REVIEWS Archives - Page 13 of 545

24Oct

By Paul ClarkeNo Comments

Yorkshire & Humber

EXXY – Leeds Playhouse

Dan Daw is described as a queer, crippled dance artist and EXXY traces his journey from a disabled working class kid deep in the Australian outbreak to international touring performer. EXXY is Aussie slang for ‘that’s expensive, mate’, and It’s a deeply personal response to the success of his last self titled show that left Daw with the sort of imposter syndrome that most working class artists will recognise. The good news is that EXXY on the whole works as Daw uses spoken word and dance to reflect on his life and work. This show is presented as part of the Leeds based Transform Festival that brings challenging international acts to the city, and they have a proud record of supporting disabled led theatre companies. As does Leeds Playhouse, and this is a really inclusive production w...

Come From Away – Northwich Memorial Court

23Oct

By Damian RiverolNo Comments

North West

Come From Away – Northwich Memorial Court

This evening The Musical Theatre Company transported us to Gander and treated us to the emotional true story of 7000 people who were diverted to Gander, Newfoundland on September 11th 2001, when the world stopped and lives were changed forever. TMTC are one of the first amateur companies to get the rights to Come From Away and they put everything into telling this story with as much truth and emotion as humanly possible. With Direction from Ben Ireson, Musical Direction from Michael J Scott and Choreography from Ceris Shadwell, you can feel that they’ve thrown all they have in to this story and along with the incredibly talented cast and the on stage band, you become lost in this world and go from laughing to crying within seconds. Come From Away is a complete ensemble piece with the...

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

23Oct

By Khushboo ShahNo Comments

London

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

With a premise like the one mentioned for Every Brilliant Thing, it is seldom that one can go through the entire play without feeling a sense of alienation from the theme in an attempt to keep oneself safe from the seriousness of it. But Every Brilliant Thing amalgamates the journey of a seven-year-old child grappling with her mum’s depression and suicide attempts with such tenderness and light humour that one can’t help but simply connect completely with the whole of it, while holding a smile through it all. The narrator (Minnie Driver) starts writing down every brilliant thing about the world at seven, a list that continues well into her adulthood, hoping to change her mother’s perspective on life. Driver brings a sense of sublime charisma to the character, inviting her audience i...

23Oct

By Jackie FoottitNo Comments

Yorkshire & Humber

Outlawed – Hull Truck Theatre

I might possibly need counselling after sitting through a performance of Outlawed, at the Hull Truck Theatre, on Wednesday night. And I’ve only myself to blame for breaking my own lifetime golden rule and willingly “audience participating”. I’ll never know what possessed me to roll a chunk of dry bread up into a ball and throw it at Robin Hood performing a heartfelt ballad on the stage. Poor thing didn’t deserve it. Mind you, it’s a good job my theatre buddy sister, Chrissy, was more restrained and didn’t throw a large potato gifted earlier to her by the balladeer - now that would have hurt. On second thoughts, I’m putting all the blame on my demise on to the four madcap performers acting out a night of burlesque, drag and comedy. The intimate Godber Studio at Hull Truck was...

23Oct

By Johanna RobertsNo Comments

North West

Breaking the Code – Liverpool Playhouse

Occasionally, a production comes along that is so remarkable on so many levels you know it is going to stay with you for a very long time, and the current production of Hugh Whitemore’s Breaking the Code fits that bill. I say ‘current production’, as I first saw this in London with Derek Jacobi, so my expectations were understandably high. However, this revived production surpassed all those expectations and then some. While the central element of Turing’s life is his work at Bletchley Park in breaking the Enigma code, the play reaches back into his boyhood and afterwards to his life as an academic to explore what inspired his brilliance at mathematics and cyphers and how society’s attitude towards his homosexuality drove him to suicide. The first two scenes, where the action jumps f...

The Shawshank Redemption – Hull New Theatre

23Oct

By Jackie FoottitNo Comments

Yorkshire & Humber

The Shawshank Redemption – Hull New Theatre

At precisely 7.30pm on Tuesday evening, the chatter among the Hull New Theatre audience quieted as the curtain rose on a production of The Shawshank Redemption. Seconds later the chatter resumed - the curtain having changed course and descended downwards. An apology resounded around the theatre. However, it was only another few seconds before the curtain rose again; and the aforementioned chatter ceased once more. That damn curtain seemed to have a life of its own as it descended once again; this time joined by its accomplice in crime, the fire safety curtain. Ten minutes after the scheduled start time, both barriers to the stage rose revealing the grey, grim interior of the Shawshank Maximum Security Penitentiary, in Maine, US. At first I thought I was watching The Full ...

To Kill a Mockingbird – Festival Theatre

23Oct

By Greg HolsteadNo Comments

Scotland

To Kill a Mockingbird – Festival Theatre

All rise. Atticus Finch is back in court, and on this particular evening in Edinburgh it isn’t Richard Coyle behind the spectacles but John J. O’Hagan, stepping up from first cover to take on one of American literature’s most beloved men of principle. He does so with quiet assurance. Harper Lee’s, To Kill a Mockingbird, reborn for the stage by Aaron Sorkin and directed by Bartlett Sher, has been touring the UK with glowing tributes. The Edinburgh stop at the Festival Theatre proves both admirable and exhausting, a beautifully acted, morally charged evening that never-the-less feels every minute of its bloated three-and-a-quarter-hour runtime. Sorkin’s adaptation has long been praised for shifting the novel’s moral centre from saintly nostalgia to uneasy realism. His Atticus isn’t carved...

22Oct

By NewsdeskNo Comments

Yorkshire & Humber

Dear England – Sheffield Lyceum

Brought by the National Theatre, this production covers the sporting tale of near-missing, culture-creating half-darling of the English eye Gareth Southgate, and his impactful tenure as manager of the England men’s national football team. Whilst it flirts with the bluster of testosterone fuelled dressing rooms, it brings with it a very deliberate and in-your-face softness that is credited as being part of the winning formula for Southgate and the England team. Except they didn’t win. So why are we hearing this story? The first thing that needs to be said is Es Devlin’s set design is sensational. Slick, bold and powerful, it is alive and breathing and extremely well utilised. Jon Clark’s lighting design accompanied with Ash J Woodward’s video design make the piece a pleasant feast ...

22Oct

By Mark DavorenNo Comments

North West

Albert Herring – The Lowry

English National Opera’s first official foray North sees director and designer Antony McDonald delightfully serve up Britten’s 1947 witty comic opera Albert Herring exposing the whimsy and hypocrisy at the heart of post-war British society. Lady Billows (Emma Bell) and her committee’s – aide Florence Pike (Carolyn Dobbin), headteacher Miss Wordsworth (Aoife Miskelly), vicar, Mr Gedge (Eddie Woods), Mayor, Mr Upfold (Mark Le Brocq), and Superintendent Budd (Andri Björn Róbertsson) of the local constabulary – attempts to identify a May Queen for the village come unstuck as they realise all the local girls are lacking the necessary virtuosity. The only option is the shy and reserved Albert Herring (Caspar Singh) who works at his mother’s (Leah-Marian Jones) greengrocers, where he is regula...

Fawlty Towers The Play – New Wimbledon Theatre

22Oct

By Maani WayNo Comments

London

Fawlty Towers The Play – New Wimbledon Theatre

John Cleese’s iconic Fawlty Towers begins its UK and Ireland tour in Wimbledon following its record-breaking sold-out run in the West End and it does not disappoint. The nostalgia is evident from the start. The iconic opening theme track plays as the audience settle down into a completely immersive and true to style sequence at Fawlty Towers. The set is eye catching and captures the essence of the series completely. The familiar reception and dining area are the perfect spaces for the dialogue and humour to play out and the characters float effortlessly between the two sets, providing the perfect backdrop for the chaos to unfold. What makes this show standout is the performances from each cast member, their impeccable acting skills and comedic timing which is a true joy to experience...