REVIEWS Archives - Page 13 of 612

The Risotto Is Burning – The Hope Theatre

9Aug

By Olivia CoxNo Comments

London

The Risotto Is Burning – The Hope Theatre

Debuting in London as part of The Hope Theatre’s North Sapph-Fest 2026, The Risotto Is Burning is a charming, bite-sized comedic drama by Sophie Underwood. We meet Annabelle (a wonderfully anxiety-riddled Georgia Brown) and Ben (a James Acaster-esque Jacob Lovick), a late-twenties couple who’ve moved into a properly grown up — if small — new flat. To prove their adultness, Annabelle has invited her two best friends from uni over for a classy dinner party. She might not be able to cook a decent risotto, but she’s determined to be a good host. Unfortunately, the night soon falls apart when Leah (Naia Elliott-Spence) brings along her 20-year-old girlfriend Layla (Katy Richmond) and Maddy (also played by Underwood) brings along her new “partner”… a blue fuzzy puppet called Charlie. Wh...

Paul Foot: The Future – Belly Dancer at Underbelly

9Aug

By Greg HolsteadNo Comments

Scotland

Paul Foot: The Future – Belly Dancer at Underbelly

A sold-out Paul Foot show at the Edinburgh Fringe is hardly a surprise. I managed to snag a very last-minute seat in the front row, which with Foot feels simultaneously like a privilege and a potentially hazardous place to be. Foot has been part of the Fringe landscape for years, developing a particularly devoted following, the self-styled Guild of Connoisseurs, or Leguminati. There is something reassuring about seeing a comedian with such an established audience who still appears determined not to give them quite what they expect. The Future finds Foot in characteristically restless form. His comedy occupies that peculiar territory somewhere between carefully constructed argument and the thoughts of a man whose internal filing system has been struck by lightning. Like a harmless dru...

9Aug

By Greg HolsteadNo Comments

Scotland

The Best of Burlesque – Assembly Rooms

There are occasions at the Edinburgh Fringe when sitting in the front row feels like a privilege. There are others like, several minutes into Best of Burlesque, you begin to wonder whether you have made a serious tactical error. You live and learn. The problem is not burlesque. Quite the opposite. Burlesque has enormous theatrical possibilities. It can be funny, provocative, sensual, satirical, beautiful and absurd. There can be character, storytelling and invention in the simple act of appearing on stage and gradually removing what you arrived with. But there has to be an idea. Too often tonight, Best of Burlesque seems to consist of people taking their clothes off to music. There isn't enough artistic interpretation or theatrical imagination to turn the act of undressing ...

A Curious Demise – Hen & Chickens Theatre

9Aug

By Caroline WorswickNo Comments

London

A Curious Demise – Hen & Chickens Theatre

Do you fancy yourself as a murder mystery detective? Or a writer – this Agatha Christie style show might be for you! A Curious Demise, is an improvised murder mystery, and they use their long-form improv skills to create a short play using some suggestions from the audience. As we enter the theatre, a guy with a rather dodgy moustache is brushing up and sets the tone for the show perfectly. With A Curious Demise, the show begins with a body, and the mystery is solved along the way by the cast developing the characters and the storyline naturally unfolds. But first, they must get some suggestions from the audience. Where has the body been found? - a greengrocers is suggested. The dear departed gentleman died holding something in his hand, wha...

9Aug

By Christina SchmidtNo Comments

Scotland

Belly – Greenside @ George Street

Three women, three generations, one family - and all of them struggle with their belly. The play follows Ellie, who gets pressured into an eating disorder by her high school swim coach, her aunt Katherine, who wants to do everything right for her baby but has to navigate a fatphobic healthcare system and patronizing doctors and Katherine’s mother Susan, newly widowed and learning to live with her grief. From time to time, writer and performer Reilly O'Shaughnessy checks back in with the audience as herself, and we get to learn about her own story and the reasons behind her creating this show. This variety of characters and storylines keeps the audience engaged and waiting to learn more about their relationships. They get rewarded with a very sweet ending, tying the different s...

Much Ado About Nothing – Thomas’s College

9Aug

By Alan Stuart MalinNo Comments

London

Much Ado About Nothing – Thomas’s College

Tom Littler’s staging of ‘Much Ado About Nothing’ is a true masterclass in how Shakespeare should be performed, adapted and directed: intelligent without becoming academic, emotionally rich without descending into sentimentality, and uproariously funny without ever compromising the text. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, alongside ‘Love’s Labour’s Lost’, it is an extraordinary theatrical achievement that is brilliant on every level. The production continues the stories of the same characters from ‘Love’s Labour’s Lost’, but six eventful years later. The original carefree summer of 1939 has been replaced by the summer of 1945, with the surviving men returning from war and the women revisiting the village i...

9Aug

By Alan Stuart MalinNo Comments

London

Love’s Labour’s Lost – Thomas’s College

Tom Littler’s adaptation of ‘Love’s Labour’s Lost’ is an exceptional theatrical achievement: intelligent, technically accomplished and irresistibly entertaining. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, this glorious open-air production demonstrates precisely how Shakespeare can be made contemporary, immediate and entirely accessible without sacrificing the richness of the original text. The production is performed in repertory with ‘Much Ado About Nothing’, using the same company to connect the two comedies across six eventful years. Although the productions reward being seen together (this is highly recommended), they also stand independently. Having recently played within the grounds of Braboeuf Manor in G...

Tick, Tick…Boom – Nicholson Street Venues

9Aug

By Beth EltringhamNo Comments

Scotland

Tick, Tick…Boom – Nicholson Street Venues

A story of a struggling theatre writer and the sacrifices he makes to make his dream come true, Tick, Tick…Boom is a show full of fun and thought-provoking songs. An autobiographical piece on the life of Jonathan Larson: most famously known for the hit musical Rent. Whilst a successful movie, and perhaps with a creative set and direction a strong musical, unfortunately Midnight Sun Theatre’s production misses its mark. Set in a small black box theatre with a tv screen to show locations and several black stage boxes and stools which seem to be aimlessly moved around the space the entire show, the direction and vision for the show seems amiss. Songs are not directed in a particularly interesting or dynamic manner the performance seemed to lack any kind of atmosphere at all, with very few ...

Colin Cloud: Hoax – Pleasance Courtyard Grand

9Aug

By Beth EltringhamNo Comments

Scotland

Colin Cloud: Hoax – Pleasance Courtyard Grand

If illusions and magic are your thing or you just fancy a good mind-boggle, Colin Cloud has you covered. From guessing the names and dates of people’s first kisses to getting an audience member to read the audiences’ minds, this show is sure to have you leaving more confused than you started. Cloud has an incredible stage presents: Funny, trustworthy and somewhat other worldly. He is incredible skilled at what he does and despite there being 700 plus people in the room, he made sure to make the whole room feel included. Now I don’t want to spoil too much so the tricks themselves will remain a secret, but the show is well paced and has you on the edge of your seat throughout. Audience participation is guaranteed with a large number of audience being chosen for set tricks or ...

9Aug

By Jessie MartinNo Comments

Scotland

[Seagull] – Studio Theatre

[Seagull] directed by Stijn Van Opsatal is a bold new take on Chekhov’s classic play The Seagull. Running consecutively for two and a half hours, this is an adaptation unlike any you have seen before. At the forefront of [Seagull] is the performance of the text in Flemish Sign Language. This production truly highlights the ingenuity and championing of accessibility as not just a requirement, but as a medium in its own right. Performed as part of the Edinburgh international festival, [Seagull] is brought to us by two Belgian theatre companies; Toneelhuis and Olympique Dramatique. [Seagull] follows the story of a young aspiring playwright and the relationships around him. Featuring four acts, each exploring the themes of unrequited love and creative ego, tensions rise and fall b...