REVIEWS Archives - Page 13 of 428

13Nov

By Jan MellorNo Comments

North West

The Little Mermaid – The Brindley

Having seen the amazing Centenary Theatre Group deliver a spectacular Phantom of the Opera, I was intrigued and yes - very excited - to see how they would deliver a performance from a 1989 animated Disney film – The Little Mermaid. Diverse, brave and unpredictable – this theatre group were never afraid of risks or challenges – so I knew they would ‘smash it’ and ‘smash it’ – they did! From entering the theatre, a unique backdrop of surging bubbles and waves welcomed us , a spectacular and ‘gob-smacking’ digital backdrop that would mesmerise us all throughout the show – I am not sure how the Director Dan Grimes and the Digital Designer Simon Matthews did this, but it was a stroke of genius and consumed us all in a word of magic and wonder throughout. The story- origi...

Only Fools and Horses The Musical – Opera House

13Nov

By Max EdenNo Comments

North West

Only Fools and Horses The Musical – Opera House

Only Fools and Horses - The Hit Musical is a five-star masterpiece that brings the beloved TV classic to life with laughter, warmth, and a toe-tapping soundtrack! Created by Paul Whitehouse and Jim Sullivan, and directed by Caroline Jay Ranger; for me, the production perfectly captures the charm and humour of Peckham’s most famous family. It’s a feel good trip down memory lane, but also lets a new audience experience the Trotters for the first time! The outstanding cast delivers pitch-perfect performances that honour the iconic characters while not trying to Carbon-copy them. Sam Lupton is a stand-out as Del Boy, exuding charisma, sharp wit, and infectious optimism that draws the audience in from the start. Tom Major, as Rodney, offers a delightful blend of innocence and awkwardn...

13Nov

By Jackie FoottitNo Comments

Yorkshire & Humber

A Christmas Carol – Hull New Theatre

“One magical night” were the first three words of the press release describing the well-known story, A Christmas Carol, ahead of Northern Ballet’s run of the Charles Dickens’ classic at the Hull New Theatre on Tuesday evening. Those same three words aren’t praise enough to describe what we theatregoers witnessed when this amazing company took to the stage. It was sheer perfection - from the opening snowy scenes of Victorian life, to the closing joyous scene amidst the falling snow. The famous story, set in Victorian Leeds for this production, focuses on miserly money-lender Ebenezer Scrooge who is shown the error of his ways after visits from three spirits, Christmas Past, Present and Future. It’s a gloomy start, with the funeral procession of Scrooge’s business partner, Jacob ...

13Nov

By Zain RussellNo Comments

London

Nine Sixteenths – Pleasance Theatre

Nine Sixteenths, created and starring Paula Varjack, is a dynamic play centered on Black female role models and their portrayal in the music industry. The performance is short, fast-paced, and includes a few comical moments that had the audience laughing alongside the cast. The highlights included some spirited dancing and outrageously funny lip-syncing, adding a light-hearted touch to the production. However, the play frequently broke the fourth wall, with Varjack sharing her motivations and inspirations behind the production—a choice that occasionally disrupted the flow. The central focus of the play was the cultural impact of Janet Jackson’s infamous Super Bowl moment, examining both how Jackson navigated this incident and how it reverberated across the industry, particularly for...

13Nov

By Ben PearsonNo Comments

London

MOREAU – The Drayton Arms’ Theatre

MOREAU, the debut production of Exciting Stories, is a contemporary re-telling of H.G. Wells’ horror classic The Island of Dr. Moreau which explores themes of ‘memory, therapy, identity, rebellion and ultimately, hope’. Writer and director Phil Stewart and co-writer H.S. Fernandez have crafted a compelling, evocative, and philosophically intriguing script which (for the most part) well balances abstract and challenging concepts with grounded characters. Beginning with a powerful, almost animalistic piece of physical theatre, courtesy of movement director Luca Villa, MOREAU never lets the energy drop, keeping the audience equally engaged in scenes ranging from quiet reflection to a brutal operation. This is in no doubt due to the stupendously energetic performances of the cast. Jimmy...

13Nov

By Riana HowarthNo Comments

London

Phoenix – Barons Court Theatre

Phoenix is about a journey from constriction and avoidance to inner freedom. Dressed in flowy dungarees, and big, curly blonde hair, Helen is like a children’s storybook character. There is an intention to heal, which is manifest in her radiating warmth, and inviting eyes. She sets the scene with the cosy familiarity of a night in with a friend, drawing us in with intimacy. She confesses to being a Towie addict, and this comedy takes a turn, exploring different ways people numb themselves. The lightness and humour in her stories float above uncomfortable feelings. She squishes these down, dancing away the pain, and distracting herself. She shows us snippets of her life; her relationships, growing up, and her experiences as an actor. These personal moments feel sincere and make th...

Make Good: The Post Office Scandal – Omnibus Theatre

13Nov

By Olivia CoxNo Comments

London

Make Good: The Post Office Scandal – Omnibus Theatre

By now, the whole of the UK is aware of the tragic miscarriage of justice that was the Post Office scandal, where more than 900 sub postmasters were wrongly convicted of theft, fraud, and false accounting, ruining their reputations and livelihoods in the process. This unbelievable story became more widely known after ITV broadcast the TV drama Mr Bates vs The Post Office. Now, we have a musical take on the scandal in the form of Pentabus and New Perspectives’ Make Good: The Post Office Scandal, written and composed by Jeanie O’Hare and Jim Fortune. There’s a real community feel to the style of storytelling, which fits the source material nicely. We’re introduced to the show by Ed Gaughan, acting as a narrator and host in an engaging fourth wall-breaking monologue before seamlessl...

12Nov

By Kathleen MansfieldNo Comments

Scotland

Don Pasquale – Festival Theatre

General Director, Alex Reedijk, has spent the last nineteen years building Scottish Opera into a force to be reckoned with. This latest production is a reprisal of a 2014 creation by Renaud Doucet and André Barbe of Donizetti’s Don Pasquale. It is a frivolous affair, thankfully without the tra-la-las of which Mozart was so fond. The concept is bright, clever and amusing, giving the production so much more than the score and libretto. For that reason, this particular creation has been touring successfully in Italy, Canada and the United States. Guy Simard’s lighting supports the comedic storyline and the characters. His choice of colours and detail are spot on. A prolific force, Simard has collaborated with Doucet and Barbe for the last twenty five years. I particularly enjo...

La Bohème – L’Orchestra dell’Arte – Tung Auditorium

12Nov

By Mark DavorenNo Comments

North West

La Bohème – L’Orchestra dell’Arte – Tung Auditorium

The Tung Auditorium proves the perfect intimate venue for l’Orchestra dell’Arte’s performance of Puccini’s timeless masterpiece of unforgettable music that tells of love, friendship, and death, under the direction of maestro Edward Peak and featuring vocalists from Flat Pack Music. Set in the Latin Quarter of Paris in about 1830, it is Christmas Eve when we meet four struggling bohemians living in a garret: a poet, Rodolfo (Joseph Buckmaster); a painter, Marcello (Matthew Durkan); a philosopher, Colline (Conall O’Neill); and a musician, Schaunard (David Cane) who arrives having had some good fortune and they agree to celebrate by dining at Café Momus. They are interrupted by their landlord, Benoît (Martin Lamb) but cleverly trick him into revealing he has been playing around which allow...

Rachmaninov’s symphony No. 2 in E minor – Liverpool Philharmonic

12Nov

By Johanna RobertsNo Comments

North West

Rachmaninov’s symphony No. 2 in E minor – Liverpool Philharmonic

It is a measure of the Royal Liverpool Philharmonic’s standing among the international music community that they can attract the very best to perform with the orchestra and choir. Nowhere was this more clearly seen than at last night’s performance, which saw young British award-winning conductor Adam Hickox take up the baton to conduct the orchestra in Rachmaninov’s symphony No. 2 in E minor, and internationally acclaimed violinist Ning Feng in Samuel Barber’s violin concerto. However, in keeping with the programming of traditional pieces with newer or lesser-known works, the concert began with ‘Nautilus’ by contemporary composer Anna Meredith. A short but intense piece featuring particularly the brass section, it was first composed in 2011 then orchestrated in 2021, Meredith says her i...