REVIEWS Archives - Page 14 of 456

6Mar

By Maani WayNo Comments

London

12 – Studio at New Wimbledon Theatre

“I’m fine”. ‘12’ is the one-woman show that tells the story of Mel, a woman in her late 20s, trying to navigate the complications of everyday life as well as her OCD and intrusive thoughts. From the moment she starts her day, she is bound by the fact that she must touch everything twelve times to prevent anything bad from happening. The studio is perfect to create the intimate setting required and the limited props and staging allow Catrin Mai Edwards to shine in her portrayal of Mel, using her vocal and acting skills to tell the story of the “quirky” character. Edwards is believable, likeable and depicts a character suffering with OCD well, making the audience want to root for her and her recovery. She blocks the entirety of the space, making dynamic choices in her movements and phy...

6Mar

By Zandra OdetundeNo Comments

London

Macbeth – Lyric Hammersmith

Macbeth at the Lyric Hammersmith was nothing short of mesmerising. The production seamlessly wove the ancient with the avant-garde, a rare and masterful balance that honoured Shakespeare’s original while infusing it with a vibrant contemporary spirit, a feat that should undoubtedly fill the director (Richard Twyman) with pride. The performance of Lois Chimimba as Lady Macbeth was particularly unforgettable. She slipped into the role as if it were an integral thread of her being, delivering an impeccable portrayal that firmly establishes her as one of my favourite incarnations of Lady Macbeth. In a legacy filled with formidable predecessors, her interpretation shone brightly. Equally captivating was Alex Austin in the role of Macbeth. How does one infuse tragedy with moments of levity...

White Rose The Musical – Marylebone Theatre

6Mar

By Zain RussellNo Comments

London

White Rose The Musical – Marylebone Theatre

White Rose The Musical is a powerful and moving production set in Nazi Germany, following a group of student activists determined to spread the truth about the atrocities occurring during World War II. Based on the inspiring true story of The White Rose, the musical highlights how even those with small voices can spark change and stand up for their beliefs. The movement was led by siblings Sophie and Hans Scholl, portrayed by Collette Guitart and Tobias Turley. Together, they formed an outstanding duo, bringing depth and sincerity to their roles and embodying the bravery of young people willing to risk everything for what they believed was right. Their chemistry on stage made their relationship feel authentic, reinforcing the emotional weight of their journey. Charley Robbie’s portrayal...

6Mar

By Peter RuddickNo Comments

North West

Glorious! – Hope Mill Theatre

The fascinating story of Florence Foster Jenkins was brought back to mainstream attention by Hollywood in 2016. Hope Mill Theatre’s production of Glorious! covers much of the same ground but does so in a way that feels a lot more focused and a lot less condescending about the ‘worst singer in the world’. The ever-versatile Ancoats stage is, once again, utterly transformed. Clam shell footlights, a dusky velvet curtain and a vintage gramophone player set the scene. Charlie Hiscock’s Cosmé McMoon emerges to assure the audience he is not a pseudonym and that what we are about to see is all true. He also plants the core message: that maybe Jenkins was living in a cocoon, but that perhaps that’s a lesson for us all. The curtains open, McMoon and Jenkins meet, and we are away. Swift sto...

6Mar

By Jackie FoottitNo Comments

Yorkshire & Humber

The Book of Mormon – Hull New Theatre

After watching The Book of Mormon for just 15 minutes at the Hull New Theatre on Wednesday evening, I wanted to stand up and shout STOP! to all on the stage. The reason? I was in danger of dying of laughter. Seriously, I didn’t feel I could endure another minute. But duty called … South Park creators Trey Parker and Matt Stone are to blame, as they, in cahoots with Robert Lopez (who co-wrote Frozen), are responsible for the book, the music and the lyrics. Hailed as the “funniest musical of all time” it’s no surprise to me to read it has won nine Tony Awards and four Oliviers. The Book of Mormon follows young male disciples of the Mormon church, who have been deemed ready to spread the church’s word around the world. Venturing forth in pairs to such places as Norway, France and ...

Love’s Labour’s Lost (more or less) – Shakespeare North Playhouse

5Mar

By Mark DavorenNo Comments

North West

Love’s Labour’s Lost (more or less) – Shakespeare North Playhouse

Shakespeare North Playhouse’s latest co-production with Stephen Joseph Theatre promises much, but sadly, as the title hints at, delivers little in this 1990’s-based adaptation. Ferdy (Timothy Adam Lucas) and his stags Berowne (Thomas Cotran) and Long-Dumain (Linford Johnson) have tipped up at a resort in Ibiza run by Armado (David Kirkbride) for their lads’ weekend but are under a promise to not talk to any girls, let alone think about them. Meanwhile, Yvette (Annie Kirkham) and her hens Mary-Kate (Alice Imelda), Rosie (Alyce Liburd), and Boyet (Jo Patmore) are heading to Malaga until the resort says they’ve had to relocate them to a hotel in Ibiza. Cue shoddy disguises, mislaid love letters, and theatrical chaos as we wait to see whether the boys get the girls or indeed something el...

5Mar

By Paul ClarkeNo Comments

Yorkshire & Humber

Calamity Jane – Leeds Grand Theatre

All musicals need at least two showstoppers, and Calamity Jane exceeds that bar with songs to spare. Show opener The Deadwood Stage (Whip-Crack-Away) would be enough on its own for any self-respecting posse of musical theatre fans, but when you throw in the Oscar winning Secret Love, plus an utterly bonkers ahistorical plot, then it’s time to saddle up for a fun night out in Dakota’s Wild West. Calamity Jane is a stagecoach driver in Deadwood where her sparring partner gunslinger Wild Bill Hickok helps keep the peace, and when a local saloon singer is unmasked as a drag act she hightails it to Chicago to persuade famed performer Adelaide Adams to come back to Deadwood. But the brash and excitable Calamity - who as the folk of Deadwood sing is Careless With The Truth - is aptly ...

Pig Heart Boy – Sheffield Theatres Playhouse

5Mar

By Tracey BellNo Comments

Yorkshire & Humber

Pig Heart Boy – Sheffield Theatres Playhouse

This play with a big heart is based on the novel by Malorie Blackman and newly adapted by Winsome Pinnock, Pig Heart Boy is an emotive and thought-provoking stage play. With the just the right amount of suggestion opposed to detail, this educational production aimed at the young adult audience, provides plenty of room for discussion both before and after. As all good theatre in education, we are introduced to the moral dilemma and allowed to consider, ruminate and make up our own minds as to the ethical/moral issue. Cameron is awaiting a heart transplant after a childhood illness severely weaken his own. With the clock ticking and his life on hold, unable to do the things his friends do and live life to the full, he is offered a pioneering, top secret and some say - unethical option of ...

Chitty Chitty Bang Bang – Birmingham Hippodrome

5Mar

By Peter KinnockNo Comments

West Midlands

Chitty Chitty Bang Bang – Birmingham Hippodrome

“Chitty Chitty Bang Bang the Musical” first took off over 34 years after the original film starring the eternal Dick van Dyke was released based on the original book by Fleming, Ian Fleming with malicious additions by a pre-Chocolate Factory Roald Dahl - who else could have invented one of the most terrifying characters in all cinema - the Child Catcher? Though I’m reluctant to place it among the spate of tribute theatre we’ve seen of late (name a favourite film from your childhood/teens and add “the musical” and wait for the tills ching) it does smack of that genre. Nonetheless, though the film is a haphazard sub-Disney confection, it has wormed its way into our collective hearts not least through an endearing and irresistible score from the ever reliable Sherman Brothers. Our fine fou...

Now That’s What I Call a Musical – Liverpool Empire

5Mar

By Brian MaddenNo Comments

North West

Now That’s What I Call a Musical – Liverpool Empire

NOW That’s What I Call a Musical promises a nostalgic trip back to the 80s, but what it delivers is more like a chaotic tribute night with a flimsy story tacked on. Following best friends Gemma and April, the show jumps between their teenage years in 1989 and their reunion in 2009, exploring how life — and friendship — doesn’t always turn out the way we expect. It’s a familiar premise, but the story itself never really finds its feet. The biggest issue is the script, which feels like an afterthought, existing purely to glue together as many 80s hits as possible. Jukebox musicals often lean on their soundtrack, but this one takes it to extremes. Songs like “Girls Just Wanna Have Fun” and “Sisters Are Doing It for Themselves” feel clumsily wedged into scenes, rarely adding anything to the...