production ‘next generation’ for a distinct reason. This production brought Swan Lake into the new age, which included amending characters to reflect a truthful modern-day production (such as the prominent character of the Swan/The Stranger being played by a male performer rather than female, executed seamlessly by Jackson Fisch). If you attend the show expecting to see an exact replica of the original Swan Lake, this show might not be for you, however it may just be even better. As the house lights dimmed and the show began, I was thrilled to hear the addition of a live orchestra for this production, which was a treat. There is something so specia...